Shin chan: Me and the Professor on Summer Vacation The Endless Seven-Day Journey

刚开始玩就能感觉到明显的差距.. 想玩这个系列的建议去玩煤炭镇的小白 感觉这代指引好差，配音和字幕居然不能分开选！！！

我是蜡笔小新死忠粉，推荐（点赞）

結構期待してましたが自分的にはそんなに。。。同じ作業の繰り返しで、それが遊びではなくただの作業になってしまう。何回も寝落ちした。あとはストーリーがしょぼい。劇場版くらいのクオリティを求めていたｔｔ ストーリーはクリアしましたが図鑑や実績をコンプするほどの熱意はないのでもう起動しないかな。

어릴떄 부터 친구였던 짱구 아직도 밥 친구로 찾을 만큼 많은 애정이 있던 애니메이션을 이렇게 스팀으로 플레이 해보니 너무 좋고 행복했습니다, 지금 또 여름이기도 하고 이젠 여름만 되면 생각 날 것 같네요 개발자님 이렇게 좋은 게임 만들어주셔서 감사합니다

像是看了一部电影，配音和配乐我觉得都有蜡笔小新前几季的感觉，可以推荐

あまりにも同じ繰り返しが多くて飽きる

vry easy to play nice vibes abit too repetitive i am so ill

짱구와의 25년 의리로도 버티기 힘들다

Shin chan: Me and the Professor on Summer Vacation The Endless Seven-Day Journey is a gentle, whimsical adventure that prioritizes atmosphere, routine, and childhood wonder over traditional challenge or urgency. Developed and published by Neos Corporation, the game translates the spirit of the long-running Shin-chan series into an interactive format that feels more like inhabiting a memory than completing a checklist of objectives. Rather than pushing the player forward with constant goals, it invites them to slow down, explore, and experience summer through the eyes of an endlessly curious child. The game begins with Shin-chan traveling with his family to the rural town of Assou for what should be a quiet summer getaway. From the outset, the structure is intentionally loose. Days are divided into morning, afternoon, and evening, and within those periods the player is free to roam fields, riversides, forests, and town streets at their own pace. Activities are simple and intentionally mundane: catching bugs, fishing, chatting with locals, taking photos, or helping with small errands. These actions rarely feel like chores; instead, they reflect the aimless freedom of a child on holiday, where discovery is its own reward and even the smallest encounter can feel significant. A central mechanic revolves around Shin-chan’s illustrated diary, where discoveries, conversations, and oddities are recorded. This system gently nudges exploration without enforcing strict objectives, allowing players to define what progress looks like for themselves. The act of filling the diary becomes less about completion and more about personal memory-making, reinforcing the game’s nostalgic tone. The countryside itself is richly detailed and full of subtle life, with shifting lighting, ambient sounds, and small visual cues that make the world feel warm and lived-in. As the days pass, the story gradually drifts from slice-of-life into surreal territory. The arrival of the eccentric Professor Akuno introduces a strange narrative thread involving a mysterious camera and increasingly bizarre phenomena. What initially feels like a harmless curiosity slowly reshapes the game’s structure, introducing time loops, strange creatures, and dreamlike sequences that contrast sharply with the grounded calm of the town. This tonal shift is handled delicately, never abandoning the relaxed pacing, but adding a layer of intrigue that keeps the experience from becoming static. Despite the strange events, the game never becomes stressful or demanding. There are no fail states, combat systems, or punishing mechanics. Instead, the challenge lies in observation and patience, in noticing patterns, understanding how daily routines change, and deciding how to spend limited time each day. This design choice may feel aimless to players expecting clear goals or traditional progression systems, but it is precisely what gives the game its unique identity. It mirrors the feeling of summer days blending together, where repetition is comforting rather than tedious. Visually, the game stays faithful to Shin-chan’s exaggerated cartoon style while pairing it with softly detailed backgrounds that evoke rural Japan in summer. Characters are expressive and humorous, often communicating personality through simple animations rather than dialogue alone. The soundtrack and ambient audio further enhance the mood, with cicadas, wind, and gentle music reinforcing the sense of place. Everything works together to create an experience that feels cozy, playful, and quietly immersive. Narratively, the game does not rush toward a dramatic climax. Its story unfolds slowly, often through implication rather than exposition, and leaves room for interpretation. Some players may find the conclusion understated or ambiguous, but it fits the overall theme of fleeting childhood moments and half-remembered summers. The emotional weight comes not from plot twists, but from the accumulation of small experiences and the sense of time passing. Ultimately, Shin chan: Me and the Professor on Summer Vacation The Endless Seven-Day Journey is best approached as an interactive slice of nostalgia rather than a conventional adventure game. It rewards curiosity, patience, and an appreciation for atmosphere over mastery or efficiency. For players who enjoy relaxed exploration, cozy routines, and storytelling that blends the ordinary with the surreal, it offers a uniquely comforting and memorable journey—one that captures the feeling of a childhood summer that seems endless while you’re living it, yet fleeting once it’s gone. Rating: 8/10

부족한 부분들이 많다