
A visual novel of brutal beauty and tragic love. You wake up trapped inside your own dark fantasy, Lion Camel Kingdom. To escape a ten-day demon massacre, you must survive and recover your memories to solve the mystery of a drowned Yangzhou courtesan.
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About

It is 1642, the final years of the Ming Dynasty. The scholar Fang Zhiyou loses his mind to grief when his childhood love—the celebrated Yangzhou courtesan Su Lianyan—is found drowned. Convinced that all men are beasts, he numbs himself with wine, his memories shattered.
Three years later, drunk and broken, Fang Zhiyou awakens to a nightmare: he is trapped inside Lion Camel Kingdom, the world of his own macabre writings. Demon soldiers have breached the gates. As the city burns with slaughter, pillage, and flame, a man with no will to live finds a reason to survive: a feral young girl called Little Yan, whose face is a ghostly echo of Su Lianyan. He makes a desperate vow—to keep her alive until the massacre ends.
As they flee through the charnel house of his own creation, fragments of his past resurface, blurring sanity into madness. But the truth, when it comes, will offer no escape from his destiny...

From the team behind the million-selling visual novel The Hungry Lamb comes a brand new, standalone experience. You don't need to know the previous game to be drawn into this world of desperate beauty and impossible choices.
History and nightmare collide. Based on the real-life tragedy of the Ten Days of Yangzhou (Yangzhou Massacre), you must navigate a city under siege by monsters. Every moment is a life-or-death calculation: Where to hide? When to run? Do you bargain with your last coins, or draw your blade and fight? Your choices—and your life—hang in the balance.
Experience a narrative of two halves: the visceral terror of the demonic siege, and the heartbreaking beauty of a scholar's lost love. Past and present intertwine in a novel-length script of over 450,000 words, leading to multiple main endings and dozens of ways to die.
Hundreds of hand-crafted CG illustrations bring this dark era to life. The art blends realistic oil-painting textures with a modern anime aesthetic, while characters' clothing and architecture are meticulously researched from Ming and Qing dynasty sources, capturing both the historical truth and its brutal beauty.
The entire story is fully voiced by a star-studded cast of Chinese and Japanese talent (Japanese VO to be added post-launch). An original, evocative soundtrack elevates every moment of terror and tenderness.
For fans of the Hungry Lamb, a special bonus chapter awaits. Revisit Liang and Sui in two all-new story threads that explore their fates beyond the events of the previous game, offering a deeper glimpse into the world of the Weeping Swan.


Fang Zhiyou
The protagonist. After losing his parents at the age of nine, he was adopted by his uncle. Fang passed the imperial examination at a young age and became a scholar. However, he chose to live alone, gave up pursuing an official career, and tried to spend the rest of his life as a writer.
He tried to emulate the Scoffing Scholar of Lanling, who wrote The Plum in the Golden Vase inspired by Water Margin. Similarly, Fang Zhiyou created The Lion Camel Kingdom based on Journey to the West. However, the death of his friend Su Lianyan shocked him so deeply that he could no longer write. He lost his memories and developed an illness that caused him to see people as beasts. In 1645 on the 24th day of the fourth lunar month, after drinking heavily, he found himself transported to The Lion Camel Kingdom — the very world he had once written about.

Su Lianyan
A courtesan who never offered bed services. She was an artist with a natural talent for writing poems, drawing, and playing different instruments. Su Lianyan was so famous that people from the whole empire traveled to see her performances. The night of the 15th year of Chongzhen, she ended her life by jumping from the Twenty-four Bridge into the cold waters. Her death became a never-cured illness in Fang Zhiyou’s heart.

Little Yan
A mysterious young girl with the same nickname and appearance as Su Lianyan. However, she has a very distinct personality from Su. Fang’s old friend was decisive and stronger than most boys, but Little Yan was a weak, faint-hearted girl to be protected. She is the first person that Fang meets after entering The Lion Camel Kingdom.

Lin Pianpian
Pianpian was born in poverty. In the 13th year of Chongzhen, she was selling herself at the Willow Street of the 24th Bridge. She met Zhiyou out of coincidence, but they gradually drifted apart after Lianyan's death. With her sensational beauty, she rose to fame many times in the following years. By the time Yaoguai broke into the city in the year of Yiyou, she was already the most prestigious "Red Courtesan" in 24th Bridges.

Madam QiongHua
The wife of a general. She got her nickname, Qionghua, after the white-jaded flower she always wears in her hair. She used to live in a shelter under the Twenty-four Bridges, gathering victims from all around the city and protecting them from murder and theft in the name of her husband, Wang. As she became popular, the people she saved started calling her Madam White-Jaded Flower, or Madam Qionghua.
The Golden Winged Great Peng
The responsible for the massacre of the city in The Lion Camel Kingdom. He is one of the three Yaoguai of Shituo Ridge. Of an unpredictable personality, his actions are hard to comprehend, yet he often accomplishes remarkable feats. The eldest Yaoguai brother is the violent Green Lion, the second is the cunning and scheming White Elephant, and Tathagata Buddha who is yet to become Buddha, is his own nephew.

Scholar Wang
A friend several years older than Fang Zhiyou. They earned their scholarly titles together. In younger days, he would take Fang Zhiyou to the pleasure quarters at Twenty-Four Bridges, but marriage and fatherhood ended those visits.
When The Lion Camel Kingdom slaughtered the city, he and his family fought to survive.

Liang
During the massacre of Lioncamel, a hero who saved people in the city would record every person he saved, saying that it was to "repay his debt".

