MOTORSLICE

i really wish I could like this. the movement is clunky and not very fun. i dont know why the game even has combat since theres barely any mechanics for it. the mc makes a 'i hate sand' star wars reference that shows her feet in the same cutscene. also it is really glitchy. i was fighting a boss, died, then got teleported to the next chapters boss. if this game didnt have a anime girl, i don't think people would be nearly as kind to it. if you want a good parkour game about exploring a megastructure, go play lorns lure. its much better

Bought it after seeing the feet scene. Honestly A great platformer shadow of colossus mix. Its so well written and the grandeur is insane.

bored

Pretty solid gameplay and mechanics, the only downside is the jumping is a touch wonky which will cause you to just careen off some cliffs. Overall though it's a great concept and recommend anyone gives it a go.

[h1] Un Juego Intenso [/h1] un juego indie complicado, dificil en algunas partes y buena historia, linda musica, buenos niveles, de tanto que [strike] MORI [/strike] por la dificultad lo termine en casi 14 horas... y valio cada segundo, lo amo...

The game need a mod that replaces the character model with that of a hamster 'cause why does she keep jumping off to her death?

You take Shadow of the Colossus, give it one of the greatest 3D platforming systems you can play, one of the greatest environmental settings for you to use said system in, incredibly well thought out level and mechanical design and then top it all off with one of the coolest art directions I've ever seen for a game and you get Motorslice. 10/10 all around, absolutely fantastic game. To get the "lesser" stuff out of the way first, this game doesn't really have a huge overarching narrative for us to latch onto. We're drip fed stuff about the world over the course of the game via optional cutscenes and environmental storytelling, but other than that we aren't given much. I adore the way they go about it though, it fits for the game and its vibe so perfectly, even if there isn't much. It's incredibly immersive. Onto the more obvious stuff now. Mechanically, the game feels weighty but not in a bad way. P controls in a way that may feel surprisingly sluggish at first, but as you climb you really get a feel for how she works. The level design is such that it compliments her playstyle perfectly, and a few quality of life features here and there such as tracking to certain platforms or interactables mid jump help keep things flowy. Orbs are a fun collectible too, scattered here and there throughout the structure and requiring you to use your brain to get to some of the awkward ones. There isn't always a set way to grab them either, helping break up the linearity with a bit of spice. The gameplay 100% won't be for everyone and I understand that completely, it just happens that I personally really like how it controls. When you get into a groove weaving traps, grabbing orbs and clearing platforming puzzles only to look back to see how far you've come is incredibly rewarding. On that note, I don't think I can give it enough props for it's presentation alone. The way this game presents itself is unlike anything I've seen from any other game. Despite being a fairly linear game progression wise (it's not like you can climb the megastructure as you please, there's a pretty set path), the entire megastructure feels so insanely cohesive the entire way through. Nine times out of ten when you're climbing, you can look down and see somewhere you explored three hours ago, and behind that somewhere you explored six hours ago. There are no loading screens on the way up, nothing to break your stride as you go and nothing to ruin your immersion the entire way through. Even the little break cutscenes that you can sit through are entirely optional. Art style wise, the game does not slouch in the slightest. It gives off some early PS1-2 esque vibes with some Mirror's Edge influence here and there. The design of the megastructure evokes HEAVY Blame! vibes which is something I highly respect, all while paying homage to Ueda's games via presentation, albeit in this unique brutalist setting. The way the environments become part of the level design via the colours that draw your eye to important interactables, the way the areas are so massive without becoming cluttered and how cohesive and explorable the structure is just ticks all of the boxes for me. The soundtrack on top of this adds so much to this game too, so much so that it's hard to explain in any other way than it just ties the entire vibe together so cleanly. You have to experience it yourself in game, it's something else. Boss design is where the Shadow of the Colossus vibes really shine for me. They're all huge for one, but you fight them by climbing them and taking out weak points in much the same way as you do in SOTC. Even beating them leaves them as a dust covered husk in much the same way, letting you see the aftermath of the fight from anywhere in the map. No boss is particularly challenging, but they're not pushovers either. They can take a fair amount of puzzle solving to deal with sometimes, but other than that they're not too bad. What they lack in difficulty they make up for in spades with presentation, but you'll have to play it yourself to see it. While I praise the game, it's definitely not without it's flaws. On top of my massive skill issue, P doesn't always move like you'd expect her to. Jumping can at times generate too much momentum for tight platforming, and it can be fairly difficult to judge what heights will kill you and what ones will not. Orbs too, there are 250 of them but in terms of variation there are really only two types: normal and timed. More variety could have made finding them even more fun, such as one that could move on its own or even run away from you. In terms of bugs, the game is actually very polished, only occasionally messing with your momentum or camera here and there. In terms of cutscenes...yeah I can't really defend this one. I like P as a character but jesus christ not like this. In some of the cutscenes she's sexualised for no reason and Orbie's dialogue options in response are either being a huge pervert or being an actual ♥♥♥♥♥♥♥. I didn't like having P's feet and tits shoved into the camera at all. The dialogue can feel kinda clunky sometimes too. Dunno if that one's on purpose or not, but that's an issue that I personally have and as I mentioned earlier, Orbie just can't find it in him to respond like a normal person. It's a shame cuz the cutscenes that I enjoy are done so well, and the worldbuilding and story being told through them are interesting to me, it's just that 90% of them involve some gross pervy ♥♥♥♥ and you can never actually get to know P beyond being gross or mean to her. Also the flashlight sucks major balls sometimes. All in all, this game was an absolutely stellar experience from start to finish. Reaching the top and watching the ending had me begging for more. I really hope we see more of Motorslice soon.

Perfeito, simplesmente perfeito

I already want PART 2!!!!