Hellblade: Senua's Sacrifice

剧情或者说叙事明显大于玩法，玩完了我都没太理解技能究竟是什么机制，因为根本用不上，简单的弹反就能完成所有战斗。 游戏氛围感是拉的很满，用一个执念为线索，将由人到神再到人的故事讲述完全，用whisper作为推进提示确实是非常巧妙的设计，但也会使玩家产生依赖。叠加上过于简单的战斗就导致我在该被剧情杀的地方和无限刷新的小怪猛猛战斗二十分钟（此处我并未注意到任何提示），最后出去看了别人的全流程视频才知道应该让自己被杀掉才能推进。

I played this game before I had ever suffered true grief. Though I understood its themes intellectually, I could never really resonate with them. A few years later, I would meet the closest friend I had ever made through the circumstance of grief itself. Not mine, but theirs. I recommended this game to her, but through the grim irony of the human condition, I lost her before I ever got to watch her play it. I have since relived Hellblade without ever launching it again. Senua’s psychosis gives physical form to her grief. It creates voices to argue with, monsters to defeat, signs to interpret and, most importantly, a journey she can complete. Somewhere at the end of all that suffering is the hope that if she fights hard enough, understands enough, or reaches far enough into the darkness, she might somehow get Dillion back. Grief has a remarkable ability to do something similar even without psychosis. It bargains with reality. It searches obsessively for the missing piece that will make what happened comprehensible. It tells you that perhaps there was a misunderstanding, a lie someone told, something they never knew. That if only the truth could be revealed, the person you lost would finally understand what happened and come back. For a long time, that was my version of Senua’s journey. I convinced myself that if my friend ever understood the truth about what had happened around us, she would have some terrible revelation about how mistaken she had been. I could preserve the person I loved by making the circumstances the villain. There was still something to discover, something to correct, some final battle after which the world might return to the shape it was supposed to have. But Dillion was taken from Senua. My friend chose to leave. There were only 47 days between the last time she reached for me as though I still mattered to her in that way and her first date with someone else. For years I tried to make those 47 days contain some explanation large enough to absolve the person I remembered. Eventually I had to confront the possibility that there was no hidden truth capable of changing the ending. That, I think, is what I was incapable of understanding when I first played Hellblade. The end of grief is not winning. It is not finding the argument persuasive enough to resurrect the dead, expose the misunderstanding, undo the betrayal, or make someone choose you again. It is the terrible, quiet acceptance that the person you are carrying cannot be brought back by carrying them harder. Senua eventually has to let Dillion go. Years after playing her story, I finally understand why.

헤드셋을 끼면 바로 옆에서 내가 하지 않는 환청들이 들리는 듯한 생상함을 느낄 수 있습니다. 이 게임이 진짜 정신병같다는것은 내가 원하고 생각하지 않은 바를 3인칭으로 통제하지 못하는 목소리로 들리는 바인듯합니다. 많은 환자분들도 그걸로 고통스러워하고.. 이건 이해하는데 왜 회피가 엑박컨트롤로하면 전혀 안되는지 내가 회피누르다가 애가 엉덩이 보이면 칼 휘두르면 겨우 X(약공격)으로 해야하는지 내가 힐링겜을 하는지(7시간 소요면 어렵지 않은 난이도 아닌가요) 다크소울을 하는지 이해가 안되는 거지같은 게임 구조화로 저를 혼란스럽게 합니다. 시간 멈추는건 왜 안알려줘서 리뷰보고 겨우 누르게 하는지. 2번째 신 코스 들어가면 어쩌라고 싶은지.... 다른 게임은 새게임 +나오면 보정 안받고 회피 하거든요..,.. 8년동안 그렇게 게임했으면 내 손이 ㄱㅈ인건 아닌건데 비슷한 배경의 갓오브 워 북유럽 버전은 어렵지 않게 세계관 이해하면서 깻던것같고..이해가

The interactive story is very interesting, graphics are great. I really enjoy the fighting mode.

Beautiful, immersive game. You will love it.

wander simulator with some button mashing.

очень хорошая игра, отличный сюжет, превосходная актерская игра. атмосфера очень гнетущая, даже можно сказать пугающая. локации выглядят красиво даже сейчас. боевая система достаточно простая, но выглядит и чувствуется бодро. игра полностью отбивает свою цену