
Niko Bellic, Johnny Klebitz and Luis Lopez all have one thing in common - they live in the worst city in America. Liberty City worships money and status, and is heaven for those who have them and a living nightmare for those who don't.
Modeled estimate, not a reported figure. How we estimate →
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About
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French, Italian, German, Spanish - Spain*languages with full audio support
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 466 reviews with recorded playtime.
Reviews
Themes across 466 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
bom
Un GTA distinto a lo que estamos acostumbrados, la toma de decisiones influye demasiado en el personaje, salvar o matar a un personaje tendra consecuencias futuras ya sea como eventos aleatorios en el mapa o incluso en la historia, y hablando de la historia, sin duda es de lo mejor, me encanta este tono que se le dio al juego, lamentablemente cambiaron varias cosas, una de esas es la conduccion, y los enfrentamientos, se siente mas complicado a diferencia de otros GTA
O Strip Club é muito bom 👍
massa
fatty roman
Sobran las palabras
le jeux bug partout peux meme pas le lancer
One of the best stories from a game. Awesome physics. 2008. New York City
played this in PS3, playing it again now on PC, i still love it
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Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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