The critically acclaimed RPG that raised the bar, from the creators of Baldur's Gate 3. Gather your party. Master deep, tactical combat. Venture as a party of up to four - but know that only one of you will have the chance to become a God.
Modeled estimate, not a reported figure. How we estimate →
Prices
Each in the currency that store quoted — not converted: the gap between two rows is the publisher's pricing, not an exchange rate.
Charts
Each storefront's own chart, in its own country — the closest public signal to sales where none is published. A country missing from a list is one we don't collect there, not one where the game doesn't chart.
Discounts
Every price cut of more than 20% we have observed, in each market that quoted one, with this game's chart position on either side of it. These are episodes, not a model: a sale is one event, and one event cannot tell you what the next one will do.
About
Add-ons
Each DLC is estimated with the same model as a game, then summed — a modeled figure, not reported DLC sales.
Sums Steam only; PlayStation, GOG, Xbox publish no volume signal, so the true total is higher by an unknown amount.
| Store | Price | Audience | Score | Chart | Est. revenue |
|---|---|---|---|---|---|
SteamYou are here | $11.24−75% | 206.1Kreviews | 96% | #97 | $37.4M |
| $59.99 | 11.3Kratings | 94% | — | not modelled | |
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Reviews
Themes across 2284 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
虽然我很想给好评，这完全可以说是个有趣的游戏，但是游玩过程十分坐牢和折磨。前期地图设计和剧情相当不错，十分吸引人，但其中充斥着各种初见杀的战斗，如果你是个新手，战斗中很容易就会死人，因此就会很快用完复活卷轴。此外，这游戏还有糟糕的翻译、瞎眼的小字体、缓慢的跑图速度、便秘的背包管理、社交不共享，队友与玩家几乎没有什么互动，这导致游戏的代入感十分薄弱、部分任务触发限制条件，只要你没有按顺序点击对话选项，就会永远失去触发这个任务的机会，我还是看攻略才发现、还有愚蠢的战斗排序和双甲机制等等一系列小毛病。因此我强烈建议任何新手在卡关时立刻去看攻略，否则你的前路可能会十分坎坷，更别提后面还有剧情烂尾，一堆数值怪和机制怪，还有各种趣味小解密等待着你。总而言之，玩这个游戏，我只有一个感受，那就是“累”。最后，我真的很讨厌“起源角色”这个愚蠢的设定，最过分的是游戏竟然几乎把费恩预设为官方主角，开什么玩笑。而且如果你玩自建角色，你就会缺少许多剧情对话。还好拉瑞安在博德之门3里改善了这一点，并推出了营地这一极好的机制，不过我还是希望，他们能在未来更进一步，直接删除起源角色主控，与其设计一堆多余的主控角色模板和为他们配套的独特主控剧情，不如把这些经费省下来，重点塑造队友和玩家之间的感情，岂不美哉？
игра говна
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Price dynamics, follower growth, revenue and sales trajectories with interactive tooltips
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Every market we collect.
Latest in each market: best RU #40, worst US #97 · 12 markets collected
US · last 30 days
Reviews, worldwide (the counter carries no country): 20.86/day in the week to Sep 15 → 22/day in the week after.
Reviews, worldwide (the counter carries no country): 22.86/day in the week to Sep 14 → 21.2/day in the week after.
Reviews, worldwide (the counter carries no country): 24.67/day in the week to Aug 4 → 38.43/day in the week after.
For scale, across Steam · Top Sellers · Brazil over the last 30 days: the 26 chart moves that followed a price cut of more than 20% went a median of 7 places towards #1, and the 2,402 moves with no price cut behind them went 2 away. One store, one chart, one country — it is the only place we have enough observations to say even that.
Prices outside the United States have been collected since 6 August 2026 and chart positions since 19 July 2026, so a cut older than that has no market to compare and a market that joined later has no history yet. Nothing here is converted between currencies.
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French, German, Russian, Polish, Spanish - Spain, Simplified Chinese, Traditional Chinese, Italian, Korean, Czech, Portuguese - Brazil +1 more
| $44.99 |
| 3.9Kratings |
| 90% |
| — |
| not modelled |
| $49.99 | 3Kratings | 88% | — | not modelled |
Matched by title — a reused name can pair the wrong games. * is a critic aggregate. Prices and positions are each store's United States storefront; Epic charts worldwide. Audience and Score too, except Steam's, which is worldwide.
