
A visual novel of brutal beauty and tragic love. You wake up trapped inside your own dark fantasy, Lion Camel Kingdom. To escape a ten-day demon massacre, you must survive and recover your memories to solve the mystery of a drowned Yangzhou courtesan.
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About

It is 1642, the final years of the Ming Dynasty. The scholar Fang Zhiyou loses his mind to grief when his childhood love—the celebrated Yangzhou courtesan Su Lianyan—is found drowned. Convinced that all men are beasts, he numbs himself with wine, his memories shattered.
Three years later, drunk and broken, Fang Zhiyou awakens to a nightmare: he is trapped inside Lion Camel Kingdom, the world of his own macabre writings. Demon soldiers have breached the gates. As the city burns with slaughter, pillage, and flame, a man with no will to live finds a reason to survive: a feral young girl called Little Yan, whose face is a ghostly echo of Su Lianyan. He makes a desperate vow—to keep her alive until the massacre ends.
As they flee through the charnel house of his own creation, fragments of his past resurface, blurring sanity into madness. But the truth, when it comes, will offer no escape from his destiny...

From the team behind the million-selling visual novel The Hungry Lamb comes a brand new, standalone experience. You don't need to know the previous game to be drawn into this world of desperate beauty and impossible choices.
History and nightmare collide. Based on the real-life tragedy of the Ten Days of Yangzhou (Yangzhou Massacre), you must navigate a city under siege by monsters. Every moment is a life-or-death calculation: Where to hide? When to run? Do you bargain with your last coins, or draw your blade and fight? Your choices—and your life—hang in the balance.
Experience a narrative of two halves: the visceral terror of the demonic siege, and the heartbreaking beauty of a scholar's lost love. Past and present intertwine in a novel-length script of over 450,000 words, leading to multiple main endings and dozens of ways to die.
Hundreds of hand-crafted CG illustrations bring this dark era to life. The art blends realistic oil-painting textures with a modern anime aesthetic, while characters' clothing and architecture are meticulously researched from Ming and Qing dynasty sources, capturing both the historical truth and its brutal beauty.
The entire story is fully voiced by a star-studded cast of Chinese and Japanese talent (Japanese VO to be added post-launch). An original, evocative soundtrack elevates every moment of terror and tenderness.
For fans of the Hungry Lamb, a special bonus chapter awaits. Revisit Liang and Sui in two all-new story threads that explore their fates beyond the events of the previous game, offering a deeper glimpse into the world of the Weeping Swan.


Fang Zhiyou
The protagonist. After losing his parents at the age of nine, he was adopted by his uncle. Fang passed the imperial examination at a young age and became a scholar. However, he chose to live alone, gave up pursuing an official career, and tried to spend the rest of his life as a writer.
He tried to emulate the Scoffing Scholar of Lanling, who wrote The Plum in the Golden Vase inspired by Water Margin. Similarly, Fang Zhiyou created The Lion Camel Kingdom based on Journey to the West. However, the death of his friend Su Lianyan shocked him so deeply that he could no longer write. He lost his memories and developed an illness that caused him to see people as beasts. In 1645 on the 24th day of the fourth lunar month, after drinking heavily, he found himself transported to The Lion Camel Kingdom — the very world he had once written about.

Su Lianyan
A courtesan who never offered bed services. She was an artist with a natural talent for writing poems, drawing, and playing different instruments. Su Lianyan was so famous that people from the whole empire traveled to see her performances. The night of the 15th year of Chongzhen, she ended her life by jumping from the Twenty-four Bridge into the cold waters. Her death became a never-cured illness in Fang Zhiyou’s heart.

Little Yan
A mysterious young girl with the same nickname and appearance as Su Lianyan. However, she has a very distinct personality from Su. Fang’s old friend was decisive and stronger than most boys, but Little Yan was a weak, faint-hearted girl to be protected. She is the first person that Fang meets after entering The Lion Camel Kingdom.

Lin Pianpian
Pianpian was born in poverty. In the 13th year of Chongzhen, she was selling herself at the Willow Street of the 24th Bridge. She met Zhiyou out of coincidence, but they gradually drifted apart after Lianyan's death. With her sensational beauty, she rose to fame many times in the following years. By the time Yaoguai broke into the city in the year of Yiyou, she was already the most prestigious "Red Courtesan" in 24th Bridges.

Madam QiongHua
The wife of a general. She got her nickname, Qionghua, after the white-jaded flower she always wears in her hair. She used to live in a shelter under the Twenty-four Bridges, gathering victims from all around the city and protecting them from murder and theft in the name of her husband, Wang. As she became popular, the people she saved started calling her Madam White-Jaded Flower, or Madam Qionghua.
The Golden Winged Great Peng
The responsible for the massacre of the city in The Lion Camel Kingdom. He is one of the three Yaoguai of Shituo Ridge. Of an unpredictable personality, his actions are hard to comprehend, yet he often accomplishes remarkable feats. The eldest Yaoguai brother is the violent Green Lion, the second is the cunning and scheming White Elephant, and Tathagata Buddha who is yet to become Buddha, is his own nephew.

