The Last of Us™ Part I

O que dizer de TLOU? Vou fazer a análise, só pra agregar no meu currículo gamer,pq é um jogo que dispensa comentários. Acredito que assim como eu, muitos aqui já zeraram ele mais de uma vez no meu caso em específico é a 3 vez que zero, de tão especial que ele é pra mim. É um jogo muito importante pra mim, pq joguei ele em um momento um tanto quanto caótico na minha vida, isso em uma rara oportunidade que tive um ps3, e comprei o game, recém nascido, do seu lançamento. E toda vez que eu o jogo, me arremete muitas lembranças dos momentos que passei, jogando esse game. Comprei de novo aqui steam pq tenho ele físico de ps3. Mas é como eu sempre digo...se eu comprar TLOU e instalal-o eu tenho que joga-lo até o fim, e foi justamente o que aconteceu aqui. Esse jogo é um amor na minha vida, além de ser muito gostoso de jogar, e ter uma história maravilhosa. Recomendo esse game, pra quem gosta de aventura e curta uma boa história.

game with beautiful graphics in 4k, it almost looks like real life

乔尔和“好人”相去甚远，又或者说他是一个彻头彻尾的坏人， 但我很难用好坏去评价乔尔，因为他身上最可怕的一点，恰恰是他很像一个真实的人。 他为抢劫杀过人吗？ 大概率是的。 杀过无辜的人吗？ 医院里的医生就是最典型的例子。 为了生存做过很多恶吗？ 游戏已经给了足够多的暗示。 如果把这些事情单独拿出来。 他完全可以成为另一个故事里的反派。 可偏偏，我陪着他走了一路。 我看过他失去女儿。 看过他一点一点重新学会在乎一个人。 所以当他做出最后那个决定的时候，我不是在看一份犯罪档案，我是在看一个我认识的人。 这就是这部作品厉害的地方，它用无可挑剔的叙事手段，让你去理解乔尔为什么会变成这样的一个人，而不是赞同。 理解，不等于原谅。 理解，也不等于支持。 只是你终于能够说：如果我是他，也许……我也会变成这样。 很少有游戏能让我玩两遍，原版一次，重制版一次。所以我会说这游戏不是我玩过最有趣的，但绝对是最完整的游戏之一。 它没有任何革命性的玩法，没有跌宕起伏的剧情，没有波诡云谲的阴谋，没有惊天动魄的牺牲。游戏结构简单的像是一部公路片。 但这样很好，实际上非常好。 它几乎没有一句废话的台词，没有一个多余的场景，甚至那些看似无关紧要的聊天，笑话书，长颈鹿。 都在做同一件事情—让艾莉和乔尔慢慢成为彼此生命的一部分。 所以剧情是极其容易预测的，乔尔会这样做不是因为编剧需要，而是玩家需要。 但我觉得这游戏最厉害的地方，不是玩法不是剧情也不是叙事—— 而是长颈鹿。 因为那一刻，游戏突然停止了。 没有敌人，没有任务，没有倒计时，没有奖励，你甚至可以马上离开。 可大多数玩家都会站在那里。 看很久。 那一刻，游戏相信：玩家愿意和角色一起发呆。 这是很奢侈的一件事。 它没有用爆炸、反转、Boss战去抓住你的注意力。 它只是让一只长颈鹿慢慢走过去。 而你愿意停下来

muito bom

女孩跟着男人，从春天走到冬天，学会了如何在末日生存，如何独自面对恐惧和世界的残酷，从爱耍脾气的的小鬼蜕变成“艾莉”。 男人跟着女孩，从冬天熬过春天，学会了如何放下心结，如何坦然接受自己内心最痛苦的血枷，从浑噩度日的走私客成长为合格的“父亲”。 救赎是就算冒着成为盘中餐的风险，也要为他送来血的馈赠。救赎是不惜杀光整个火萤总部，也要把她送去应得的未来。 悲剧是亲手摧毁自己一针一线串起的、最闪闪发亮的珍珠。悲剧是本已向现实束手投降却偏偏看到微弱的火光。悲剧是眼睁睁看着火光熄灭，既定的宿命到来却无力改变什么。 男人的残缺照片在最后补完了他的命中注定，女孩的火萤吊坠却在一开始就预示她的命中注定。 如此美丽，如此悲伤。如此残破，如此坚强。 The Last of US. 如艺术品一般美得窒息。谢谢这段旅程。

[h2]孤獨，夏日，記憶，風與陽光[/h2] [spoiler]玩這個游戲的時候，截過一張圖，當時寫著“又回到了哪一個夏日”，想起，那張圖帶給了我一些和今天的日記非常熟悉的感覺。[/spoiler] 從床上下來，不敢再多睡，怕想要寫點什麽的心情一下子就溜走。如今我很少寫日記，因此倍加珍惜有感覺的時刻。 最强烈的是“午後的感覺”，那種被陽光的溫度喚醒的昏昏欲睡，帶我走回了好幾個夏日，往復的夏日，循環的夏日，童年記憶裏老舊的夏日。然後是，孤獨，在郊區的校園裏，最罕見的是人，大家走後，景色和建築仍在，而它們對我而言總是特別的，尤其在沒有了“人”這一存在之後，我反而覺得一切更加親近，更令我喜歡。 孤獨，如果一年前對孤獨還只停留在想象。那麽如今我是實實在在地經歷了一年的“孤獨”，因此，過往的記憶又開始流竄，我想起初中獨自一人搬去奶奶家住的時候，我總是把自己鎖在那個小房間之後，那之後便是想象力的世界，寫點無用之物，來回讀著僅有的倆本書。擁有的東西很有限，因此要費大力氣去想辦法獲取，看各種動漫，讀各種書，不像如今，受困于選擇太多的自由，反而變得倦怠，疲憊不堪。而只有在心靈的一切防綫還未築牢之時——也就是剛睡醒的那一刻，是最美好的時刻。純屬感覺的時刻，一切的慣習都還沒有被喚醒，也因此我還能找到一點獨特的自我。 記憶，總是記憶帶我逃離枯燥的“此刻”。我享受著每一個不被打擾的時刻，有時候我覺得在我忘記了這個世界的同時，也被這個世界平等地遺忘，但這是一件好事，有一種互相不打擾彼此的舒適。我像是不屬於這個時代的人，要麽是隸屬於“未來的人”，被遺棄在當下，尋找著對於未來而言的過去之碎片，因此我總有這種拾荒感。碎片，比完整更完整。死去的，比活著的更有意義。 如果我是在傍晚或是深夜醒來，一定不會有此刻的感覺。 陽光是重要的。 它的溫度裏面有一處記憶的滑梯，我只要鉆進去，一下子就能回到好多個曾經存在的當下。 那種昏昏欲睡的感覺。 帶我回到無數個獨處的當下。一如現在，一如既往。

