
In the distant future when civilization is on the verge of extinction, people follow the legend of the Elysium in the last city, Havenswell. In this post-apocalyptic wasteland sci-fi ARPG, you will play as Arrisa, a Blader with immortality, and explore the city ruin to find the hope of a new life.
Modeled estimate, not a reported figure. How we estimate →
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Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 639 reviews with recorded playtime.
Reviews
Themes across 639 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
肉眼可见的贫穷,但整体流程战斗做得很用心,看得出来有好好对待自己的游戏,不错,给个7分
最像本家的类魂,同时又有很多自己的特色。国产游戏之光!
合格的魂游,但是我越来越不喜欢魂游了,7.1/10
Loved the game. It's the first Soulslike in which I earned 100% of the achievements. The only negative thing about this game, was that it was too good to be this short. I would have loved to see more weapons, spells, and status effects. Hope it receives the DLC it deserves.
Buen juego, un digno soulslike 10/10
一堆宫崎英高都不爱用了的恶心东西就别拿来当个宝了呗
大牢
기대 안 했는데 엄청 재미있게 했음 난이도도 쉽고 눈도 즐거움 근데 번역이 좀 이상함
不推荐
游戏是好游戏,心情不是好心情!玩游戏,你搞什么心态啊~你爽么!雷神话和剑星都能玩通关,你这是把大部分人都劝退了。只对反应快的人群友好,永劫就是这么凉的。
Related
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Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Languages: English*, German, Spanish - Spain, Japanese, Korean, Simplified Chinese*, Traditional Chinese, Portuguese - Brazil, French, Russian, Italian, Polish*languages with full audio support
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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