The Room Three

Bulmacalar yine oldukça yaratıcı ve güzel olmuş. Bu kez tek bir odada kalmak yerine farklı mekanları keşfediyor olmanız oynanışı daha çeşitli hale getiriyor.Önceki oyunlara kıyasla farklı mekanlar arasında daha fazla geçiş yapıyorsunuz. Bir bölümde bulduğunuz bir eşyayı ilerleyen kısımlarda bambaşka bir yerde kullanmanız gerekebiliyor. Bu da keşif hissini güçlendiriyor ve oyunun temposunu canlı tutuyor. Oyunda beni en çok dikkatimi çeken ise farklı sonlara sahip olmasıydı. Seride ilk kez seçimleriniz ve çozdüğümüz bulmacalar oyunun nasıl biteceğini etkiliyor. Tüm sonları görmek isteyenler için güzel bir tekrar oynama sebebi sunuyor. Odadan kaçış ve bulmaca oyunlarını sevenlere tavsiye ediyorum. Bence serinin en kapsamlı ve tekrar oynanabilir oyunu.

Once again we get more variety in the third game of the series. The rooms are bigger and not just that, they're are interconnected now. Multiple endings extend that further but not by that much (it's about an hour of easy searching for stuff you haven't done yet). Though I have one complaint about the feature that really frustrated me throughout the whole game - slow ass animations of zoom in/out and just transfer between rooms and puzzles. I would understand a slow magnificent animation while seeing something for the first time, but make it faster afterwards. Other than that it's a great game with beautiful visuals and interesting to look at mechanisms, have fun!

As I replay this series again, I remember why I found this entry a bit less appealing. It's just a bit too sprawling, too clever-clogs for it's own good, too intricate, too try-hard and too fancy. The result is something less cohesive than its predecessors. I mean this is not too say it isn't good. As always the production values are high and the puzzles clever but fair. Others might prefer it's more adventure-style scenario where it isn't just about a single box expanding but a whole world to wonder around in and find different boxes and puzzles. But I found this aspect just a little to loose, too far away from the central concept. The reason for the change is the ongoing lore of occult and arcane theatre which the player finds themselves further dragged into. But I found even this aspect a bit too over-played in this game. And ultimately just too much dithering, retracing of steps and smarty-pants set ups mean this one will never be my favourite

I first played this game on the Firetablet many years ago. It is many times better on PC.

I love and hate this entry in the series. New ways to solve puzzles and some backtracking to solve hidden secrets across multiple rooms. Good luck on finding what's needed for the alternative endings, it's the only time I needed a guide. That damn "Golden Ball".

1 2 3 4 통틀어 가장 난이도가 높았음 스토리와 연출에 힘쓴 건 좋았으나 일부 퍼즐과 멀티엔딩 풀이에서 반복 + 난해함이 과했다 한글 패치가 있지만 25년 10월 패치 이후로 적용이 불가능 스토리가 중요한 게임은 아니니 그냥 해도 상관 없고 구글에 이전 버전 다운하는 법을 찾아서 적용해도 좋다

Another entry for this classic puzzle saga. In this third entry, expect more rooms and more intricate machinery. The plot and premise is basically the same, you are now in an english island with a big mansion and its surroundings, again influenced by the mysterious null element and the people who are trying to control it. It's mostly told by optional letters you find and an excuse for the actual gameplay. As always, expect all the satisfying clicking noises, the short musical cues, the small levers and rotating discs, the surreal monocle to see something hidden, the small compartments opening somewhere else. It's all there. This time, all gameplay areas are connected in a hub. It's not just moving to one level to the next one, a cool idea but unfortunately means that you have to endure all the slow transitions when you want to check an object in a far room. The classic big puzzly boxes are still in here, mixed between other objects more standard objects like desks, clocks, etc. There are 4 endings, you can access all of them after getting the basic one but, even if you meet all the requirements, the game forces you to replay the whole final area for each one. A bit cumbersome for just some very short FMVs (and individual achievements). Notably, there are no hints for any of the required objects for these extra endings, a hard challenge for even the most veteran players. If you liked the previous games, expect more of the same in a bigger presentation.

