
How does Sisyphus feel as he climbs to the top of the mountain? Tired from the weight of the stone, the scorching sun, and the steep climbs, he nevertheless continues on his way up. What awaits him there?
Modeled estimate, not a reported figure. How we estimate →
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Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Russian, French, Italian, German, Spanish - Spain, Traditional Chinese, Simplified Chinese, Korean, Polish, Thai, Turkish +3 more
Engagement
Hours played at review time, across 82 reviews with recorded playtime.
Reviews
Themes across 82 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
Интересный проект с загадками и головоломками. Основной смысл дойди до конца загадочного пути и узнать - что там?
Хорошая атмосферная игра, есть о чём поразмыслить. Понравилось так же музыкальное сопровождение
An exciting game with cool graphics and excellent music. I liked everything. It's absolutely great.
классная игра очень атмосферная музыка по задумке класс типо паркур пон да
At first I thought it would be boring, but somehow it hooked me. Pushing that damn stone became weirdly calming. Not fun in a classic way, more like therapy with pixels and silence. Loved the mood.
西西弗斯疲不疲惫我不知道,我是挺累的。既然我这么累,那我希望他搬砖是幸福的。多搬n次快乐n次,希望他天天搬石头。
выглядит прикольно задумка тоже, визуал выглядит свежо и необычно, но как будто можно было сделать игру посложнее.
Красивая и интересная игра
Rock-walking simulator
Takiego ♥♥♥♥♥ to dawno nie widziałem
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Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Momentum
Pace estimated from the game's recent review growth (our daily snapshots) at its own sales-per-review ratio — a momentum signal, not booked sales.
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Audience
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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