Whateverland

У Стима нет нейтральной оценки. так что скорее...да? Вообще игра оставила никакое впечатление. Много идей, симпатичная (но местами оч кривая) рисовка. Но вот в плане сюжета и развития персонажей игра мало что дает. Можно отыгрывать хорошего персонажа ("да солнышко, ты молодец, так держать!") и плохого персонажа ("улюдок мать твою а ну иди сюда говно собачье") но нельзя середину. Персонажа Ника вроде бы все знают, но абсолютно никакого его раскрытия кроме реплик "а, опять ты". Зато в конце игры такие душещипательные выяснения отношений между главгероями, как будто вы плотно общались всю игру (нет). Еще очень болезненная тема - нет понимания где активный проход куда можно идти. Они оказываются очень внезапными и иногда надо протыкивать весь задник чтобы понять что это активная дверь на другую локацию. В общем странное ощущение сильной недоделанности.

Засофтлочилась игра на моменте компьютера. Надо было понять на моменте открытия замка в стартовой локации что игра не стоит того. По какому принципу я должен понять что делать, если мне нужно растворить цепь в кислоте? которая находится над ней, что за бред, хотя бы минимальное количество логики то должно быть. Мини-игра это просто ужас. Лучше перепройти старую игру 2001 года чем играть в это. Из плюсов: Сюжет есть, не видел концовки поэтому не буду говорить хороший ли он, музыка и в целом идея самого загробного мира интересная, но не получилось у разрабов.

Este juego es básicamente de resolver puzles, no es una aventura gráfica pura. Tiene bugs y resulta un poco lioso para lograr todos los finales. Pero a pesar de sus defectos, tiene algo que engancha. La atmósfera está muy lograda y los personajes y la historia resultan bastante interesantes. https://www.youtube.com/watch?v=G7HL__zVes0

Классная игра с милым сюжетом. Идеально для спокойного вечера

8/10

Whateverland is a narrative-driven point-and-click adventure game developed by Caligari Games and co-published with WhisperGames. It tells the story of Vincent, a skilled but unlucky thief who attempts to steal a necklace from an old woman, only to discover she is a powerful witch named Beatrice. As punishment, she exiles him to Whateverland, a surreal and strange limbo inhabited by a cast of oddball characters—each also trapped by their past mistakes. The setting serves not only as a fantastical prison but also as a mirror for the choices players make throughout the journey, as Vincent attempts to gather the pieces of a spell to escape. The core gameplay unfolds through exploration, conversation, light puzzle-solving, and a number of optional mini-games. One of the game’s defining strengths lies in its non-linear structure. Unlike many traditional adventure games that funnel players down a single path, Whateverland gives you the freedom to tackle challenges in different ways—be it through deception, theft, diplomacy, or empathy. The decisions you make impact character relationships and the overall narrative outcome, leading to multiple endings. This choice-driven design means that not everything can be seen or done in a single playthrough, and replaying the game with a different approach reveals new layers to both the characters and the world. Vincent is not alone in his quest. He is accompanied by Nick, a ghostly companion with his own personality and opinions, often commenting on your choices or offering hints. Their dynamic adds a layer of humor and tension, balancing the game’s often eerie or surreal atmosphere with lighter moments. Dialogue is fully voiced, and the characters are brought to life with expressive performances that fit well within the game’s quirky and offbeat tone. Each resident of Whateverland has a backstory, and your interactions with them—whether helpful or exploitative—shape your journey and theirs. Visually, the game is striking. Everything is hand-drawn with a distinctive art style that blends dark whimsy with dreamlike surrealism. There are clear influences from artists like Tim Burton, though the game maintains its own identity. The environments are filled with strange details: architecture that bends the rules of reality, grotesque-yet-endearing character designs, and a palette that shifts with mood and story. The visual design reinforces the feeling that this is a place out of time, disconnected from logic but deeply rooted in emotion and consequence. Sound design plays a crucial role in reinforcing the game’s mood. The original soundtrack features live instrumentation, including a chamber sextet that adds texture and authenticity to the audio landscape. The music shifts with tone—sometimes eerie and mysterious, sometimes upbeat and whimsical—and works in tandem with ambient effects to create an immersive world. While the production values may not rival big-budget titles, the sound design fits the scale and artistic intent of the game perfectly. In addition to its narrative and exploration elements, Whateverland features a number of mini-games that vary in type and complexity. One of the most notable is “Bell and Bones,” a turn-based strategy mini-game reminiscent of football played on a hexagonal grid. These diversions are often tied to character quests or serve as alternative ways to progress. While they add variety, some players may find them hit-or-miss. A few mini-games can feel under-explained or awkwardly integrated, leading to pacing issues when they interrupt the flow of story-driven gameplay. There are some technical rough edges as well. The user interface can occasionally feel clunky, particularly when identifying interactive objects within the environment. Navigating certain screens or dialogue trees may require more clicks than necessary, and some puzzles lack clarity in design. These issues aren’t game-breaking, but they can momentarily break immersion, especially during more complex or time-sensitive tasks. Despite these minor flaws, Whateverland delivers a genuinely original and thoughtful experience. It doesn’t rely on conventional storytelling or gameplay tropes, instead offering players a world where personal choice and consequence matter, both mechanically and thematically. The surreal visuals, branching narrative, and mix of humor and melancholy combine to create a memorable adventure that stands out within the point-and-click genre. For players who enjoy morally flexible characters, experimental storytelling, and handcrafted art styles, Whateverland is well worth exploring—especially for those willing to embrace the weird and reflect on what redemption might look like in a world that refuses to forget. Rating: 8/10

Eu diria que é um jogo mediano: não é ruim, mas também não é sensacional.

Интересная Point'n'click игра. Особенно радуют шутки тут и там, озвученные и живые диалоги, приятный ненадоедливый компаньон и разнообразие загадок, да не вагон, но маленькая тележка точно. На пару вечеров самое то. Доволен покупкой

It would have been better without Bell & Bones.