1666: Amsterdam

Concept, univers et ambiance ont un potentiel de malade. C'était évident dès le prologue gratuit, mais une question subsistait : sur un jeu qualifié d'action/aventure, allait on conserver ce même gameplay étrange pour la partie action? Auquel cas, ça promettait d'être très bancal sur ce point. Et en effet... c'est bancal. POSITIF : + L'univers, l'époque, l'ambiance qui sont au diapason pour un ensemble très prometteur. + On joue une sorcière accompagné de son chat, jouable aussi à tous moments + l'exploration avec le chat, justement + enquêter le jour sur sa prochaine cible et la combattre la nuit (on sent bien que c'est fait par le créateur d'Assassin's Creed) + certains intérieurs qui évoquent les éclairages des tableaux de Rembrandt (toutes proportions gardées) NEGATIF : - ce choix des interactions longues est nuisible au gameplay : fouiller des meubles en restant appuyé sur la touche d'interaction, c'est sympa lors des premiers pas, mais après 173 657 254 meubles à fouiller de cette façon, on souffle. On préférera se changer en sorcière et tout péter, c'est plus fun. Mais il me semble que ça rapporte moins. - Pour la même raison, on n'a pas le temps de lancer des sorts en plein combat. On se retrouve donc à donner des coups de bâton et à esquiver. Super, on a des pouvoirs et on donne des coups de bâton. - L'ensemble est très brouillon : c'est cool de ne pas prendre le joueur par la main, mais je trouve qu'on passe trop de temps à chercher ce qu'on doit chercher, ou à comprendre exactement ce qu'on doit faire. - j'ai débloqué une attaque sautée. J'ai fermé le didacticiel pensant le lire plus tard : impossible de le retrouver. Et comme on ne peut pas sauter en incarnant la sorcière, je ne sais pas comment on fait les attaques sautées. Je précise qu'il y a une rubrique où on peut retrouver les didacticiels, mais ce ne sont que les trucs de base. - Les limitations de l'environnement (on sent bien que c'est fait par le créateur d'Assassin's Creed) - Un gameplay original c'est cool, un gameplay souple c'est encore mieux - Buggué jusqu'au trognon Franchement, comme déjà dit le potentiel de malade est là, mais pour le moment et en l'état, cet early access souffre de gros défauts qu'il convient de corriger dans les mois à venir. Parce que là, plus j'y joue et plus mon enthousiasme diminue. C'est quand même dommage!

Really cool, unique, and creative concept! I love the medieval gothic horror-like witch themes, aesthetics, and music and story. I also really enjoy the hands-off investigation gameplay. As for the cat mechanics, it feels similar to Stray game but because it's mostly a side tool here, it isn't a major game-flow issue. The game does have a few problems, such as bugs and a lack of optimization. Additionally, combat currently feels a bit stiff, mashy, and clunky. However, I hope these areas will be improved, and we definitely need more usable magic in combat. Overall, it's a solid start for Early Access, and I'm looking forward to its development and eventual 1.0 release.

I love assassins creed and I love witchcraft so this is the best of both worlds, very interesting storyline, cant wait to see what it develops into.

> Нужно выйти в окно. Котом. > Окно наверху. Нужна мебель. > Мебели нет. Она сломана. > Починить мебель нельзя. Нет чёрной пупочки. > Есть труп крысы. Труп крысы с красной пипочкой. > Прыгни в кота. Держишь кнопку две секунды. > Кнопка превращает красную пипочку в чёрную пупочку. > Выходишь из кота. Входишь в женщину. > Выходишь из женщины. Входишь в ведьму. > Ведьма сосёт чёрную пупочку. > Нажимаешь на кнопку "пиздеть" потому что перепутал ее с кнопкой выхождения из ведьмы и вхождения в женщину а также выхождения из женщины и вхождения в ведьму с кнопкой вхождения в кота которая по сути кнопка "пиздеть", но ее нужно задержать а не нажать > Входишь в ведьму. Нажимаешь на кнопку "скастовать спелл". Проиграл в QTE. Мебель не починилась. > Случайно нажимаешь на кнопку "пиздеть". Нажимаешь на кнопку выхода из ведьмы и вхождения в женщину. > Подходишь к трупу крысы. Выходишь из женщины и входишь в ведьму. > Две секунды сосёшь чёрную пупочку. > Подходишь к мебели. Нажимаешь на кнопку "скастовать спелл". Нажимаешь на спелл вовремя. > Нажимаешь на кнопку "пиздеть". Ждёшь пока женщина попиздит с котом. Потому что ты не можешь выйти из женщины в кота, пока женщина не допиздится с котом. > Прыгаещь из женщины в кота. Кот прыгает на мебель. Кот првгает в окно. Ребят, я так не дрочил лет с 16. 10 Зендай из 10.

Tal vez el rendimiento deja mucho que desear, pero la historia, la ambientación y el apartado artístico se ve tremendo.

Full of AI. I'm sorry I can't keep playing it.

While I would not say this is the best game I have ever played, I have so far had a good time and will come back to it again. There are some things I wish were a little different or I hope to see changed as the game develops, but as far as early access goes I think there is a lot of good to work with. I went into this game super excited about the concept. I have been dying for a game where I can run around as a witch in an old European town. I think overall the writing, character design, and game concept is really engaging and has the foundations for this to be a really interesting game. I specifically really love the ability to switch between magical and unmagical forms for Noa as well as being able to switch to the cat as a further method of exploring (although I do wish the choice we make at the beginnning about which cat we picked mattered a bit more, but maybe that comes in as I continue playing and I haven't reached that yet). I think these make the open world really fun and interesting as there is so much to see, do, and experience from different perepsctives. While the graphics are not the highest quality, I don't find them distracting or pixilated to the point where it is unplayable. It is not the most detailed or "beautiful" in terms of graphics, but I am impressed with what they have presented in early access so far. I think the petal detalils are so beautiful and that the town is layed out well to include the canals. I love traveling by canal <3 I think one of the things that got in my way most while playing is the amount of NPC's on the streets. I get that they are supposed to make Amsterdam feel more lively and busy, however, the amount seems to be just a bit more than the pathfinding can handle. I think making them a bit more sparse may help with in game navigation as well as with the overall preformance of the game. This is not a dealbreaker for me but it does take some patience to figure out the best way to navigate through the city. Another thing I would note for people who do not game often, or are slow to learn a games mechanics, it can sometimes feel like there is not enough direction as to what you are supposed to be doing in a specific area. While I do appreciate the open world structure as it gives me the freedom I like while playing a game, just a few more directions in areas where it is not so clear how to get Noa into a new space or where you are supposed to be going for a specific quest would be helpful. Another thing that I would be aware of before playing is that expecially in the beginning it is a little slower and you do have to push through several sequences that are not exactly what I had expected. These sequences are interesting and do help give you a sense of the story very quickly, but are a little slower in pace than most openings in games. I will say though that one of the things that I realy didn't like in the beginning was the over use of the sudden camera angler shifts to build suspense. I get what they were trying to do but becauyse of their choppiness, frequencey, and poor timing it sort of ruined trhe suspence in the beginning. As I continued playing they make more sense in the open world sections because they draw attention to important things, but its too freuquent right at the beginning for my liking.

Do I like this game? YES. Are the controls janky as can be? YES. Does this feel like an assassins creed game where you just swap out the animus for magic? YEAH BUDDY. Do I care? NOPE. I like the story a lot it's got me hooked and I want to know how it all ends. The settings are all good (from what you can see of some of them). I think this needs a lot of polish and for some stuff to be more streamline, but it's got good bones and veins. I am only disappoint i got to the end of early access can't wait for more.