
A visual novel of brutal beauty and tragic love. You wake up trapped inside your own dark fantasy, Lion Camel Kingdom. To escape a ten-day demon massacre, you must survive and recover your memories to solve the mystery of a drowned Yangzhou courtesan.
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About

It is 1642, the final years of the Ming Dynasty. The scholar Fang Zhiyou loses his mind to grief when his childhood love—the celebrated Yangzhou courtesan Su Lianyan—is found drowned. Convinced that all men are beasts, he numbs himself with wine, his memories shattered.
Three years later, drunk and broken, Fang Zhiyou awakens to a nightmare: he is trapped inside Lion Camel Kingdom, the world of his own macabre writings. Demon soldiers have breached the gates. As the city burns with slaughter, pillage, and flame, a man with no will to live finds a reason to survive: a feral young girl called Little Yan, whose face is a ghostly echo of Su Lianyan. He makes a desperate vow—to keep her alive until the massacre ends.
As they flee through the charnel house of his own creation, fragments of his past resurface, blurring sanity into madness. But the truth, when it comes, will offer no escape from his destiny...

From the team behind the million-selling visual novel The Hungry Lamb comes a brand new, standalone experience. You don't need to know the previous game to be drawn into this world of desperate beauty and impossible choices.
History and nightmare collide. Based on the real-life tragedy of the Ten Days of Yangzhou (Yangzhou Massacre), you must navigate a city under siege by monsters. Every moment is a life-or-death calculation: Where to hide? When to run? Do you bargain with your last coins, or draw your blade and fight? Your choices—and your life—hang in the balance.
Experience a narrative of two halves: the visceral terror of the demonic siege, and the heartbreaking beauty of a scholar's lost love. Past and present intertwine in a novel-length script of over 450,000 words, leading to multiple main endings and dozens of ways to die.
Hundreds of hand-crafted CG illustrations bring this dark era to life. The art blends realistic oil-painting textures with a modern anime aesthetic, while characters' clothing and architecture are meticulously researched from Ming and Qing dynasty sources, capturing both the historical truth and its brutal beauty.
The entire story is fully voiced by a star-studded cast of Chinese and Japanese talent (Japanese VO to be added post-launch). An original, evocative soundtrack elevates every moment of terror and tenderness.
For fans of the Hungry Lamb, a special bonus chapter awaits. Revisit Liang and Sui in two all-new story threads that explore their fates beyond the events of the previous game, offering a deeper glimpse into the world of the Weeping Swan.


Fang Zhiyou
The protagonist. After losing his parents at the age of nine, he was adopted by his uncle. Fang passed the imperial examination at a young age and became a scholar. However, he chose to live alone, gave up pursuing an official career, and tried to spend the rest of his life as a writer.
He tried to emulate the Scoffing Scholar of Lanling, who wrote The Plum in the Golden Vase inspired by Water Margin. Similarly, Fang Zhiyou created The Lion Camel Kingdom based on Journey to the West. However, the death of his friend Su Lianyan shocked him so deeply that he could no longer write. He lost his memories and developed an illness that caused him to see people as beasts. In 1645 on the 24th day of the fourth lunar month, after drinking heavily, he found himself transported to The Lion Camel Kingdom — the very world he had once written about.

Su Lianyan
A courtesan who never offered bed services. She was an artist with a natural talent for writing poems, drawing, and playing different instruments. Su Lianyan was so famous that people from the whole empire traveled to see her performances. The night of the 15th year of Chongzhen, she ended her life by jumping from the Twenty-four Bridge into the cold waters. Her death became a never-cured illness in Fang Zhiyou’s heart.

Little Yan
A mysterious young girl with the same nickname and appearance as Su Lianyan. However, she has a very distinct personality from Su. Fang’s old friend was decisive and stronger than most boys, but Little Yan was a weak, faint-hearted girl to be protected. She is the first person that Fang meets after entering The Lion Camel Kingdom.

Lin Pianpian
Pianpian was born in poverty. In the 13th year of Chongzhen, she was selling herself at the Willow Street of the 24th Bridge. She met Zhiyou out of coincidence, but they gradually drifted apart after Lianyan's death. With her sensational beauty, she rose to fame many times in the following years. By the time Yaoguai broke into the city in the year of Yiyou, she was already the most prestigious "Red Courtesan" in 24th Bridges.