Undoubtedly one of the best story telling in video games ever. I originally played tlou part 1 and 2 on my ps5 back in March and absolutely fell in love with the game and its rich story. I found it hard for me to put down this game when I started because it keep you not only entertained, but also invested in the emotional drive of this story. The dynamic of both Joel and Ellie is just so beautiful and a breath of fresh air. Playing this now on pc just highlighted my love for this game in ways I didn't expect. This and part 2 are my favorite games ever. Cant wait to replay part 2!!

kinda pissed that the OG game was ret-conned but still a fantastic game in many avenues. DO NOT WATCH THE SHOW!! thank you Bruce Staley and the NG team!! -remastering the original -renaming it to part I -ret-conning important story/char moments -folding in the ret-conned material to better fit it's part II sequel then presenting it as a 'faithful reconstruction' is ♥♥♥♥♥♥ up so new players and people that didn't play the OG. they are not gonna understand and feel the same punch. the OG has absolutely S-tier story-telling, it doesn't get any better than TLOU1, but the gameplay, engine, animations etc is much much better in the remaster and makes the game one of the most visually pleasing games ever to grace the earth. what shoulda took me 5-6 hours to complete, took me 20+ hours. absolutely stunning, the attention to detail is absolutely insane, really insane how nothing new or mind-bending is being introduced but it's ability to really understand humanity, survival, connection, and most importantly, love. bonds unbreakable for best or worst. ellie, joel, tess, bill, henry&sam, marlene and even robert and david, what wonderfully written chars i bought a PS3 years and years ago just for this game, parts of it have been changed which I don't like, so it fits with the second game more which has a lot of problems of it's own so it ends up hurting this game, which sucks :( some examples are: [spoiler] the hospital at the end is completely different, it's more visually sanitized and cleanly lit to evoke a competent medical facility the surgeon now wears clean trainers and white washed and swapped out for a caucasian man because god forbid audiences have to sympathize with abby and her father if they are not THE WHITE MAN. the heart-wrenching scenes of joel fighting off the firefly's to save ellie, all taken out to evoke big evil bad man joel was actually definitely bad guys don't question anything, jus bad man joel, okay guys? introducing a scene of joel 'evil staring' the surgeon to really cement the idea that you are the bad guy this visual retcon forced the player to accept that joel had denied ellie the choice AND denying humanity of a cure, destroying that delicate ambiguity that makes the ending such a powerful masterpiece. [/spoiler] what an experience tho, unforgettable, gustavo on that 6-string, the story-writing/dialogue, the environments and how the NPC's react, the blood effects and incredible textures and lightening is breath taking - i b jus standing still taking it all in at times, slow walking through the dingey abandoned tunnels. reading every note and exploring every corner of the environment... not just your avg rusty buildings and broken down cars, it's true art here nothing hits quite like TLOU1, it shows stories don't need insanely advanced or convoluted plots or chars, it can be kept simple but it's method of execution is how it all really comes together, it has to be one of the most realistic, dare I say "grounded" experiences I've went through and i LOVE it for that!! truly unforgettable, every gamer boy and gamer girl should experience such. big massive pat on the back for the developers at NG!! Bruce Straley never get's enough love as the druck as too much ego to allow Bruce and Amy Hennig to produce amazing stories and chars. the moral consequence of every survivors actions feel so incredibly real - nobody feels like a true 'villain' the whole concept of evil and bad becomes questioned when circumstances are so desperate and this powerful state feels so human, mammal and completely understandable which makes it so difficult and morally questionable, holding so much weight to the choices. *never forget druckmans initial pitch of TLOU which was a an uncomfortably cynical world where only the females of the world would be infected by the virus and the 'ALPHA MALE' main protagonist would gun down and mercilessly beat these women aka "infected". this ofc made the female staff members b like 'ehm this is just female physical abuse' and they binned the project thankfully!! but goes to show that druckman is someone that likes to steal writing credits and is not much of a writer himself* if the game was subject to the writers guild of american guidance then bruce would not have his name legally removed from the HBO series as it was his baby too, but neil and his overwhelming ego could not allow to anyone to share the same glory. this is troy bakers best performance for me, watching the behind the scenes and seeing how much both ashley johnson and troy brought life to joel and ellie, not only from the performance itself but some of the story adaptations and ideas they both brought to the chars, why it's so important to NOT have full directive freedom from 1 person as it takes a team to make something truly special like this. 2013 TLOU 10/10(weak engine, remarkable story) 2022 TLOU 9/10 (great engine, great story but ret-conned sadly)