My name is You and it's the only unusual thing in my life

amazing soundtrack

A great novel, an interesting story with philosophical themes, filled with a certain loneliness and heavy feelings deep within "You". The music is brilliant; hearing Shortparis was a very pleasant surprise. Oh, and the narrator in the English version perfectly fits (or creates?) the atmosphere. A true gem on Steam

Смесь Сартра, Кафки и Линча в самом плохом, наихуёвейшем смысле из всех возможных. 1,6 сифилитичных шизофреников из 10.

Cлишком медленно. Слишком крупный текст. От всего этого просто болит голова и всё прохождение уходит на одно желание - закончить с ней поскорее. Сюжет также очень странный и глупый.

3/10

[b]# --- MY THOUGHTS:[/b] My one critical piece of advice is to only get this game if it's on sale as it's not worth the full standard price. However, I do think this [i]experience[/i] (as it's not much of a game to begin with, even though it could technically be counted as a visual novel) is unique and pretty interesting in its own way. At some points of the story it felt as though I were living through a fever dream. Give it a try, if you have some spare cash and have [i]literally[/i] nothing better to play. [b]# --- RATING: 7/10[/b]

ЭТО ЧТО ЗА СОБАКИ ИЗ ПАРАЛЛЕЛЬНОЙ РЕАЛЬНОСТИ? А МОЖНО МНЕ ТАКЖЕ [spoiler]УБЕЖАТЬ, ЧТОБЫ НЕ ЗАГРЫЗЛИ[/spoiler]???

My Name is You and It’s the Only Unusual Thing in My Life, developed and published by Missing Calm, is a small yet deeply introspective narrative experience that blends visual novel storytelling with existential philosophy. It is a game that uses minimalism not as a constraint but as a deliberate stylistic tool, inviting players into a quietly unsettling world that feels both deeply personal and hauntingly universal. The premise is simple: you play as a man named “You,” whose life appears perfectly ordinary until a series of mundane choices begin to reveal something disquieting beneath the surface. The name itself becomes a metaphor for self-reflection—each decision, each moment, blurring the line between player and protagonist. The game opens in the middle of everyday routine. You go to work, make small decisions, interact with others, and live out an uneventful existence. Yet, it quickly becomes clear that the monotony itself is the point. Beneath the veneer of normalcy lies a growing sense of unease—a feeling that life has become an endless loop of repetition and detachment. The game’s title proves to be more than poetic irony; “My name is You” is both a literal detail and a philosophical statement. It forces players to engage in the narrative as though they themselves are the subject, drawing them into a story that questions identity, meaning, and the nature of choice. As the narrative unfolds, subtle shifts in tone and dialogue transform the story from an account of daily life into an exploration of what it means to exist in a world where everything feels the same. One of the defining qualities of this game is its branching narrative structure. There are over ten different endings, each representing a slightly altered interpretation of the protagonist’s state of mind. Every choice you make, whether trivial or seemingly profound, nudges the story toward a new outcome. What’s remarkable is how even the smallest decisions—pausing before going to work, speaking to someone or remaining silent—can ripple into completely different conclusions. Yet the differences between these endings are often understated, reinforcing the idea that our lives are defined by subtle variations rather than dramatic divergences. This multiplicity of paths gives the game strong replay value, but it also invites reflection: to truly understand the story, one must see it from multiple angles. Each ending adds a layer to the puzzle, revealing not a definitive truth, but a mosaic of perspectives about selfhood and purpose. The visual presentation mirrors the game’s tone perfectly. The art is sparse, using simple hand-drawn imagery and subdued colors to evoke an atmosphere of quiet melancholy. There are no complex animations or elaborate backdrops—just enough detail to suggest the world without fully defining it. This ambiguity leaves space for interpretation, allowing the player’s imagination to fill in the emotional gaps. The same restraint applies to the soundtrack. Each ending is accompanied by a distinct piece of music, designed to enhance its mood—sometimes mournful, sometimes contemplative, sometimes eerily calm. The sound design is minimal yet deeply evocative, functioning almost like an emotional language that replaces dialogue at key moments. Combined with the muted visuals, it creates an immersive environment that feels both comforting and unnerving, a dreamlike space where time seems to blur. Beneath its minimalist surface, the game carries a thematic weight that resonates long after it ends. It is a meditation on the banality of existence—the way small routines and habits can slowly erode one’s sense of purpose. The protagonist’s lack of distinct identity is intentional; by naming him “You,” the game invites self-insertion, turning each playthrough into a personal reflection on the player’s own routines and decisions. The experience becomes less about guiding a character and more about examining one’s own patterns of thought. It captures that particular brand of quiet despair that accompanies modern life, where comfort and emptiness coexist. Yet, there is also something cathartic in this repetition—a suggestion that even in monotony, meaning can emerge if one learns to see it differently. However, the game’s design also imposes limits. Its repetition, while thematically justified, can feel tedious for players who are used to more dynamic storytelling. Revisiting the same scenes to unlock new endings may test one’s patience, especially since the differences between paths are often subtle rather than overt. Similarly, players expecting traditional interactivity or complex mechanics may find the experience sparse; this is, after all, more of an interactive short story than a game in the conventional sense. Its strength lies in atmosphere and introspection, not in challenge or gameplay depth. But these constraints are what give it its distinctive voice—it doesn’t seek to entertain so much as to provoke thought and emotional response. In the end, My Name is You and It’s the Only Unusual Thing in My Life stands as a quietly powerful piece of interactive art. It refuses spectacle and embraces introspection, crafting an experience that feels intimate and unsettling in equal measure. Through its repetition, subdued presentation, and simple choices, it speaks volumes about the fragility of identity and the patterns that define our daily existence. It’s not a game that offers easy answers or dramatic resolutions; instead, it lingers in ambiguity, inviting players to project their own interpretations onto its framework. For those who approach it with patience and openness, it offers a rare kind of emotional honesty—one that makes the ordinary feel extraordinary precisely because it forces us to look closer at ourselves. Rating: 7/10

