Seek

不知道作者有没有玩过kio的人间冒险，我感觉两款游戏有点相似。 故事性，美术都不错，氛围渲染得也很到位，值得给一个好评

还没玩完，先直接说缺点吧。后续打完再更新 1.子弹搜索时告知的数量和实际获得数量不符。“发现了3枚子弹”“获得4枚子弹”这种情况比比皆是，只要玩过就一定能明白我说的是什么。不是啥大问题，但太明显了，只要是个人就能发现，而作者并未修复，为什么？ 2.看得出来作者玩过不少恐怖游戏并且融了进来，包括生化危机的整体游戏框架、signalis的2.5d战斗和会复活的敌人以及背包、ib的环境陷阱如血手、寂静岭的里世界和剧情思路，还有逢魔时刻我能想到的是黑猴里面的浮屠塔。但是——缝得太多了。本身游戏无论是视角还是亮度还是跑图就都已经很看不清了，你还要加个敌人不能彻底杀死的设计、加个逢魔时刻，加一堆sb地图陷阱。你要知道不是堆的越多越难越好玩，乱七八糟的东西太多会让玩家很烦，还很累。 3.背包格子太少，枪太多。signalis的背包虽然也恶心，但也勉强能用。而这游戏的怪都没啥特点，有啥必要搞一堆枪，还把背包搞这么小？另外你家孤儿院屯一堆枪干嘛呢？养保镖呢？ 4.怪物刚复活就能立马打人，而bgm会在他出手之后才变，你跑步和怪物的尸体擦肩而过，它能立马站起来给你一下，而你直到扣了血听到BGM变了才知道这怪刚在你屁股后面复活了。我草你的傻逼设计。 5.无意义的跑图。这地图设计就是一坨屎，作者完全不知道自己为什么要这么设计地图，就是为了跑而跑。拿子弹打怪找钥匙开门是为了再拿一发子弹？女主跑得还慢，一大半的房间全是无意义的纯资源房，拿资源是为了打怪，那你把地图改小点不就不需要这么多资源打怪了？强行让玩家浪费时间跑图延长游戏时间，有什么设计的必要？ 6.谁教你的里世界不给地图？我真草了，你哪怕给个那种一边走一边补全的地图就当女主自己画的也行啊。啥都不给就让自己走，偏这b地图还又大又绕怪多事多，纯浪费时间，把前面对游戏的好感全败光了。

总的来说，游戏玩法学的生化危机：探索拿道具+开锁解密+怪物射击，尤其是地图布局几乎和生化危机2一模一样，武器也是如出一辙，小手枪+霰弹枪+步枪+马格南。故事背景学的寂静岭，心灵创伤+表里世界的那一套。 玩法上，好消息是学的生化危机，坏消息是坏的东西也学了，基本上可以当作生化危机2像素青春版，但是操作手感奇差，移动有散射，必须静止射击，但也要瞄个一两秒，且2D平面上的准星瞄准手感怪怪的，不如加个辅助瞄准。移动手感和射击手感都是一坨。恐怖氛围塑造上有些小巧思，进出房间的明暗交替和怪物音效的远近传播很有沉浸感，恐怖气氛和紧迫感的渲染也不错。 剧情上不够出色，谜语人外加有的地方根本没有讲清楚，比如到最后都没有讲清楚女主Alice和反派Iris（爱丽丝和艾莉丝，中文同音）是什么关系。然后是一个对我而言恶心人的大雷点，最终boss艾莉丝有过被人强奸且流产的设定。首先，作为和女主爱丽丝，名同音、貌相似的反派艾莉丝被人强奸流产，我只能说何意味，烂活。其次，如果只是想要描写故事的黑深残、塑造反派的悲惨，或者铺垫心灵创伤的原因，完全有一百种可以平替且不那么恶心的设定，这种设定放在整个故事框架下都不是那种“非它不可”的设定，除了恶心人没有任何特点。前面也说了，如果是要描写悲惨遭遇，有太多非“强奸、流产”的设定可以替代，排除单纯的恶趣味，我只能认为这是作者在剧情构思上的懒惰。 看了下作者的b站号，作为国产独立游戏作者，且在游戏上的一些地方有些小创新小巧思，就推荐一下。就是希望以后别整这些裤裆悲剧了，纯烂活。 总结下来，喜欢像素、恐游、解密、怪物射击等要素且不雷设定的可以一试，性价比还行。不喜欢裤裆悲剧的不推荐玩。

