Grizzly Man

In some parts it really captures the feeling of watching a cheesy slasher movie super well, and other parts end up missing the mark a little bit. Theres one or two minigames that have wild explanations i didnt understand. All that being said, its quick and the pixel art really is lovely, so if you are a fan of slashers, its a fun enough time all in all.

Su paleta de colores se quedó conmigo incluso meses después de jugarlo, y aunque considero que el contenido es limitado, la singularidad de lo estético y la intensidad de lo narrativo compensan lo suficiente.

Стандартный продукт этой студии: стильная пиксельная рисовка с упоротыми лицами, вариации традиционных карточных игр, QTE, всратые речевые обороты, теории заговора. Правда, много багов, можно легко засофтлочиться. В целом у компании есть проекты получше, этот ещё и ничем не заканчивается.

I always enjoy Pixel Pulp games and this one kept me well entertained too. The colours and the design were amazing. The story was a bit left in the middle especially with Robert being an MIC and everything. Would like to know more about it :P As for the game, it is still buggy, for the love of me I could not save at all at any time and when I tried and went back in-game I just couldn't click anything so I had to restart the chapter.. Also despite having all deaths registered & the achievement, the last gallery photo never unlocked.

The Pixel Pulp trilogy (Mothmen ‘66, Varney Lake, Bahnsen Knights) is a triumph of indie narrative gamemaking - tight 2-hour long old-school menu-driven adventures (think Deja Vu, not Maniac Mansion) packed with clever minigames and a grungy but deliberate graphical style straight from a ZX Spectrum bootleg loading screen. They’re underrated masterpieces, sadly not as played as I hoped they could be. My guess is that the “pulp” label and the schlocky marketing hides what a brilliantly melancholic little bunch of tales they are. When you think of pulp you think of cheap thrills and tired plots, but these literary trojan horses edge closer to sad-sack beauties like Norco or Kentucky Route Zero rather than the 8-bit survival jump-scare-fests you might assume them to be. Grizzly Man is the first in a hopeful spinoff trilogy called the “DTV Collection”, and from that name you may assume that this should be the grungy video nasty to the glossy grindhouse treats of the three previous games - you would be wrong. As the nominal slasher flick of the collection this is far gorier than the other three, but the episodic start-stop of the narrative and the multiple character conceit makes its form a little freer, a welcoming bit less elegant. It’s not that there’s not a story, it just isn’t there for you to play. These wary loners escaping from their past at the literal end of the world could not be more classic LCB characters, and the game mostly consists of internal monologues punctuated by choices and minigames. But the choices feel consequential. The minigames are sharper and more exciting. The winding backstories converge in surprising ways. And the crushing desolation of the setting and (even more!) pared-down palette conspire to make it the first of these games to truly make me feel the raw disgust, the bitter sigh of true despair that only the best horror short stories achieve.

This "game" is schlock. Also, the save function wouldn't work.

Un point and click con una estetica bastante piola, los colores pulp son geniales +u+) Aunque me gustaria que el juego tuviera mas ramas de divergencia, pero esta bastante bien uwu)