Madam QiongHua
The wife of a general. She got her nickname, Qionghua, after the white-jaded flower she always wears in her hair. She used to live in a shelter under the Twenty-four Bridges, gathering victims from all around the city and protecting them from murder and theft in the name of her husband, Wang. As she became popular, the people she saved started calling her Madam White-Jaded Flower, or Madam Qionghua.
The Golden Winged Great Peng
The responsible for the massacre of the city in The Lion Camel Kingdom. He is one of the three Yaoguai of Shituo Ridge. Of an unpredictable personality, his actions are hard to comprehend, yet he often accomplishes remarkable feats. The eldest Yaoguai brother is the violent Green Lion, the second is the cunning and scheming White Elephant, and Tathagata Buddha who is yet to become Buddha, is his own nephew.

Scholar Wang
A friend several years older than Fang Zhiyou. They earned their scholarly titles together. In younger days, he would take Fang Zhiyou to the pleasure quarters at Twenty-Four Bridges, but marriage and fatherhood ended those visits.
When The Lion Camel Kingdom slaughtered the city, he and his family fought to survive.

Liang
During the massacre of Lioncamel, a hero who saved people in the city would record every person he saved, saying that it was to "repay his debt".

Sui
A strange woman often mentioned by the hero "Liang", she was not in the city during the massacre.
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Reviews
Themes across 528 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
这游戏没有说的那么不堪也没有多么的好,全部玩完下来男主始终惦记着她的白月光,对所有人好确对翩翩那么的坏,从始至终就没把她当人,一边嘴上说的尊重她可还是嫌弃她脏,在第十一回街翩翩就有暗示过希望知宥可以为她赎身同时,前面知宥因为懒想要雇一个家仆当想到翩翩是那种出身就没有想雇她的意思,就像红楼结局里的那个孩童说的一样,如果林翩翩若她出身能好一些若她不曾生于那样的人家她这一生会不会是另一番光,可翩翩就是这样瞎了眼看上了知宥。但代入方知宥的视角翩翩只不过是她喝醉酒路上碰到的一个人,没必要为她付出那么多她还有她的白月光苏怜雁,本身知宥就只喜欢苏怜雁听到赎身费要5000两连她的心爱之人都带不走为又为什么要赎翩翩,况且将翩翩赎回来后续的逃又要让她怎么办,知宥从始至终都只把翩翩当朋友,当然翩翩照顾知宥的时候知宥对她又打又骂确实cs,给了苏怜雁那么好的结局却没有给翩翩一个好的结局这个才是我们接受不了的,虽说出了个翩翩if线扭转了一些风评那又怎么样?if线的好结局是大家骂出来的不是原本的意思,哪怕是翩翩偷跑出来带知宥了解真相,知宥带着翩翩跑到琼华那找地方躲起来做一个被抓一个逃的剧情都不至于被骂的那么惨
其实挺不错的
一般般,前期无聊,又臭又长。男女主感情线没写好,特别是长大后的部分,导致我不太能共情这俩。女二败犬但塑造得相对还可以。。。身世悲惨,没读过书,身份下贱,却有着比男女主更为纯洁可爱的人格。相比之下男女主显得有点神人,各种行为的心理动机感觉很牵强。 因为男女主没写好,导致我通篇玩下来感觉他俩在作品中的意义就是为了刀女二……不过,也许我们都误会了,误会了作者的深意…也许,这部作品被低估了…林翩翩的造孽其实蕴含着某种深刻的人生哲理…作者或许是想要告诉我们,关于人生的意义……关于生活的本质,其实是某种无意义的受苦……(好吧,也许这个笑话并不好笑,也不幽默) 能感觉出作者有很多想法,而且想往大了写,奈何有点把握不住,故事内核其实是比较老套的,但具体到细节又有一些小亮点,小巧思。总的来说不算好,但也没有网上那么不堪。中规中矩吧。
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This and every other Pro feature is free until October 20, 2026. A free account is all it takes.
