Mirages

过阴——[spoiler]枉死城皆是女婴[/spoiler] 优点：立意很好，反封建反性别歧视。人物设计和用词很精致，给略单薄的剧情增添了不少风韵；立绘和配音也很符合人设。 缺点：建模和触碰机制做的非常差。悬浮餐盘和圆球人体模型、半途消失的衣服，出场方式过于好笑的鬼怪之类的就算了，解谜机制真的太怪了。比如说我需要获取某个物品推动剧情，但是这个物品非常卡位置，虽然它就在你眼前，但是你没法互动，需要来回走去找那个及小的互动点（全成就玩家真的很讨厌这种卡点的收集要素....）。游戏里还有很多追逐战，需要躲在障碍物（屏风啊、墙壁啊）后面以躲避鬼的攻击，但是障碍物判定很窄，你明明站在障碍物后面，但是判定你直接死亡。还有其他乱七八糟的机制，明明刺没出来，但是你站在刺附近你还是会死，明明画面上显示你没有在boss的视野范围，但是你就是突然死了等等。最过分的是，只设置了进门没设计出门，卡在屋子里出不去，剧情推动不了...玩下来一点不像个恐怖游戏，像是BUG模拟器（扶额苦笑） 总的来说，UI和建模像是草稿，有点浪费剧本立绘配音，看了下官方号貌似已经没再管这个游戏了，不知道还有没有机会等到BUG修复

我就纳闷了，这键位是谁设计出来的，这么反人类还不让自我调节，全程玩的难受的一批

Mirages, known in Chinese as “过阴,” is a haunting narrative-driven horror adventure developed by 漫森游戏工作室 and published by East2West Games. Rooted deeply in traditional Chinese folklore and set during the Republican era, the game intertwines history, superstition, and the supernatural in a story that explores the fragile boundary between life and death. Rather than relying on Western horror conventions, Mirages builds its tension through atmosphere, myth, and cultural authenticity. It’s a story about spirits, rituals, and fate, where the dead linger among the living, and the line between salvation and damnation is blurred by human desire and guilt. This is not merely a horror experience—it’s a tale about the consequences of imbalance in a world where the living meddle too freely with the world of ghosts. The story begins with an eerie and unforgettable premise: seven brides arrive in a small town for a mysterious ritual and vanish without a trace, leaving the local residents terrified and confused. You play as Yao Lu, a descendant of a family responsible for guiding souls between the living world and the underworld. As the equilibrium of Yin and Yang collapses, Yao Lu must uncover the cause of the disturbance and navigate a series of nightmarish encounters that span both human corruption and supernatural wrath. The narrative blends folklore elements such as ghost marriages, spirit guides, corpse-walking rituals, and ancestral curses into a cohesive and unsettling tale. Through multiple branching paths and dual endings, the game encourages players to make moral and emotional choices that shape the final outcome, exploring the complex relationship between fear, redemption, and the inevitability of fate. Visually, Mirages is striking in its presentation. The developers employ a 2.5D perspective that creates a cinematic feeling of immersion while maintaining the claustrophobia essential to its horror. Every frame feels meticulously composed: candlelit hallways flicker with shadows, mist drifts over abandoned courtyards, and the spectral glow of spirit lamps paints the world in hues of decay and memory. The setting captures the essence of early 20th-century China, blending period detail with supernatural unease. The art design leans toward stylization rather than photorealism, which enhances the dreamlike quality of the experience. The sound design complements this perfectly—low drums, distorted whispers, and the melancholy strains of traditional Chinese instruments heighten the tension without resorting to cheap jump scares. The voice acting, delivered entirely in Chinese, lends a layer of authenticity that reinforces the game’s cultural roots, though the lack of English localization may limit its accessibility for non-Chinese speakers. The gameplay structure mirrors the game’s deliberate pacing. Mirages combines exploration, dialogue, and light puzzle-solving with moments of stealth and danger. The player must often avoid supernatural threats rather than confront them, emphasizing vulnerability and observation over combat. Progressing through the story involves piecing together clues, interacting with spirits, and making difficult choices that determine the fate of the characters. The branching narrative ensures that each playthrough feels distinct, rewarding those who pay close attention to the lore and underlying symbolism. In one route, compassion and understanding might lead to catharsis; in another, curiosity or greed might unleash punishment. The design evokes the spirit of traditional Chinese ghost stories—slow, methodical, and deeply human beneath the horror. Despite its many strengths, Mirages does struggle with some technical and structural issues. The controls can feel imprecise at times, especially during quick-time events or chase sequences. The fixed camera angles, while stylistically consistent, occasionally obscure navigation or make it difficult to gauge spatial depth. Some later chapters suffer from uneven pacing, with the horror and mystery giving way to slower philosophical dialogue that may feel disjointed to players expecting constant tension. These flaws don’t ruin the experience, but they do make the game feel uneven—its ambition occasionally outpaces its technical refinement. It’s also a relatively short game, and while multiple endings add replay value, the core mechanics remain simple and repetitive across runs. What sets Mirages apart from other horror titles is its commitment to atmosphere and meaning. It’s not a game built around shock value or relentless action, but one that uses its setting and story to evoke dread in a subtler, more spiritual way. Its horror arises not from monsters or gore, but from the weight of tradition, moral consequence, and the fear of losing one’s place in the cosmic order. Every location, from decrepit temples to shadow-drenched mansions, carries emotional resonance, reminding the player that the living world is haunted as much by memory and regret as by ghosts. It’s an approach that makes Mirages stand out among modern horror games, especially for players interested in Eastern mythological storytelling. Ultimately, Mirages is a beautiful, haunting, and imperfect gem—a game that succeeds more as an artistic expression than as a polished commercial product. Its storytelling is bold, its atmosphere powerful, and its thematic depth refreshing in a genre that too often relies on repetition and shock. While it may not appeal to those seeking fast-paced horror or highly interactive gameplay, it rewards patience and reflection. Through its ghostly rituals, tragic fates, and glimpses of redemption, Mirages captures something rare: the quiet terror of the unknown, the sorrow of the past, and the delicate balance between the human and the divine. For anyone drawn to narrative horror steeped in cultural mysticism, it offers an experience both deeply unsettling and profoundly moving. Rating: 7/10

