
Dispatch is a superhero workplace comedy where choices matter. Manage a dysfunctional team of misfit heroes and strategize who to send to emergencies around the city, all while balancing office politics, personal relationships, and your own quest to become a hero. All episodes out now!
Modeled estimate, not a reported figure. How we estimate →

About
You play as Robert Robertson, AKA Mecha Man, whose mech-suit is destroyed in a battle against his nemesis, forcing him to take a job at a superhero dispatch center: not as a hero, but a dispatcher. In charge of rehabilitating a group of ex-supervillains, you must manage your roster while navigating office relationships and rebuilding your suit for a shot at revenge.
In Dispatch, every decision you make influences the unfolding narrative. From banter in the breakroom to life-or-death situations in the field, your choices affect your relationships with the heroes, their allegiances, and the path your own story takes.
Use the strategy map to review ongoing emergencies and deploy the right (or wrong) heroes to deal with them. Balance the risks and rewards as you make tactical decisions, knowing that each choice can have lasting consequences for your team and the city.
Managing heroes sometimes goes beyond their powers. Each hero comes with quirks, flaws, and baggage you’ll need to navigate to keep the team together. Upgrade their skills and unlock abilities to boost their effectiveness in the field.

Aaron Paul (Breaking Bad, Westworld, Black Mirror)
Laura Bailey (The Legend of Vox Machina, The Last of Us II, Marvel's Spider-Man)
Erin Yvette (Hades II, The Wolf Among Us, Armored Core VI: Fires of Rubicon)
MoistCr1TiKaL (Charles White)
Jacksepticeye (Sonic Prime, River City Girls 1 & 2, Bendy and the Ink Machine)
Travis Willingham (The Legend of Vox Machina, Critical Role, Lego Avengers)
Alanah Pearce (V/H/S Beyond, Cyberpunk 2077, Gears 5)
Lance Cantstopolis (Karate, Dancing, Actor)
Joel Haver (Filmmaker, Actor, YouTuber)
THOT SQUAD (Musician: Pound Cake, Hoes Depressed)
Yung Gravy (Musician: Betty (Get Money), oops!)
Matthew Mercer (Critical Role, Overwatch, Resident Evil 6)
and Jeffrey Wright (American Fiction, The Batman, Casino Royale)
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French, Italian, German, Spanish - Spain, Japanese, Korean, Simplified Chinese, Portuguese - Brazil, Russian, Traditional Chinese*languages with full audio support
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 840 reviews with recorded playtime.
Reviews
Themes across 839 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
Bunch of corny out of place sexual jokes. "It's a hug not a hand job" BTW
"Gonna eat those twinks" - MoistCr1TiKaL
Лучшая игра за 600 гривен
不孬
Todo esta bueno, como la comida de tu madre.
相当于看了一部超长篇的超英电影,男主人设很好,很适合坐下玩一整天
good
Dispatch is a killer story‑driven adventure. Great characters, great tension, great payoff. Feels like binge‑watching a prestige thriller but you’re in the middle of it. Totally worth playing.
I PLAYED THE WHOLE GAME 3 TIMES AND STILL ♥♥♥♥♥♥ UP AND DIDN'T GET THE GOOD ENDING BEIAGNBAEIHG8r39728374AWEIGA 3:< good game tho
noice
Related
Related
Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Momentum
Pace estimated from the game's recent review growth (our daily snapshots) at its own sales-per-review ratio — a momentum signal, not booked sales.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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