SELF

文字剧情方面建议作者去微博知乎当谜语人，游戏性方面几乎没有 然后宣传自己是卡夫卡式也是够搞笑的

叙事点子不错，记忆写得其实也是不错的。 但是作为游戏一点也不好玩，这就十分尴尬了。 作为悬疑，谜底藏得浅了点； 作为AVG，笔力的氛围和有趣程度差点； 作为收集，推进方向不够明确，以及流畅程度太低了；展示树形完全不用每次都缓慢演出，可以做到另一个菜单，小游戏也不要用雷同冗长的操作来麻烦用户。 给我看困了。 但开局那个文字冲马桶的效果真好。

気づいたら25時間もプレイしていました。こんな方におすすめです。 ・深めの考察が好き これに尽きます。 テキストでしか描かれない幻のような人物や風景から「このアイテムはこういう意味を持っているのではないか」「この人物には実はこういう背景があるのではないか」「このシーンはなにかの象徴なのではないか」と、妄想に近いレベルに考察を繰り広げるのが好きな人にはたまらないゲームです。 不思議な世界ではありますが、現実の事件が引き起こしているパラレルワールドなので、考察のし甲斐があります。（本当は意味なんてないのかもしれませんが） ストーリーとしてはトラウマフラッシュバック系で、ホラーではありません。タグの「心理的」「ミステリー」が適切かと思います。ゲームに「ミステリー性」を見出せるがどうかがそのまま評価に現れると思います。

故事是好故事 但是我最不满意的点在于对“荒诞”的用力过猛。我翻遍了很多评论+博文，发现并没有人解释他们为什么要害怕“我”，这种一种欺骗式的夸大，玩家玩完以后会很不满意。 如果理解存在谬误请指出，我很乐意修改评论。 不如undertale（我还以为是meta，此外人家对每句台词都有负责）。最大的问题是指出问题但是没有提供解决办法，即使是假的解决办法。 即使是多结局，也不如以撒，要知道，以撒每个伪结局都可以作为完整结局看到。

不好玩。故事没有吸引力，让人从一种迷惑切换到另一种迷惑，假装高深。跟卡夫卡没得比，冲这个名头来的可以左转了。没有任何解谜要素，就是不断选不同选项看剧情。

游戏的视听演出是顶级的，精彩到足以让我咽下那些支离破碎的文字，更助我在这一场幻梦中——红的绿的黑的白的哭的笑的真的假的你的我的——成功找到了自己。只打通其中某一条线的玩家，大概率永远不会懂作者埋在“面对/逃避”小剧场里的巧思：逃避，总是轻松得千篇一律；面对，时常意味着困难重重。当然，我并不是想去评判哪种选择才是对的，我只是想说：这个设计，灵的嘞。

流程很短，傻瓜式的点击选项触发就行。游玩时的悬疑氛围还不错，沉浸式的文字体验，全成就不需要花多长时间，基本上把文本看完都能知道大概讲的是什么故事。虽然叙述比较让人感到迷糊，但故事实际上并不复杂。作为一个小品文字游戏我觉得很不错，值得推荐。

SELF is a narrative-driven indie adventure developed and published by Merry Fairy that places artistic expression and introspection at the center of the experience. Rather than delivering a conventional story filled with combat, quests, or complex progression systems, it invites players into a symbolic world where every environment, encounter, and visual element contributes to a broader meditation on identity and self-awareness. The game's concept is intentionally abstract, encouraging players to explore not only its mysterious setting but also the emotional and philosophical ideas hidden beneath its surface. It is a title designed for those who appreciate thoughtful storytelling and atmospheric exploration more than traditional gameplay loops. The game's most striking feature is its hand-drawn visual presentation. Every location is illustrated with a distinctive monochromatic style that gives the world an ethereal and dreamlike quality. Instead of relying on vibrant colors or realistic graphics, SELF uses contrast, minimalism, and imaginative imagery to create environments that feel emotionally charged. Each scene appears to have been carefully crafted to reinforce the game's reflective tone, making exploration rewarding even when little is explicitly explained. The artistic direction succeeds in making the game memorable, as every area contributes to the sensation of wandering through a symbolic landscape shaped by thoughts, memories, and emotions. Exploration serves as the foundation of the gameplay. Players move through interconnected environments, interact with objects, and solve light environmental challenges while gradually uncovering fragments of the story. The mechanics are intentionally simple, allowing the focus to remain on atmosphere and interpretation rather than technical complexity. Instead of overwhelming players with objectives or tutorials, the game trusts them to discover its meaning naturally. This slower pace may not satisfy those looking for action or demanding puzzles, but it perfectly complements the game's emphasis on contemplation and discovery. Narratively, SELF excels by refusing to provide straightforward answers. The story unfolds through visual storytelling, environmental symbolism, and subtle interactions instead of lengthy dialogue or cinematic sequences. Themes involving personal identity, emotional growth, isolation, memory, and self-reflection are woven throughout the journey, leaving room for multiple interpretations. Different players may walk away with entirely different understandings of the events they experience, which is one of the game's greatest strengths. Rather than dictating a single message, it encourages individual reflection and discussion long after the adventure has ended. The sound design plays an equally important role in establishing the game's atmosphere. Gentle ambient music and carefully placed environmental sounds create an immersive backdrop that enhances every moment of exploration. The soundtrack avoids becoming intrusive, instead supporting the emotional weight of each scene through subtle melodies and quiet ambience. Periods of silence are used just as effectively as music, allowing players to fully absorb the mood of the world around them. This careful balance between audio and visuals creates a cohesive artistic experience that remains engaging from beginning to end. SELF is not without its limitations. Its deliberate pacing and minimalist gameplay may feel uneventful for players who expect fast progression, challenging mechanics, or clearly defined objectives. The abstract storytelling can also be difficult to connect with for those who prefer direct narratives with concrete explanations. Because so much of the experience depends on interpretation, some players may find the journey deeply meaningful while others may struggle to understand its purpose. Fortunately, these qualities stem from deliberate artistic choices rather than shortcomings in execution, making the game highly successful within the niche it aims to serve. Overall, SELF stands out as an artistic exploration of the human psyche that prioritizes emotion, symbolism, and atmosphere over conventional entertainment. Its unique visual identity, understated audio design, and interpretive storytelling create an experience that rewards patience and thoughtful engagement. While it is unlikely to appeal to every audience, players who enjoy experimental indie adventures and emotionally driven narratives will discover a memorable journey filled with mystery and personal reflection. It confidently embraces its unconventional approach and succeeds in delivering an experience that is both distinctive and thought-provoking. Rating: 7/10

游戏性为0在我这里就是不合格的，感觉这还不如纯点击的视觉小说呢，人家好歹有立绘有动画有背景。

[spoiler] 涼宮ハルヒの憂鬱 [/spoiler]というか[spoiler] 夢を見る島 [/spoiler]なので、ブルースブラザーズは主人公枠 終わる前に[spoiler] 息子 [/spoiler]に会えたらハッピーエンド、ほんまか...？ [strike] ていうか母さんに興味なさすぎじゃない？ [/strike]