A Plague Tale: Innocence

A few months ago, i started playing a plague tale for the first time, after what felt like mindless rejections from me, i finally gave it a try. Safe to say..this isnt JUST a game anymore not for me, the characters? They may be fictional..but they are real for me, Amicia and Hugo share what is essentially a 1:1 bond with me and my sister, this game finally made me realize how much my sister sacrificed for me...how much family means to me, so i swore an oath. I can't tell that but sis you shall forever be my Amicia and i shall forever be your Hugo For those who dare touch Amicia or Hugo I promise you this, you will get the wrath. AND TO VITALIS AND NICHOLAS! BURN IN ♥♥♥♥♥♥♥ HELL YOU TWO FACED SNAKE SHAPED ARSEHOLES!

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A Plague Tale: Innocence is a gorgeous, immersive game held back by an adherence to a restrictive and limited gameplay loop. Although I found the overall experience and completion of the game a satisfying endeavor, I was struck by how high the highs are and how low the lows are. The game is by far one of the most stunning I've ever played. Each chapter is crafted like an old oil painting, and the developers' ingenuity and talent at creating a cohesive art style, absorbing atmospheres, and a variety of gloomy medieval environments impressed me. Games with high-fidelity, photorealistic, technical graphics don't move me anymore — any solo dev can make a UE5 game that looks "good" technically, but few have such striking artistic unity and oil-painting-like elegance that becomes timeless, no longer belonging in appearance to a specific console or engine era. Think of the difference in styles between Crimson Desert and Breath of the Wild. However, were it not for the game's captivating visuals and mood, I would have dropped it very fast. The gameplay is limited, almost nonexistent — any less diversity and the game would have essentially been a 10-hour-long quick-time event. It's a walking simulator where there's only one solution to every enemy encounter, one way to solve each puzzle, and one direction: forward. It almost feels like walking through one very long, narrow tunnel — except the tunnel is decorated with Renaissance paintings. Sometimes the pacing is so sluggish it becomes excruciating, where the developers force you to walk at a crawl — a pet peeve of mine that provokes nail-ripping boredom. Maybe this is a "me" issue, but this style reminded me a lot of Naughty Dog games and PlayStation "movie" games in general. These are the strongest and weakest parts of the game; the rest is mediocre — average to poor voice acting, decent facial animation and mocap, unremarkable music, and a thin plot with a generic villain who only serves to give context to the supernatural element of the world. The game would have benefited from a couple hours of padding cut. I'm hoping the sequel greatly expands on gameplay and player choice, and innovates in the story. All in all, I'd give it 6.5/10.

Классная игра!)

not the best but still good game for single player story

historia 10! personajes 10!

A beautiful story