MIO: Memories in Orbit

Run back à n'en plus finir, sur la fin du jeu on se tape du plateforming bien dégueulasse pour des récompenses à chier. Le jeu ne t'encourage pas à l'explo, tu farmes de la vie qui te coûte des proc et des perles pour les perdre définitivement à cause d'un vieux script inutile. Gameplay très pauvre, histoire bien ronpiche.

不输于空洞骑士和丝之歌的美术，还有甚至更胜一筹的地图设计

开个落地回血游戏体感好很多

丝之歌精神续作，难度也是

我想过会很好玩，没想到会这么好玩，地图设计之精妙绝伦超出我的想象，能想出这么闭环的地图作者也是给类银琢磨透了。更顶级的是震撼而又绚丽的场景，演出，第一次在一款独立游戏中感受到这么独特的法式美学，打完真结局也让我久久不能忘怀。秘奥，我感觉我的一部分灵魂永远的留在了这款游戏中。 可惜的就是boss敌人方面的设计还是有些欠缺，虽然跳跳乐是跳爽了，可是跳完之后却没什么强敌来宣泄情绪之类的。能称得上打爽的也就真结局的boss，最后boss倒是设计不错，但就一个最终boss有点独木难支。因为本质上进入游戏后期也就这一个正经boss（还有一个趣味洗衣筒boss），后面那么大几段跳跳乐，包括“上面”，和“下面”这么大的地图，没有个守关boss打打总觉得心里空落落的。可惜的是也不会有什么dlc了，不然整一个boss连战也挺不错的。 （想念神居设定，能和流程里各类boss的全盛姿态对战真是极好的设计）

Biggest issue upfront. The latter half of the game is just White Palace slop. A repetitive series of one-hit kill platforming sequences. Many with blind jumps for which you either succeed instantly by luck or else you are forced to repeat as many times as it takes to memorize the route. In a number of cases, because of the stamina mechanic for many abilities, you simply do not have the time to observe what is happening around you until it is too late. Couple that with OHK plants that have fuzzy boundaries which make consistent estimation of where their hitbox is located difficult. And you get a frustrating endgame experience filled with repetition of the same handful of rooms over and over which saps the momentum and sense of mystery the game spends its first half establishing. Long, difficult puzzle platforming sections are fine. I do not care for them being mandatory to progression and I do not care for every single one of them functioning in the exact same way. There is more than one way to make a puzzle platforming section difficult. Reconfiguring the exact same OHK mechanic over and over isn't it. That aside, the first half of the game is pretty good. Stereotypical amnesiac player character piecing together what happened in the world scenario. Nothing to write home about. But competently executed and paired with the music and visual style and writing. There is a charm to the world which compels you to keep building up your sense of place and to keep interacting with the various characters you run across. Exploration and platforming are quite enjoyable and there's just enough enemy variety to keep things interesting. I can't say that there are any particularly tough bosses. With the one possible exception of the boss that was killing me in two hits. If you deem that sort of thing hard then there you go. There's enough interaction between your abilities and combat that the game is basically over by the time you've explored that aspect of the game's mechanics. It's pretty good... were it not so annoying by the end. Silksong ran afoul of the same issue IMO. So it seems to be something of a developing theme in the genre. Shame really.