
Penny Arcade’s “On the Rain-Slick Precipice of Darkness 4” concludes the saga of Tycho Brahe, Scion of The Long Project, and his almost certainly human partner Jonathan Gabriel. The world has been destroyed, but existence extends beyond this mortal plane in the gruesome Underhell!
Revenue comes from in-game items and microtransactions, which our price-based model doesn't estimate. Copies below reflect the player base, not paid sales.
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About
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English**languages with full audio support
Engagement
Reviews
Themes across 117 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
Definitely funniest and most dramatic episode of the series. If you played last 3 episodes you basically have to play this one through as well. Pretty much similar compared to episode 3 from gameplay perspective.
just as good as the third one was and maybe even better. I didn't really think the concept for trainers was necessary but overall an really fun experience. 9/10 for the rpg playstyle. Could've done a bit more in the animation department but we all know how hard that is and how much that costs. my overall score is 7.5/10
More people should play this series.
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Trends
Modeled estimate over time.
Hours played at review time, across 117 reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
I think it was mostly a forgettable RPG, but alright.
Жена сказала если тут наберётся 1000 пальцев вверх и 10 наград, то она купит ящик пива, помогите мужики! Игра, с пивом норм:)
喜加一
Fun JRPG wish they made a few more
☀️
+
i hate/love tycho so much he's so ♥♥♥♥♥♥ up
Momentum
Pace estimated from the game's recent review growth (our daily snapshots) at its own sales-per-review ratio — a momentum signal, not booked sales.
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Audience
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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