
Fear and isolation seep through the walls of an abandoned southern farmhouse. "7" marks a new beginning for survival horror with the “Isolated View” of the visceral new first-person perspective.
Modeled estimate, not a reported figure. How we estimate →
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About
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 891 reviews with recorded playtime.
Reviews
Themes across 888 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
如果生化危机你没吃过屎就玩7和8,傻逼一样的老寒腿地图弯弯绕绕的
el juego es muy bueno, si no fuera por toda esa parte de los experimentos el juego nisiquiera seria un resident evil
GALERA! eu sou fã de RE e sendo bem sincero, esse é o meu favorito! Uma atmosfera de terror muito top e com uma ação envolvente, como boa parte dos jogos da franquia tem seu momento baixo, mas se tu passa por isso fica muito boa a experiência! Mas pra mim melhor jogo da franquia disparado! 10/10
可以的
Hongos
GOD
Scary
its my first resident evil and i really love it.
muy buen juego lo recomiendo :)
i thought that this would be the scariest RE game but it was the most fun until the ship part but overall it's a great game
Related
Related
Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Languages: English*, French*, Italian*, German*, Spanish - Spain*, Japanese*, Portuguese - Brazil, Arabic, Korean, Russian, Simplified Chinese, Traditional Chinese +3 more
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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