[Chilla's Art] The Radio Station | 深夜放送

还是一样的阴间，只是比起开发组其他作品少了能让人想到现实的日常生活的恐怖和对社会问题的探讨，变成了纯粹的灵异恐怖片，主角为了查明自己因主持了一档恐怖节目后离奇死亡的弟弟的死因，开着车到处奔波收集弟弟生前录下的录音带，但刺激点还是很少，还是心理恐怖那套，优点是多了自动存档和中文，而且看得出开发组变有钱了，又有开车的环节又有不短的配音，并且配音的质量很好，但开车手感又是一坨，操控不方便视角各种晃，很容易撞车，而游戏的流程就是开着车到各个地点和道具互动看故事，就显得非常折磨，但玩下来通过各种条件打通所有结局后还是觉得不错的，至少题材对胃口，而且不像之前有些打通了都不一定知道讲的什么，这部的起因经过结果都很清晰，甚至想找个相同题材的电影看，而且存档中文和配音这些确实也都是难得的进步，还是给个推荐吧，打折可以入

Absolutely boring and unfortunately a pretty weak Chilla’s Art game. The driving sections are just annoying and drag the game out way too much. There’s barely any actually scary atmosphere and instead most of the gameplay is just boring driving back and forth without any real buildup. The jumpscares are barely scary and unfortunately feel really obvious. The story is a typical ghost story that feels like you’ve already seen it a hundred times before. Overall I felt like the game barely creates any tension and just doesn’t do much with its idea. I was completely bored the whole time because there wasn’t a single moment that really convinced me or made me feel like I actually wanted to keep playing. Definitely one of the weaker Chilla’s Art games in my opinion.

☆☆☆☆☆

Definitly one of the worst games made by Chilla's Art. Barely a horror game, most of the time you are just driving around between the locations.

pretty interesting concept

还不错吧，氛围感很好，车的手感有点拉

In a lot of ways this is one of Chilla's Art's weaker titles. Do not let that stop you from trying it out. In my quest to see all three endings, I encountered a game-breaking bug where the game did not register that I had collected / listened to all of the tapes, so I had to completely start the game over. That was a bummer, especially in a short horror game where you already need to play it multiple times to see all of the endings. There was another instance where I thought that the game had completely glitched out because the truck came to a stop and no matter what I did I could not get it to move again. I ended up starting over due to that as well, though I came to find out later that this is actually a scripted event and that they are trying to get you to look around and see something behind you that will trigger the truck to start working again. On the subject of the truck, this has some of the worst-feeling driving of any game that I have ever played. It feels more like controlling an unwieldy boat than anything, and it is very easy to get stuck on the geometry of the walls and barriers and it constantly interrupts your momentum and breaks the flow of the game, slowing it down unnecessarily. When I think back on it, it really sounds like this was a very unpleasant experience. And yet the truth is that I found myself more affected by The Radio Station than many of Chilla's other games. I think the mundanity of having to drive from place to place is part of it. There is no music. Ironically, there is no radio. You just drive in silence. Except when you are listening to the tapes. The audio for the tapes that you find is oddly good and well performed. I ended up skipping through them all on my 2nd and 3rd playthroughs, but I appreciate the effort. The adventure game aspects are minimum but the little puzzles that they do include are neat and grounded enough in reality to make this feel realistic and therefor even creepier. The jump scares are strangely effective as well, though you will obviously see them coming as you speedrun through the game on your 2nd and 3rd tries. All in all, Chilla's Art did it again. As strange as this may sound, the way that they design games reminds me of the most important aspect of learning a foreign language. You have to be okay with making mistakes and being less than perfect in order to get your thoughts and feelings and ideas into words, or in this case, into a video game. Chilla's Art is clearly not afraid of making games that are a bit rough around the edges but it is because they are clearly open to trying new things and innovating on their design ethos, and that is actually very cool. It would be easy for them to spit out a new game every few months that follows the same lo-fi horror formula and I bet that they would do just fine, but attempts like The Radio Station show me that they are interested in growing and tackling stranger and more complex projects, which I find very exciting!