这游戏不像是游戏一般，故事情节让人很容易带入，虽说是恐怖游戏，但是在这个动荡不安的民国背景下，显露的人性，多叫人无奈，结局那一段两人的对话很是感人，第一次玩这种恐怖游戏，给我的体验非常好，非常推荐没有玩过的小伙伴玩玩。

· 记录：25/01/29入。 · 横板恐怖游戏，中式恐怖自不必说定有中文字幕！文本精彩，故事也很完整，但是分段式剧情表现处理上东一榔头西一棒槌，表达的有点乱七八糟的。游戏内恐怖元素皆以跳脸杀出现，前期是非常突兀、生硬、莫名其妙的那种字面意义直接往屏幕跳的跳脸...后期基本脱离恐怖游戏，反倒像剧情叙事游戏。 · ↑ ↓ ← → 控制方向，F 开/关灯，E 确定/互动，CTRL 下蹲。 · 立绘精良，建模差一点，游戏中多次出现穿模严重，第二章医院的追逐黑鬼看似迈步直追其实既能平移又会穿墙，后面第四章、第五章甚至遇到过主角都回平移了... · 有中文配音好评，虽然部分配音稍微有点用力过猛... · 包含序章的话一共是6个章节，操作不同的人物，在不同的时间段拼凑完整的故事，分段式游戏剧情。 · 传下去！三位男主最后拜天地了！（bushi) 此处原本随缘记录了剧情，避免剧透删了删了。 第五章之前原本想点不推荐的。 · 人寿年丰，河清海晏。 ——25/06/11

畫質、操作都有所提升，但劇情一般。這一部「過陰」更像是一部半成品，不喜歡。

3D建模还是有点太简陋了

能+1 有中文 有成就

不错

不错，古风感很强