The Room is fun it makes you feel like you are solving these super complex puzzles but you are just kind of lightly connecting the dots and playing with these cool little contraptions. And if you do somehow get lost it's been heavily play tested and you just hit the hit button and it's like "Duh, when you solved that last puzzle it made something appear on the sheet of paper you were using but you didn't notice" Super fun way to feel much smarter than you probably are, and is filled with awesome visuals, contraptions, and audio

The game itself is great, and I actually first played it on mobile about 10 years ago when it was first released. It's still a fantastic puzzle experience. That said, you can immediately tell this was [b]originally designed as a mobile game[/b]. The PC port feels [b]poorly optimized for mouse controls[/b]. Opening drawers and chests, rotating the globe, and interacting with many mechanisms often feels awkward and frustrating. These actions were clearly designed for touchscreens, and they don't translate well with a mouse. I really wish the developers had put more effort into adapting the controls for PC instead of simply porting the mobile version over. The game deserves a better Steam experience.

The Room Three delivers substantial content depth, standing as a remake that is significantly longer and more complex than its predecessors by offering over four hours of gameplay when pursuing all of its outcomes. This intricate puzzle journey thrives on highly tactile mechanics, particularly large scale environmental interactions like deciphering intricate numerical logic and manipulating a massive forge. The atmospheric world building introduces effective horror undertones, utilizing creepy doll eyes, sudden jump scares, and Lovecraftian tentacles to wrap the mechanical challenges in a potent layer of tension. The exploration is elevated by multiple narrative outlets, offering four distinct endings that provide a fantastic incentive for thorough exploration and a deep revisitation of the game world. Progressing through these paths relies on clever perspective challenges, showcasing innovative puzzles that require you to manipulate three dimensional environments to match specific silhouettes for rewarding breakthrough moments. The hub based structure of Greyhome anchors an interconnected world design, ensuring that the various rooms and puzzle rooms feel like cohesive, integral pieces of a grand mystery backed by high quality graphical textures and immersive lighting. However, this dark room escape adventure still faces a few notable hurdles stemming from real time design constraints and finicky camera mechanics. The gameplay suffers from frustrating real time requirements during a specific clock puzzle that ties itself to your actual real world time, making it incredibly tedious if you arrive at the wrong hour and forcing minutes of completely idle waiting. The control layout introduces additional friction through clunky camera sensitivity, as attempting to move a sliding block often results in unintentionally rotating your entire perspective away from the puzzle. You will also encounter vague interactive feedback during your investigation, meaning that critical hidden latches or small switches can easily be missed because they blend too well into the hyper detailed backgrounds or are physically obscured by your eyepiece lens. Navigating the grand estate can devolve into onerous backtracking, turning the travel between the various rooms of Greyhome into an annoying chore if you happen to forget the exact location of a specific puzzle box. This navigation friction is worsened by an inverse control logic, creating a disorienting camera rotation system that moves backward relative to your input and takes a significant amount of time to get used to. The puzzle variety can occasionally lose its luster due to repetitive mini games, as certain mechanics like oscilloscope frequency matching and generator connection puzzles are reused frequently enough to feel uninspired over time. Finally, the mechanical design relies on obscure puzzle logic in a few late game segments. Challenges like a pinball style maze or the specific timing sequence required for ringing bells feature logic that feels a bit arbitrary and poorly communicated compared to the brilliant design found throughout the rest of the experience. Overall The Room Three is a remarkably atmospheric, mechanically intricate, and highly replayable puzzle adventure that excels through its rewarding multi ending structure, clever perspective manipulation, and spooky Lovecraftian tone. While the detailed investigation is occasionally slowed down by tedious real time clock requirements, disorienting inverse camera movements, repetitive mini game designs, and onerous backtracking loops, the stellar environmental craftsmanship and deep mechanical complexity ensure it stands as a fantastic and gripping peak for the room escape series.