Игра хорошая но мало скримеров нечего пугатся минус это то что надо ездить самостоятельно но мне лично понравилось советую:3

[h2]👾 [b]Análise do Voidzão[/b] 👾[/h2] [b]The Radio Station | 深夜放送[/b] é um jogo [i]indie[/i] de terror psicológico japonês em primeira pessoa, desenvolvido pela nossa queridinha japonesa [b]Chilla's Art[/b]. O jogo foi lançado oficialmente em 30 de outubro de 2021. [h3]ENREDO[/h3] Você assume o papel de um homem que vai até uma estação de rádio isolada em busca de respostas sobre a misteriosa morte de seu irmão mais novo. A partir disso, o jogo te coloca em uma investigação envolvendo fitas, relatos estranhos, acontecimentos sobrenaturais e alguns finais diferentes que tentam fechar a história por caminhos distintos. [h3]ANÁLISE[/h3] [b]The Radio Station | 深夜放送[/b] foi, até agora, uma das experiências decepcionantes que eu tive com os jogos mais antigos da Chilla's Art. A ideia do jogo é boa, a história tem uma premissa interessante, os finais são aceitáveis e existe uma ambientação que até consegue sustentar um pouco da experiência, mas infelizmente quase todo o resto joga contra. O jogo me pareceu mal otimizado, com uma jogabilidade travada, principalmente na parte de direção. A mecânica do carro é simplesmente horrível, o personagem parece engatar a marcha umas 1927817826 vezes antes de finalmente seguir em frente, e isso quebra totalmente o ritmo da gameplay. Em um jogo que depende tanto de imersão, atmosfera e tensão, ter uma movimentação tão dura e irritante acaba atrapalhando muito mais do que deveria, sem contar no porco/javali. Os [i]jumpscares[/i], por sua vez, são bem óbvios e acabam sendo mais engraçados do que assustadores. Então, para mim, a pontuação do jogo vai muito mais pela ambientação do que pelo horror em si. A estação de rádio, a estrada, o clima isolado e a estética padrão da Chilla's ainda conseguem entregar alguma coisa, mas o medo mesmo fica devendo bastante. A história é boa, mesmo não sendo nada absurdo, e o único puzzle mais evidente do jogo foi bem decente. Também achei curioso, e até engraçado, a questão da fita, mas confesso que não entendi muito bem a parte dos ratos. Talvez exista alguma interpretação ali, talvez tenha passado algo, ou talvez só seja mais uma das bizarrices que a Chilla's gosta de colocar nos jogos. No fim, [b]The Radio Station | 深夜放送[/b] não é horrível ao ponto de ser injogável, mas é um jogo bem medíocre. Tem uma boa ideia, uma ambientação aceitável e uma história que segura um pouco a experiência, mas a jogabilidade travada, a direção horrível, os jumpscares rasos e a falta de polimento fazem ele ficar bem abaixo de outros títulos da própria Chilla's Art. [h3]NOTAS[/h3] [b]Ambientação de Gênero (Horror/Aventura/Ação):[/b] 5/10. [b]Jogabilidade e Mecânicas:[/b] 2/10. [b]Trilha Sonora:[/b] 4/10. [b]Gráficos:[/b] 5/10. [b]Enredo:[/b] 7/10. [b][u]NOTA GERAL:[/u][/b] 4,6/10.

Jestem wielką fanką gier Chillas Art, a ta to jedna z tych, które mają najstraszniejszy klimat. Bardzo niepokojąca historia, która gdy dowiadujemy się coraz więcej, jesteśmy jeszcze bardziej przerażeni. Kilka zakończeń (polecam znalezienie wszystkich kaset, choć może to być sporym wyzwaniem), naprawdę straszne nagrania do przesłuchania, i całe miasto, które wygląda bardzo, bardzo niepokojąco. Jedynym minusem jest jazda autem. Z jednej strony rozbudowuje grę i dodaje smaczku, a z drugiej jest dość denerwujące. Choć mapa jest bardzo prosta, to można się pogubić, a samo prowadzenie jest ciężkie, bez problemu wjedziemy w miejsce, z którego naprawdę trudno jest wyjechać. Ja tak utknęłam, że musiałam zaczynać od początku. To kolejny minus - brak zapisu gry, a to dotyczy, chyba wszystkich gier Chillas Art. Rozumiem, że są to raczej krótkie gry, ale zapis zdecydowanie powinien być. To coś nad czym trzeba popracować.