
Amnesia: The Dark Descent, a first person survival horror. A game about immersion, discovery and living through a nightmare. An experience that will chill you to the core.
Modeled estimate, not a reported figure. How we estimate →
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Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 605 reviews with recorded playtime.
Reviews
Themes across 602 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
ну и духотища, еще постоянно кто то флешки кидает прям в лицо каждые 3 минуты во время флешбеков, приходится всячески уворачиваться игра скорее понравилась чем нет, палец вниз ставить не хочется
not only is it a fantastic horror game, I recokon it is one of the best games of all time
氛围塑造的太棒了,不禁让我回想起看红死魔的假面的感觉
always will have a special place in my heart. they don't do it like this anymore. this is the goat, the OG horror next to outlast. pinnacle of scary games, to me. mwah. love it
i want Justine to do unthinkable things to me
неплохо, весьма съедобно
评分:5/5 评测:《失忆症》系列时间顺序的第二部,主角“丹尼尔”在古堡中醒来,纸条上失忆前写下“杀掉亚历山大”,因此一边躲避怪物追杀,一边探索古堡找回记忆的复仇故事。故事塑造非常出色,值得游玩
传奇恐怖游戏失忆症系列开山之作,出道即巅峰
great yaoi game
Спасибо, что хорроры 10-х состариваются так же, как вино СТРАШНО СЮКА
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Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Languages: English*, French, German, Italian, Spanish - Spain, Russian, Simplified Chinese*languages with full audio support
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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