DOOM: The Dark Ages

Not quite as perfect as Doom Eternal, but thats hard to achieve, so no points deducted for that. Good amount of content, got this on sale with DLC included for 36 bucks, would say it was worth it. Also really well optimized. Dont hesitate to grab this, if you liked Doom Eternal, which you probably did / will if you havent played that yet

doom at its best !!

Bu oyuna neden laf edildiğini çok anlamamakla beraber fenasal bayılmış buunmaktayım. Seride yeni şeyler denemeleri çok hoş. Artık böyle oyunları pek görmüyoruz malum. Ana oyundaki müzikler evet bir Mick Gordon kalitesi ve özgünlüğünde değil ama bu kötü oldukları anlamına gelmiyor. Çıkışından 1 yıl geçmesine rağmen hatalar ile karşılaşmak üzücü olsa da oyun akıp gidiyor. Revelations DLC'si ile rahatlıkla söyleyebilirim ki bu oyun serideki en iyi oyun. Hatta bırakın Doom serisini bugüne kadar çıkmış en iyi büyük bütçeli FPS oyunu bile diyebilirim. Mızrak ile parry yapmak çok tatmin edici ve aynı aletin oyuna sağladığı çeşitlilik baya baya doyurucu. İndirimde kapıp yardırmanızı şiddetle tavsiye ederim.

Very good, DLC gets dangerously close to Doom Eternal shenanigans with encounters being several waves long with empowered demons and similar junk but, thankfully, never gets as bad as Eternal's DLC got.

игра выше всех похвал!

똥손인 편이라 리부트랑 이터널은 정신없이 몰아쳐서 겜을 하면 너무 피곤했음 그에 비해 이번엔 방패를 사용해서 살짝 느린 템포를 가져가지만 묵직한 맛이 있다 개인적으로 이런 느낌을 선호하기에 더 재밌게 즐길 수 있었다. 시원시원하게 잘 놀다감

rest in peace id

Great addition to the Doom series! The Parry mechanics take some getting used to be once mastered offer alot of fun.

Justice for id Software. With 500 hours across the classic games, 2016, and Eternal, I'm a pretty big DOOM fan and was anticipating this to be a great game like the rest, but needed a GPU upgrade to play. I ended up getting that upgrade and this game shortly after the team at id Software was gutted by layoffs. The sheer amount of talent at that studio that had the opportunity to grow with each other while making groundbreaking game after groundbreaking game that lost their jobs the day before the DLC released is heartbreaking and infuriating, and frankly I find it hard to not mention that in this review. In this day and age, having a team that's as talented as the folks that worked on this trilogy are and to be able to cultivate that talent and build knowledge within the studio is so rare, Microsoft and Xbox executives should be ashamed of themselves for effectively cutting this prolific studio's institutional knowledge all for earnings calls and multi-million dollar bonuses. Justice for id Software. . As for DOOM TDA, it's an excellent take on the DOOM combat we've all grown to love since 2016 that's every bit as fast, aggressive, and lethal as Eternal's. Going in, my concerns weren't too great since I trusted that the designers would make good calls, and that they did. Resource management is still here, certain weapons countering certain enemies make a return, and swapping things while managing cooldowns return, but none of these are as prominent as in Eternal, since they're all things you'll be doing while parrying projectiles, shield flying across the arenas, and duking it out with demons in melee combat. With that added layer, pulling focus back a bit from all the resource management and quick swapping keeps the combat at similar intensity levels while not overloading the player with things to keep track of. It's a really well tuned combat system. Levels are often sprawling with tons of secrets tucked away like the rest of the series going back to Knee Deep In The Dead. The visual spectacles are breathtaking and varied, as are the litany of demons, new and old, you'll be ripped and tearing. The sound design, like Eternal, is punchy with hard transients that cut through combat to alert the player well, with my only gripe being the overused warbly granular sound that seems to be so pervasive across games these days (personal preference thing since I hear it in almost every single sound demo reel I watch). The music by Finishing Move is good, but the shoes to fill from Mick Gordon, Andrew Hulshult, and David Levy's scores are absurdly massive and I don't know that it quite hit the highs it could've. Being fully honest I don't know that it should've gone in the direction it should have; I think I would've liked more medieval and Nordic folk influence than straight metal, and even the Exultia theme from Eternal has trappings of that. I haven't played much of the DLC yet, only half of the first level, but the music there has already surpassed everything in the base campaign. Review's getting long, I'm getting hungry, it's a DOOM game, it's incredible, id Software deserved so much better than what happened to them.