Reviews, worldwide (the counter carries no country): 8.57/day in the week to Jul 24 → 10.57/day in the week after.
For scale, across Steam · Top Sellers · Brazil over the last 30 days: the 23 chart moves that followed a price cut of more than 20% went a median of 14 places towards #1, and the 2,515 moves with no price cut behind them went 2 away. One store, one chart, one country — it is the only place we have enough observations to say even that.
Prices outside the United States have been collected since 6 August 2026 and chart positions since 19 July 2026, so a cut older than that has no market to compare and a market that joined later has no history yet. Nothing here is converted between currencies.
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Japanese, Simplified Chinese*, Traditional Chinese*, Russian*languages with full audio support
Hours played at review time, across 529 reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
此遊戲的配音配樂很出色,男主女主聲音好聽,買來就當有聲小說聽也不錯。我總結此遊戲為何如此多的差評原因如下: 一:徹底史實 1. 情感共鳴的真實錨點: 當故事完全紮根於真實歷史時,玩家所產生的悲傷、憤怒或感動是有具體歷史脈絡支撐的。例如《餓殍:明末千里行》之所以能大獲成功,是因為它將背景設定在真實的陝西大饑荒與明末亂世,玩家能清醒地意識到「這是真實人類承受過的苦難」,這種厚重感是虛構怪談很難取代的。 2. 降低理解門檻: 徹底史實的作品,玩家不需要去消化開發者自創的龐大「世界觀設定」或「寓言代號」。故事的核心往往是人與人之間的權力、情感、生存博弈,這種普世的戲劇衝突更容易讓大眾迅速入戲。 二:怪獸臉換成人臉 共情機制的差異: 人類的腦部結構天生對「同類的臉孔與表情」有強烈的鏡像神經元反應。看到一張逼真的痛苦人臉,遠比看到一張獸面怪物更能激起玩家的憐憫、心碎與憤怒,這正是前作《餓殍》和《葬花》能成功建立情感連結的關鍵。 三:前期劇情精彩,鋪墊在多一些 開局的黃金三十分鐘: 在文字冒險遊戲中,前期的節奏至關重要。如果開場過於沉悶或資訊量雜亂,很多耐性有限的玩家可能就會直接給出負評。 懸念與代入的平衡: 如果能把前期的鋪墊做得更緊湊、更有張力(例如透過更有壓迫感的歷史切入點,或是直接矛盾衝突),讓玩家迅速進入角色視角,就能有效降低早期流失率與負評機率。 開發商的兩難:追求創新 vs. 循規蹈矩 創新應該比循規蹈矩的成功更難。 零創遊戲在連續推出兩部極具口碑的成功作品(《餓殍:明末千里行》和《葬花:暗黑桃花源》)後,確實具備了「安全牌」的本錢。如果他們繼續沿用類似的歷史或民俗驚悚框架搭配精緻人臉,大概率能穩穩收割商業成功。 但對創作者而言,頂著前作的光環,往往會產生「不想重複自己」的焦慮。選擇加入志怪寓言(獅駝國概念)、大膽採用獸面來做風格化嘗試,是開發者在藝術表現上的一種「自我突破」。只是這種高風險的創新,一不小心就會踩中玩家對於「代入感」與「審美習慣」的雷區,導致評價兩極化。
聊一聊《哀鸿》,最大的槽点就是制作人嵇零对待林翩翩的塑造。 所有人里,林翩翩只是一介普通人,没有任何依托,却承担整部作品最残酷的苦难。男主、女一都拥有叙事上的优待,唯独女二仿佛只是用来烘托悲剧、制造冲击感的工具人,很多剧情设计充满刻意的折磨,很难不觉得不公。 对比同期《聊斋:画皮鬼》更有感触。画皮鬼制作组踏踏实实做完游戏再发售,不开众筹、不贩卖周边造势。再看嵇零,手握成功作品,依旧急于开启众筹圈钱,花样档位层出不穷。好好的众筹渠道,沦为投机者提前套现的手段。 《聊斋画皮鬼》当然存在短板:神人界限模糊,寻常鬼怪便能伤及神明,白莲教道士设定违和,李青青鬼妻成婚结局阴间感拉满。但至少团队安安心心打磨成品,不靠情怀提前透支玩家。 一边是用心对待故事、不急于捞钱的创作者;一边是消耗玩家信任、笔下普通人受尽无底线折磨。两相比较,落差感实在强烈。
女一红颜薄命 女二糟蹋自己 男主就是纯纯大废物
龟男男主,养他三年然后美美失忆发疯是吧,恶心
翩我来时不逢春
虽然感情线比较雷霆,但和饿殍都是目前古风文字小说的上乘之作了
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Active players
Estimated daily and monthly active players (DAU/MAU) modeled from peak concurrency.
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Where this game's players are, estimated from review languages.
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