
The Talos Principle is a first-person puzzle game in the tradition of philosophical science fiction. Made by Croteam and written by Tom Jubert (FTL, The Swapper) and Jonas Kyratzes (The Sea Will Claim Everything).
Modeled estimate, not a reported figure. How we estimate →
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Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 607 reviews with recorded playtime.
Reviews
Themes across 601 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
пощекатали мозк
本体难度并不高,关卡都是循序渐进的。DLC特别难,不得不感叹制作者对于机制开发的深度。 有关哲学的那些文本没看。但是配音是真的好,很有感情,内容是机翻,一坨。 游戏优化特别好,场景也都很好看,还有众多彩蛋。 强烈推荐🥰🥰🥰
Deep and engrossing.
A little curiosity never killed the cat
really good game great story and fun puzzles
Одна из лучших игр эвер
Stupid game
Это шедевр, просто одна из лучших игр всех времен. Сложность загадок выносит мозг, а приятные виды и музыка заставляют отвлечься и подумать о вечном, слушая Элохима. Если вы любите загадки и головоломки, то попробуйте эту игру. У вас будет 2 пути: или вы на самом деле не любите головоломки, или вы настоящий профи. Игра вас точно не оставит равнодушным :)
Awesome puzzle game to work thru!
Related
Related
Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Languages: English*, French*, Italian*, German*, Spanish - Spain*, Russian*, Japanese*, Korean*, Polish*, Portuguese - Brazil*, Simplified Chinese*, Traditional Chinese* +1 more
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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