Grizzly Man

по ощущениям нарратив послабее, чем в "Mothmen 1966", хотя признаюсь честно, что это может быть обычной вкусовщиной, тк я не особо любительница камп хорроров типа "the quarry", а эта игра - яркий и приятный представитель жанра. однако всем тем, кто любит старый родной дух слэшеров в пиизде мира - советую. а даже если не фанаты (как, собственно, и я) - игра все еще стоит вашего внимания. ебеейший саундтрек и очень приятный визуал. новеллка иногда разбавляется веселыми и простенькими мини-играми, чтоб вы не клевали носом в клаву. также бы хотелось похвалить все сцены смертей - ради них даже хочется проиграть лишний раз. короче - вайб, но советую покупать по скидончику...игра щелкается очень быстро(. определенно будем покупать и заценивать игры от этой студии и дальше.

The genre and the game itself are exquisite. I’d recommend it even if you’re not familiar with the pixel pulp world

This is my second experience with Pixel Pulps and LCB Game Studio, and I would rather give this game a neutral rating than simply recommend it or not. Compared to Bahnsen Knights, which was my first Pixel Pulps experience, I simply enjoyed Bahnsen Knights more. The pixel art is still so unique, delicate, and captivating — I especially love the way it depicts the Grizzly Man's chaotic mind. However, the pace of storytelling is too fast, and it lacks explanation and development of the story's depth. Many things are brought up but exist only as additions. By the end, I was like, "Wait, that's it??" Still looking forward to the other Pixel Pulps games, though.

A great hour-long horror title with some of the best pixel art I've seen. While the puzzles are hit or miss and the save function is buggy (not an issue with the "Retry" option and short play time), the story and art kept me hooked enough for an entire run and a death completionist run in one sitting. Easily worth the price!

I enjoyed all four Pixel Pulps released so far. As the ones before, the point of the game is the pulpy story, on which you have minor impact: you can change tiny things, on balance, and get a more or a less hopeful take for the main characters, based on your choices, but it's mostly linear. That is so to that the particular story is it told as specifical as the narrator wants it, and that's a trope of the genre, the visual novels. But also, these games have a way into that, that it just works, for four reasons: - the fast and timed mechanics of the player actions keeps things alive; - the succint texts, written with with a period - the '50s to'90s? - consistent "naive seriousness" out of pulp novels, convinces, and evokes; - the illustrations are some of the best ever done in pixelart, in that they are both great as comic-book art (direct, clear, tremendously narrative and expressive, and just good), and as an example of how to push the bounduary of a medium - pixel art - that's often too conservative. - the audio and music are good, they dramatically undescore, without be overbearing or smudgy. In short, yeah, they're visual novels, but their delivery is above and beyond most. This episode, (with the previous one, Banhsen Knights) has some of the greatest art of the series, and I think it's great for the pacing, for its action concentrated in a short span of time. I like it a lot. There are also the two customary subgames, a game of cards that personally, as usual don't care for, and a nice mini puzzle. The negative of the game, if you don't accept wholly the frame of the type of narrative, is that you would like to see more: not particularly of the backstory and lore, that's nice that it remains a mystery, but a bit more of the consequences of the story for the secondary characters (especially those), the ones just sketched out. I hope that some of that will maybe touched in future episodes. ...I already said the art is great. But I'm an aging illustrator myself, and let me praise it once more. It's that great. Very good game for a thoughtful evening.

The Pixel Pulp trilogy (Mothmen ‘66, Varney Lake, Bahnsen Knights) is a triumph of indie narrative gamemaking - tight 2-hour long old-school menu-driven adventures (think Deja Vu, not Maniac Mansion) packed with clever minigames and a grungy but deliberate graphical style straight from a ZX Spectrum bootleg loading screen. They’re underrated masterpieces, sadly not as played as I hoped they could be. My guess is that the “pulp” label and the schlocky marketing hides what a brilliantly melancholic little bunch of tales they are. When you think of pulp you think of cheap thrills and tired plots, but these literary trojan horses edge closer to sad-sack beauties like Norco or Kentucky Route Zero rather than the 8-bit survival jump-scare-fests you might assume them to be. Grizzly Man is the first in a hopeful spinoff trilogy called the “DTV Collection”, and from that name you may assume that this should be the grungy video nasty to the glossy grindhouse treats of the three previous games - you would be wrong. As the nominal slasher flick of the collection this is far gorier than the other three, but the episodic start-stop of the narrative and the multiple character conceit makes its form a little freer, a welcoming bit less elegant. It’s not that there’s not a story, it just isn’t there for you to play. These wary loners escaping from their past at the literal end of the world could not be more classic LCB characters, and the game mostly consists of internal monologues punctuated by choices and minigames. But the choices feel consequential. The minigames are sharper and more exciting. The winding backstories converge in surprising ways. And the crushing desolation of the setting and (even more!) pared-down palette conspire to make it the first of these games to truly make me feel the raw disgust, the bitter sigh of true despair that only the best horror short stories achieve.

This "game" is schlock. Also, the save function wouldn't work.

Save do jogo não funciona

스토리가 좀 아쉽지만 마젠타색 픽셀 그래픽이 참 좋음 짧음..

te iba a re elogiar amigo hasta te donaba puntos wacho, PERO COMO NO VA A TENER AUTOGUARDADOO AA