
In 2013 the world was devastated by an apocalyptic event, annihilating almost all mankind and turning the Earth's surface into a poisonous wasteland. A handful of survivors took refuge in the depths of the Moscow underground, and human civilization entered a new Dark Age. The year is 2033.
Modeled estimate, not a reported figure. How we estimate →
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Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 771 reviews with recorded playtime.
Reviews
Themes across 768 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
Игра детства только с улучшеной графикой☺. Спасибо разрабом за игру!!☺☺☺. Особенно фраза Ульмана: « ми фащистен, приехать, захватить ваш станция».!!!☺☺
лучшая серия игр про ядерный Апокалипсис)
убил тысячу коммунистов потом пришел домой и скачал игру рекомендую
good game, finished the story. bad ending is surprisingly good
BLACK ONE
Отличный шутер со своей атмосферой!!
Хароша ігрулька тільки срака в місцях горить на високій складності
Графика для 14 года просто peak
реалии моей жизни
The atmosphere of ruins is so rich that it really astonished a 16-year-old boy when he played this game for the first time.
Related
Related
Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Languages: English*, French*, Italian*, German*, Spanish - Spain*, Czech, Dutch, Polish, Russian*, Ukrainian**languages with full audio support
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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