Hours played at review time, across 2.3K reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
This game has so many issues. I was excited to play this after BG3 was so incredible - but aside from a it being a similar type of game, with similar mechanics, there is nothing redeemable about Divinity 2. Companions were one of the main issues for me; they had interesting concepts at the start, but the actual execution I found to be incredibly shallow. It feels like you only get a handful of conversations with each of them throughout the entire game, so none of the relationships have any time to breathe or feel compelling. Sebille is the worst offender. I talk to her once and she wants nothing to do with me. A couple of conversations later she's suddenly my best mate, opening up about all her deepest secrets, asking me to save her name and loves me - I'm sorry, what? People kept telling me her character development was "earned" and that she "slowly" warms up to you. No she doesn't. It happens in what feels like three conversations. The game constantly skips over the part where you're actually supposed to build a relationship. I didn't end up caring about a single companion and this is where in opposition, I feel BG3 shines. In BG3 even companions I disliked at the start slowly won me over through what felt like shared experiences and turmoils, through convos where they opened up to me slowly, etc. None of that exists in Divinity 2. The skill building was another thing that just didn't click with me. I know people praise how open it is, but honestly I think it's too open to the point of it being bad. Every character can basically become anything, learn almost any skill and fill almost any role. Instead of feeling like I was building a character that had particular talents, goals in life in terms of their power, etc. I felt like I was staring at a giant pile of options with very little guidance or identity. I massively preferred BG3's class system. Having defined classes doesn't make the game less interesting at all, it gives your choices context and makes you feel like "hey I'm a wizard, I can embody this" but in Divinity you're chasing some kind of meta, multiple people's skills overlap and I spend way too much time googling and admin-ing rather than having fun and progressing someone in one direction of their chosen "career" intuitively. Leveling up always felt like "ugh ♥♥♥♥, this ♥♥♥♥ again" rather than "oh yay". The quest journal is also absolutely dreadful. Once the game opens up it just becomes this giant wall of quests with vague updates dumped into categories. Half the time I had no idea where I was in a storyline, what I'd already done, or why I was even following a particular quest anymore - it made it hard to continue small quests and know what to care about. When you're constantly trying to remember what the hell is going on, it's really hard to care about the story. It's messy, unorganised and unhelpful. ALSO the inventory management system is awful - holy hell, who designed this nightmare? The story itself is fine, the plot isn't particularly bad or anything but I honestly couldn't make myself care about most of it. The game constantly expects you to be fascinated by random lore characters but like, we are never led there with curiosity, it's just dumped at you and you feel confused and frustrated rather than intrigued. Every time someone started another speech about Braccus Rex I genuinely just wanted to fall asleep. The combat is also just fine, I genuinely enjoyed some aspects of it but by the last act, I felt some fights were so unbelievably anti-fun. The Lizard Consulate after-portal fight was the point where I ragequit. My entire party spent turn after turn charmed, maddened or otherwise unable to do a single thing while I sat there watching the enemies play the game for me for what felt like forever. I was literally waiting for the game to let me play again for a solid 20-30 mins. At least if BG3 wipes my party, it wipes my party and I can reload. Here I was trapped watching myself slowly lose for ages with absolutely no control which is so anti-fun. Finally, not sure what the decision is behind the bedrolls and no night time but it made the whole game feel like one veryyyyyyy long day. It probably contributed to my sense of fatigue with the story. We just kept going kept going kept going, health is low, we heal up with a bedroll and at it again. It makes the bad story pacing even worse. I genuinely wouldn't recommend this game - and it now makes me worried for Divinity 3. We're not getting BG4 so I was trying to be excited about Divinity 3 but I don't know if I can bring myself to give a single ♥♥♥♥ about Braccus Rex lol.
Just finished the game. And like BG3 I don't know what to do after the ending. It's been to my favourite thing in 2026's June and July...
Para mim, Divinity: Original Sin 2 ainda tem uma gameplay melhor e mais divertida que a de Baldur’s Gate 3. As habilidades são muito mais interessantes, principalmente por causa das interações entre os elementos e o cenário. Você pode jogar fogo em uma superfície envenenada e explodir tudo, molhar o campo inteiro, congelar a água, eletrificar superfícies e transformar uma luta aparentemente normal em um caos completo. É o tipo de sistema que incentiva você a experimentar e pensar em soluções diferentes, em vez de simplesmente usar sempre o ataque que causa mais dano. O sistema de builds também passa uma sensação de liberdade enorme. Não sei se existem literalmente mais combinações possíveis do que em BG3, mas aqui você se sente muito menos preso a classes tradicionais. Dá para misturar escolas de habilidades, criar personagens híbridos e montar grupos