The Last of Us™ Part I

Excelente Juego

Beautifully made, great graphics, 8/10 story only because it's a little cliché, but the journey through the story is 10/10. "It's all about the journey, not the destination." It ran pretty flawlessly for me, do keep in mind that DLSS may cause characters to have a blur while moving. The game kept me uneasy almost 100% of the time, made me cry at least once.

游戏不错 玩法和叙事都挺好 就是优化太差了 低画质只能跑六七十帧 有时候甚至会掉到四十多帧 不过总体来说质量还是可以的 值得一玩

神作

8.5 книжек с каламбурами из 10

I do not like The Last of Us, I do not like Naughty Dog, I do not like them Sam I am. The definitive artifact of "Prestige AAA First Party Over-the-Shoulder Narrative Theatrical Gaming". A polished, impeccably acted, and visually stunning experience that is seemingly embarrassed by the fact that it is a video game. A by-the-book linear storytelling exercise that actively resents player agency. The IP has such cultural ubiquity at this point, it needs no explanation. The contrivance of plot was played out and stale when it first released over a decade ago. The gameplay loop suffers from a similar severe lack of imagination. Too many instances of ‘plank and ladder’ searching and ‘pallet positioning.’ It serves only to pace the dialogue, reducing the player to a glorified stagehand moving props for the actors. You enter a kill zone littered with waist-high cover, you stealth-kill or shoot until the music stops, and you proceed to the next corridor. Perfect stealth or chaotic brawling, with little room for creative experimentation in between but this isn’t about the player, it’s about Eli and Pedro Pascal, I mean Joel.. The game demands you feel the weight of every life taken, yet requires you without hesitation to slaughter hundreds of faceless ‘THOMAS, MY FRIEND!’ and ‘RACHEL, NO!’ in gameplay without a second thought. The emotional logic of the story does not survive the body count of the gameplay. But this much is typical of Naughty Dog. More than anything you feel like a passenger in Joel’s body: At the game’s conclusion you’re forced into a shoe-horned scenario. The intent was a cinematic moment, but you are not making a difficult choice, you are merely pressing a button to advance the script. It plays out like a mini-series that requires you to press triangle to watch the next episode. If you value narrative above all else, what you get is just another zombie story. This version is the remaster, remake, re-re-release edition for PC. Seeing a hyper-realistic Joel crouch-walk in a perfect circle while an enemy stares blankly at him from three feet away takes you out of any graphical pore-rendering wrinkle shaded hyper fidelity. The world looks like 2022, but it behaves like 2013. TLOU2 introduced prone crawling, dodging, and a far more dynamic AI that transformed the combat from a chore into an engaging experience. TLOU Part 1 includes none of these. Some people claim the AI received the improvements of Part 2, but gameplay at least in my experience proves otherwise. Charging full price for what effectively feels like an asset swap and pretty lighting is a predatory industry standard. It offers no new narrative insights, no expanded levels, and no meaningful evolution of the gameplay. And for a game that is essentially a linear corridor shooter with no environmental complexity, the resource demand is unjustifiable. It demands the hardware of the future to render the level design and mechanics of the past. The more realistic the environments become, the more the player feels like an intruder interrupting a film set which ultimately feels like their intention from the start.

senjing들 그놈의 파트2 스토리 들먹이면서 억까질 ㅋㅋㅋ 기술력이나 그래픽 엔진 분야에서 이미 senjing 게임 싹다 올킬 인데 ㅎㅎ

顽皮狗技术力巅峰

Jogo extremamente maravilhoso, a história me prendeu muito e a gameplay é simplesmente fantástica

omg