RPG Maker VX

SEND HELP I'M ADDICTED TO MAKING CHANGED FANGAMES

Won't launch on Linux / SteamOS

When I was younger I pirated the original version with a KeyGen. I must have use this for like 500 hours. It wasnt for commercial gain, i just made something for myself. I wanted to recode FF1 into RPG Maker. I did it. Now I'm just paying back my debt and giving the devs their 5$ which seems pitiable today. I'm sorry for whatever it's worth. This isn't as much a review as a confession.

If you're looking into VX, I recommend waiting for it to be on sale, or buying a different version instead. As someone who had very little experience with making games before downloading this, I love it. It's simple to do most things, sometimes you need a little trial and error but if you just use the events you can make some cool cutscenes and stuff. I've never used any other version of RPG maker but from what I've seen, VX definitely isn't the best, but I don't think it's bad either. If you're willing to pay a bit more I've seen the most praise for MV/MZ, or VX Ace if you want something like this one. The premade sprites and tilesets are fine. I think a lot of them are pretty nice looking. You can get some cool stuff if you try parallaxes too. It's a nice program, and I find it fun too. Also, I'm not sure if this is an issue with the actual program or just my device, but occasionally files will corrupt. The data for them will still be there but I can't open them. I reccomend backing them up

Мне срочно нужно сделать Black souls 3, пока кто-то это не сделал за меня

So good it caused my mom to have a heart attack. shes still in the hospital

Not bad.

RPG Maker VX, developed by Gotcha Gotcha Games in collaboration with KADOKAWA and Yoji Ojima and published on Steam by Gotcha Gotcha Games, represents a transitional and formative entry in the long-running RPG Maker lineage. Originally released in the late 2000s and later brought to Steam, VX occupies a distinct space between the earlier, more rigid RPG Maker engines and the more expansive, feature-rich versions that followed. It was designed to streamline the creation of traditional Japanese-style role-playing games, and in many ways it succeeds by refining accessibility while introducing a more modern scripting backbone. For many creators, it was the first engine that felt both beginner-friendly and technically extensible, even if that balance came with a few notable compromises. At its core, RPG Maker VX revolves around a database-driven design philosophy. Nearly every mechanical aspect of a game—characters, classes, enemies, skills, items, states, animations, and system settings—is configured through structured menus rather than code. This centralized database approach makes it easy to prototype a playable RPG quickly. A designer can define a party, create abilities, assign equipment progression, and establish encounter parameters in a matter of hours. The visual interface is clean and logically arranged, guiding users through the process without overwhelming them with technical jargon. Compared to full-scale game engines, VX dramatically lowers the barrier to entry, enabling aspiring developers to focus on storytelling, pacing, and world-building rather than wrestling with low-level programming. Mapping in RPG Maker VX emphasizes speed and cohesion. The autotile system allows users to “paint” terrain that automatically adjusts edges and corners, making natural-looking environments far easier to assemble than in some earlier entries. However, VX also introduced one of its most debated design decisions: a single tileset limitation per project. While this simplification reduces complexity and can make asset management more straightforward, it can also restrict environmental diversity unless creators are willing to customize or replace tiles extensively. This constraint has a subtle but noticeable impact on the visual identity of projects made in VX, often lending them a recognizable style. For some developers, this limitation becomes a creative challenge; for others, it is one of the engine’s most frustrating restrictions. One of the most significant technical advancements in VX was the inclusion of RGSS2, the Ruby Game Scripting System 2. Unlike earlier iterations that relied almost entirely on event commands, VX opened the door to deeper customization through scripting. Advanced users could modify core systems, redesign battle mechanics, alter the user interface, and introduce entirely new gameplay features through Ruby scripts. This scripting layer created a dual identity for the engine: accessible on the surface but capable of surprising depth for those willing to dive into code. However, it also highlighted a tension within the software. Out of the box, VX can feel somewhat minimalistic in its mechanical options. To truly push its boundaries, users often need to rely on community-created scripts, making technical curiosity a valuable asset. The event system remains the heart of RPG Maker VX. Events govern interactions, cutscenes, quests, puzzles, shops, branching dialogue, and environmental logic. Through switches, variables, conditional branches, and movement routes, creators construct interactive experiences without writing traditional code. This system encourages logical thinking and structured design. Even complex mechanics—such as reputation systems, branching story arcs, timed sequences, or puzzle-based dungeons—can be built entirely through event commands. The elegance of this design lies in its scalability: beginners can use quick-event templates to create treasure chests or doors in seconds, while experienced developers can chain intricate logic trees to simulate advanced systems. Visually and structurally, VX leans into a polished but somewhat uniform aesthetic. The default RTP (Run-Time Package) assets provide cohesive sprites, facesets, tiles, music, and sound effects, allowing complete projects to be built without external resources. While this is invaluable for rapid development, it has also contributed to a recognizable “VX look” that some players associate with amateur RPG Maker games. Custom assets can alleviate this uniformity, but doing so requires additional artistic resources or community downloads. As a result, VX often feels most vibrant in the hands of creators who either embrace its stylistic identity fully or deliberately break away from it through custom design work. From a usability standpoint, RPG Maker VX remains stable and responsive on modern Windows systems via Steam. Its interface, while reflective of mid-2000s software design, is intuitive once understood. The workflow promotes rapid iteration: test a map, tweak a skill, adjust an event, and immediately recompile to see changes in action. This immediacy fosters experimentation and encourages developers to learn by doing. For aspiring designers who want to grasp RPG structure—experience curves, enemy balancing, dungeon pacing, reward loops—VX offers a contained environment in which to practice those fundamentals. When evaluated in the broader context of the RPG Maker series, VX is often seen as a stepping stone rather than the definitive edition. Its successor refined many of its limitations and expanded its flexibility, leading some community members to favor later versions. Nevertheless, VX’s importance lies in how it bridged eras. It introduced a stronger scripting foundation while preserving the accessible philosophy that defines the franchise. For many indie developers of its time, it was the gateway tool that transformed hobbyist curiosity into practical game development experience. Ultimately, RPG Maker VX stands as a capable and historically meaningful creation engine. It empowers users to build classic turn-based RPGs with minimal technical overhead while offering room to grow through scripting and system customization. Its constraints can be both limiting and creatively stimulating, depending on the developer’s mindset. For those interested in structured, traditional RPG design—especially with a focus on narrative-driven gameplay and menu-based combat—it remains a viable and instructive platform. Even years after its original release, it continues to serve as a reminder that compelling game worlds do not require massive budgets or cutting-edge graphics, only thoughtful design and a willingness to experiment within a carefully defined framework. Rating: 7/10

pretty ♥♥♥♥

to be honest... yeah if you start out,and know nothing of game making.. this is a good start,to learn about triggers and stuff..(see a bit behind the scenes.) its perhaps more worth it cause of the royalty free assets. or just for fun..... but i would not recommend this for making games. better off learning to code...or become an artist. learn to hard-code a game like pong... or learn to draw....