Я бы очень хотел поставить этой новелле положительную оценку за качество (визуальную составляющую и звуковое сопровождение), но как всегда есть "но". Это концовки. В игре их столько же, сколько и достижений, и складывается ощущение, что большая часть из них сделана исключительно ради "концовки". Сюжет неплох, хоть и на первый взгляд немного банален, но вот его завершение оставляет желать лучшего. Игра может закончиться на ровном месте, не объясняя нам вообще ничего. Нелогичные разветвления, в которых, например, от простого ожидания меняется содержимое письма, заставляют прокликивать непропускаемые диалоги бесконечное количество раз, с надеждой, что если мы подождём 5 секунд перед тем как сделать какое-либо действие, то сюжет кардинально изменится. И это вымораживает. Я хотел пройти игру на 100%, не заглядывая в руководства, но просто физически не смог не пропустить ни одной развилки, которая приводит к очередной концовке. А скрытое достижение? Внимание, спойлер: [spoiler]чтобы его получить, нужно 10 раз подойти к телефону, который перестаёт звонить, как только ты приближаешься к нему. Серьёзно? 10 раз? Я специально, ожидая от разработчиков такой "пасхалки", повторил это действие 5 раз, но, заглянув в руководства, уж точно не думал, что придётся 10 раз прокликивать эти успевшие надоесть сообщения.[/spoiler] Я понимаю, что, наверное, игра имеет глубокий смысл, и тут есть над чем поразмыслить, но для меня это слишком тяжело. Предполагать можно что угодно, но что мы имеем на самом деле? Непонятные, незапоминающиеся концовки, заставляющие сказать только "и что?". И всё же я считаю, что в новеллу можно поиграть, но она точно на любителя.

озвучка неплохая и это единственное что мне понравилось