
They Are Billions is a Steampunk strategy game set on a post-apocalyptic planet. Build and defend colonies to survive against the billions of the infected that seek to annihilate the few remaining living humans. Can humanity survive after the zombie apocalypse?
Modeled estimate, not a reported figure. How we estimate →
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Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 621 reviews with recorded playtime.
Reviews
Themes across 616 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
Hard but fun.
嚎玩
Still a great milestone game, waiting on a worthy successor.
Cool and neat
Este jogo e muito bom,alem de partes desaiadoras e legais,ha uma ariedade de tecnologias que podem ser adiquiridas com o tempo,oque pode personalizar o seu jogo na campanha principal.muito bom.
完全天才遊戲 戰役最後一關 清附近的怪莫名其妙一大堆怪衝進來 還有大隻的 真的不知道是哪個低能兒設計這種白癡設定
Fantastic strategy! My only complaint is that the research unit infiltration missions are hopeless and unnecessary. The rest is great.
重生之我在帝国当皇帝
เป็นเกมสร้างฐานที่ดีมากๆ
Queria muito um jogo no estilo de Age of Empires 2. Esse é o mais próximo que encontrei
Related
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Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Languages: English*, Spanish - Spain, French, German, Japanese, Korean, Polish, Portuguese - Brazil, Russian, Simplified Chinese, Traditional Chinese, Italian*languages with full audio support
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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