Scholar Wang
A friend several years older than Fang Zhiyou. They earned their scholarly titles together. In younger days, he would take Fang Zhiyou to the pleasure quarters at Twenty-Four Bridges, but marriage and fatherhood ended those visits.
When The Lion Camel Kingdom slaughtered the city, he and his family fought to survive.

Liang
During the massacre of Lioncamel, a hero who saved people in the city would record every person he saved, saying that it was to "repay his debt".

Sui
A strange woman often mentioned by the hero "Liang", she was not in the city during the massacre.
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Japanese, Simplified Chinese*, Traditional Chinese*, Russian*languages with full audio support
Engagement
Hours played at review time, across 84 reviews with recorded playtime.
Reviews
Themes across 84 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
男主太区了
[h1] 没有“同生”,没有“共死”,只有“不见” [/h1] 7.0 / 10 叠甲环节:我点推荐并非是希望大家来玩这个游戏,事实上这个游戏带给玩家的体验确实是有些压抑和负面的,会带来一些短期的心理创伤的。我只是单纯地表达认可这个剧本罢了。 我的评价是基于我认为林翩翩才是事实上的真女主这一前提下的,很显然对其的人物塑造远远比苏怜烟要立体和完整。 优点: 仅仅作为一个描写士妓之恋的悲剧故事来看,质量是不错的(扬州十日这个时代背景则显得可有可无) 缺点: 1. 号称两个真结局之一的“聊斋”,在情节上除了致敬一下蒲松龄之外,是没有任何实质内容的,在我看来同样是凑数结局;那么实际上的真结局就只有一个“红楼”——这也是我认为林翩翩才是真女主的原因之一。而红楼这个结局,对标的差不多就是前作中的“不见”结局,所以到这里问题就很显然了,没有“同生”,没有“共死”,只有“不见”,对于玩家和对于翩翩这个角色来说,实在是太过于残忍了。我相信如果有一个“同生”或“共死”的真结局,这个游戏的风评不会是这样的,男主曾经对于翩翩的种种薄情、忘恩负义的出生行为也是可以被原谅的。 AVG游戏BE的也很多,但是至少在那些作品里,男女主在最后是可以好好告别的,到了哀鸿这里,可怜的翩翩因为男主并不完全记得自己,到最后连一个真正意义上的告别、一个把话说开的机会都得不到。所以还是那句话,如果是小说,你要这么写没问题,但作为受众面更广,受众需求截然不同的AVG来说,这么折磨玩家也是活该落得一个褒贬不一的下场了。 2. IF线,这才是真正恶心人的部分,写得这么敷衍不如不要写。另外值得一提的是,IF线得到男主的救赎和爱的,是那个14岁尚未卖入柳巷的清白之身的翩翩,而非后来那个身陷泥沼却为男主付出一切的她。 这样不好,会让人觉得:作者你道貌岸然,其实心底里和本作里的男人都一样看不起她。
为何给翩翩这样一个结局?后来放下戒备刺杀不好吗?非要他吗的写天花,还他妈以身作剑,听着恶心不?作者他吗的也跟这个男主一样,把翩翩钉死在妓女的印象里,完全不尊重人,让我心寒。别扯什么剧情限制不让带刀,前面奇奇怪怪的结局不做出来了?为了人物尊严小改一下不行?真是吐了
玩完了后非常不得劲儿,鸡0你冯斯了。 主角牢方废物一个。还有你塑造林翩翩这个角色就是为了为了让我们看到她的悲惨结局故意恶心我们吗,让我们感受NTR?结局的if线感觉纯粹是敷衍。
剧情内涵没什么问题,人物塑造也很好,但是对于两个女主的路线设计太恶心了,两个大好人大美女非要落得个不体面的坏结局,写悲剧是写的很好的,但是最后也仅剩悲剧了,你喜欢一个劲儿被虐吗,喜欢吊胃口最后全部墙壁剧情的就买一个的。
鸡0浮木呢
g0团队券加丝光了
如果说饿殍的悲剧是时代的悲哀压在良、穗和琼华等人身上,那哀鸿的悲剧就是作者的文青病和恶趣味化作天意强行降临在男主和女一女二身上。爽了作者,折磨了角色,折磨了玩家。 至于为什么葬花和饿殍能广受好评,而这部却直坠谷底,我想到了两个原因。一是作者笔力有限,值得肯定的是作者构思出新创意的能力很强,葬花和饿殍的题材都很有创造性,但其笔力不足以将创造力贯穿始终,只是葬花和饿殍篇幅较短,还没来得及崩就结束了;而哀鸿一加长篇幅就暴露了。此前读过作者包括无人之境在内的多部漫画,都存在开篇很有创意但最后却因各种原因烂尾的情况。二是葬花和饿殍时期,作者都还是不知名小作坊,哈耶克的大手会压制住他的文青病,让他好好写点东西,而饿殍赚到钱后,作者文青的表现欲直接在哀鸿这里喷涌而出。
机灵文青病,为了写自己想写的东西完全不顾玩家的感受
这剧情作者应该赔我精神损失费
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Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Audience
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