Sui
A strange woman often mentioned by the hero "Liang", she was not in the city during the massacre.
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Japanese, Simplified Chinese*, Traditional Chinese*, Russian*languages with full audio support
Engagement
Hours played at review time, across 95 reviews with recorded playtime.
Reviews
Themes across 95 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
先说不容否认的亮点:美术与配音是国产2D文字冒险的天花板级别。 明末写实风格,CG质量在线,服饰建筑考据严谨,疯病发作时色彩扭曲的表现主义处理也不错,几场核心情感戏的声画同步很到位。叙事结构不赖,双线交错,给读者新视角。前作《饿殍》的"良穗篇章"也不错。 但是缺点也很明显,格局严重萎缩,开篇铺陈"扬州十日"的宏大历史背景,最终被收束到一段"人鬼情未了"式的私人恋情中,完全的高开低走,没招了。扫冯鸡0依靠不断堆砌苦难、让角色被动承受折磨来换取情绪,这种"为虐而虐"的写法,让整部作品充斥着憋屈与悲哀,却没有留下回味与升华的空间。死亡结局过多,玩起来莫名其妙,繁琐,更消解了死亡的重量。 林姐是整部游戏最值得被认真对待、却也最被亏待的角色。林姐的台词围绕"今日未曾接客""刚接完客就来见你""客人粗鲁留下气味"展开。她"脏",所以可以衬托苏怜烟的"纯";她低贱,所以可以为掩护主角而死;结局她为了刺杀多铎故意感染天花,通过性接触完成复仇。这不是叙事,这是暴行。当编剧把所有笔墨都用在描写她"脏"的细节上,把她的死亡设计成猎奇意味的牺牲仪式,她就从"人"退化成了"装置",纯纯地把你林姐当傻子整,给楚成方知有当成圆梦的工具杯子。方畜的"见死不救"让你林姐的牺牲显得毫无意义, 方楚对林翩翩满脸嫌恶,觉得她"不洁";但他花大价钱去光顾苏怜烟,这不是角色缺陷,这是私募的鸡0在无意识中暴露了自己没想清楚"这个主角到底为什么值得被讲述",林姐倾尽所有甚至付出生命,方楚却从未正视过她的感情,连最基础的救助都没有——她的牺牲不是因为时代的残酷,而是因为创作者的冷酷。她的悲剧没有"出口", 唇沟鸡0事后道歉,承认过度追求风格化表达,承诺新增IF线补救,但这恰恰暴露了问题:在不知道"用这种笔法写这个角色意味着什么"的情况下就写完了四十万字——这已经是创作伦理的基础课没上。 林姐值得一个更好的故事,一个把她当人而不是工具来写的故事。她的苦难可以存在,但必须服务于一个比"让玩家难受"更高的目的;她的牺牲可以有,但必须让玩家感到"这些人的死,我被看见了",而不是"这些人的死,只是作者写嗨了"。
别的设计都还可以,但是这游戏男主让我想到了EVA的真嗣,我真服了。 当然有些人认为男主是代表了当时饱读诗书但是不做人事的一些文人,这个是可以感觉到,但是游戏中已经有一个王生当这种角色了,为什么还要设计男主是这种?意欲何为?第一步良和舌头人设就不重叠啊?当然在游戏中,兽视症、失忆和疯病就仿佛是免死金牌,一切不恰当都可以解释为精神失常,属实让人难以接受。我突然想起有一种网络小说就是:女主有个很相爱的人,然后女主出事失忆了,和之前的生活断联了,于是和别人又相爱了,但是有一天女主和之前的爱人又见面了,真是太逆天的设计。 还有很多人批评对于特殊服务工作者描述过重以及消费严肃历史事件这两点,很多人批评但是没点到位,如果你没玩过可能不知道为什么这么说。 这个游戏这么说吧,简直就是把两个游戏通过剪辑放在一起了,完全没有前作那种“我去,原来是这样”。千里行的插叙能很好的衔接上,表达或者解释了一些事情,例如那个荷包,但是十日记的插叙就像把两部电影剪辑到了一起。 如果不是扬州十日这种严肃背景,单纯讲一个古代背景、与文娱工作者的爱恨情仇故事,或者加以虚拟大事件,类似长安十二时辰中的许鹤子和丁瞳儿那两段,那么会是十分精彩,我甚至觉得能赶超第一部。但是本作就非要套扬州十日的背景,既想展示历史残酷,又想展示温柔乡,给人一种左右脑互搏(当然我知道作者可能有心想展示前后的反差感,但是没表现好啊,笔墨不是五五开就能展示的啊,你的关系呢?),搞得不伦不类。 我盲猜是因为第一部卖得好,必须要明朝背景,又要和第一部高人气角色联动(毕竟第一部算是留了扣子),只能往后延。然后第一部套了一些历史大事,所以这一部也要套一下,往后大事件就那几个。路径依赖了属于是,但是你给我依赖好了啊! 【剧透预警】 第一次绷不住是男主躲在水缸之后,面对救命又给钱给粮的林翩翩居然只来了句:行吧。 ber,兄弟,我特地翻了一下,前面空幻和尚救你的时候你还说“多谢大师”,林翩翩欠你的啊,一句谢都没有???别说有病嗷,选择性犯病啊?
翩翩有些可惜,但总体瑕不掩瑜
玩了一半,这剧情我看得很难受那编剧也确实花心思了,不然也写不出这么傻逼的男一,还把我翩翩姐写这么恶趣味......
确实好玩
怎么说呢,太无力了,本身以 忆 叙事就无法改变 苏 已死的结局,而且以 记 叙事也无法改变 林 最后死亡的结局,就是没有好结局,if线太短且敷衍,良穗的番外质量很高。总体3.5分,结局不好且没得选,美术和音乐很好
结局不好
fen
虽然感情线比较雷霆,但和饿殍都是目前古风文字小说的上乘之作了
其实挺不错的
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Concurrent players on Steam, sampled daily since tracking started.
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Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Audience
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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