SEEK is a Survival Horror game that last around 6 hours. It share the likes of Resident Evil 4, Silent Hill, and Signalis. If you are a fan of it, you will definitely have fun! Summary: Your dad brought a mirror home that has an origin in a abandoned orphanage. Then the next thing you know, you are in the orphanage yourself, with nightmarish creatures that never seems to stay dead. You have to find out the cause of this nightmarish world and end it once and for all. My praise for this game is the use of the atmosphere to create an environment, sometimes it is the dilapidated hallway that tells you, yes it is an abandoned orphanage. Sometime it is the metal floor and generator hum that tells you yes, this place is cold and there will be monsters there. Sometimes it is the classical music and warm light or cozy room that signifies that you are in a safe area. The story overall is straight forward and you will empathize with the characters in the game without it being dramatic. It is grounded and relatable. The variants of enemy is abundant to keep you on your toes and none of them feels unfair to deal with. (I finished this on Normal difficulties.) In terms of the survival/resource management part of the game, again it is fair and enough to the point where there is enough ammo and health for you to mess up a few shots, but also spreads out enough where you will actively save the "big shots" for dangerous enemies and bosses. However, the first critique that I had for the game is the translations. I don't care if English is not your first language and the dialogue comes out funny as a result, just as long as I can still deduce what the game is trying to tell me and I can solve the puzzles in the end. But in various points in the game, I had to go "Is this what the game is trying to tell me?" The most memorable one is regarding the hint toward the usage of the "Lily key". Basically it said: "...for the staff accommodation area. It can open all the doors in the building..." So which is it? Can it open all the doors at least in the hospital areas, or just the accommodation area? It is just the accommodation area... Second, close quarter aiming is almost impossible. There are various parts in the game where the enemies are just one or two steps away from you. But because the circle of direction is really sensitive the closer your cursor is, it means that if enemies got way too close, moving your mouse a little bit could mean either your aim went up or down, or even 180 degrees backward. I always had to run back further before I take my aim. Third, the pacing is a bit off. I will divide the game into 3 chapters, Chapter 1 = Normal Orphanage. Chapter 2 = Hellish Orphanage. Chapter 3 = Apartment building. With intermissions and boss fights in between. Chapter 1 takes over 60% of the game with Chapter 2 & 3 share the remaining 40%. Which leads me to my next point: Back and forth. All survival horror games will have back and forth elements in it to keep player moving throughout the map. But in SEEK you can tell when you have to go to the other side of the map. Enough to the point where I start to felt annoyed when I was playing. Overall, I really enjoyed playing SEEK despite its limitations as those limitations are not game breaking, they are just annoying when you notice it. As I run from puzzles to puzzles, I was able to achieve all the necessary requirement for a good and satisfying ending which warms my heart! So good job cloud_li, looking forward to your next game!

你是生化老玩家的话，不推荐

给完玩具熊腿背包满的就拿不到拼图碎片了，不是这就死档了？和玩具熊对话为什么会自动卸掉散弹枪啊？正好占满背包，什么原理，给我气笑了

I havent even finished it yet and i already love everything about it.

还不错嘛，但也不好。但鉴于毕竟是作者一个人辛苦做出来的小游戏，可以打个70分。

Good, kinda reminded me of RE2.

总体还是给个好评吧，游戏性和体量上挺不错的，虽然能看到对pt，寂静岭，signalis等游戏的大段借鉴，但至少借鉴得有模有样的。就是这个剧情可能还是有点太白开水了，而且在画面表现力上不太够强。话虽如此，既然只要二十多块钱就能让我玩上四五个小时，好评是肯定的。