completamente diferentes entre uma campanha e outra. Graficamente, acho que o jogo envelheceu muito bem. Jogando com tudo no máximo, os cenários, os efeitos das magias e as cores continuam muito bonitos. A parte que mais entrega a idade são os personagens, principalmente as expressões faciais e algumas animações durante os diálogos. Nesse ponto, obviamente, ele está bem abaixo de BG3. Mas, no geral, não considero o visual ultrapassado. A trilha sonora é simplesmente incrível. Ela combina perfeitamente com a exploração, com as batalhas e com os momentos mais importantes da história. É uma daquelas trilhas que ajuda a dar personalidade ao mundo e que continua na memória mesmo depois de terminar o jogo. As batalhas também são extremamente memoráveis, principalmente quando o jogo apresenta inimigos com mecânicas próprias. Nunca vou esquecer da desgraçada da Alice Alisceon, a bruxa-espantalho que matou meu grupo inteiro como se não fosse nada. Também teve a missão do anão possuído, na qual o demônio saía do corpo dele e começava a pular entre os membros do meu grupo, possuindo cada um deles. Foi um inferno lutar contra aquele bicho, mas são justamente esses encontros absurdos e diferentes que tornam o combate tão marcante. A exploração é outro ponto excelente. O jogo recompensa muito quem sai do caminho principal, conversa com personagens aleatórios, entra em lugares suspeitos ou simplesmente tenta alcançar alguma área que aparentemente não deveria ser acessível. Muitas das melhores missões, descobertas e recompensas estão escondidas pelo mapa. As missões secundárias também são muito bem trabalhadas e frequentemente possuem mais conteúdo e criatividade do que missões principais de muitos outros RPGs. As escolhas realmente podem mudar missões, relações com personagens e partes do desfecho. Só que o jogo tem MUITO mas MUITO texto mesmo então você vai ter que estar disposto a ler muito diálogo porque senão você pode acabar tomando uma decisão que vai ferrar com a sua gameplay se não prestar atenção. A ausência de dublagem pesa um pouco porque Divinity 2, como eu disse, tem MUITO texto só que os personagens leem todas as falas, então se o jogo tivesse dublagem em português isso tornaria a experiência muito mais acessível e menos cansativa, principalmente em uma campanha que pode facilmente durar dezenas e dezenas de horas. No fim, Divinity: Original Sin 2 continua sendo um dos melhores RPGs de turno que já joguei. Ele não tem a mesma apresentação cinematográfica, as expressões faciais ou a qualidade das animações de Baldur’s Gate 3, mas compensa com um combate ainda mais criativo, builds extremamente livres, exploração recompensadora, missões excelentes e algumas das batalhas mais memoráveis que já encontrei em um RPG. Não é apenas um “Baldur’s Gate 3 antigo”. Em vários aspectos, principalmente no combate e nas interações com o cenário, eu ainda considero Divinity 2 superior.
First, I cannot personally recommend this game. However, this is not due to poor quality or gameplay. In fact, the game's performance, voice acting, and production value are all exceptionally high. It's simply not the type of experience I enjoy. I prefer a more guided story and straightforward progression, like in The Witcher 3 or Red Dead Redemption 2, rather than a game that relies heavily on open exploration and managing numerous quests. If you love deeply immersive, open-world RPGs with complete freedom, I highly recommend this game. However, if you prefer a focused narrative, this game might not be for you. Thank you for reading.
There's a lot I like about this game mechanically, aesthetically, and (what's an adverb for writing style or quality?) even more than bg3. It's definitely still a downgrade in a lot of respects, but once you get past the initial shock of those changes, you will find something worth your time.
[h1]"Младший брат BG3" говорили они... А оказалось всё совершенно иначе. [/h1] Если говорить по существу, то получается, что для меня DOS2 превосходит BG3 почти во всём, это именно та игра, после которой не хочется играть ни в BG3, ни во что-либо ещё. Вероятно это лучшая CRPG из тех что я играл. [i]Потому что:[/i] [h3]1. Плотность. [/h3] Дивинити реально [b]ЖИРНАЯ[/b] - никаких пустых полей, никаких "принеси-подай" и никакой лишней болтовни. Поэтому она ощущается плотной, ведь сотни часов уходят на изучение мира, на строение билдов, на сражения, на лор мать его, а не на пустой трёп с повесточным гомо-медведем или мозгососом. Каждый шаг требует твоей вовлечённости - на тактике без исследования мира, без понимания боёвки, без изучения лора и книг невозможно пройти игру и понять сюжет. Да, в BG3 несоизмеримо больше диалогов и их вариаций, больше локации и более живой визуально мир, и хоть обе игры проходятся за 100-150 часов, всё же Дивинити конкретно так дает ей за щеку по концентрации геймплея и требованиям к игроку. [h3]2. Боевая система.[/h3] Разработчик принял очень много решений, чтобы разрешить игроку проявлять креативность и смекалку: можно играть от поверхностей(жидоксти, облака), система навыков позволяет выстраивать комбинации действий для контроля врага множеством способов, ОД и кулдауны обязуют использовать разные навыки, в игре куча синергий и самое главное здесь есть против кого это всё применять. Я могу перечислять и углубляться во все тонкости боевой системы, которых очень много, но лучше скажу кратко: [u]"Она сбалансирована так, чтобы ты мог проявлять фантазию."[/u] Разраб не стал копировать RNG систему, как в DOS1(ибо духота не попадать 2/3 ударов) и у него получилооооось. Я МОГУ попадать по врагу и контроллировать урон, я могу рассчитать на несколько ходов вперёд кого и как я застаню, могу подогнать под очередность действий своих героев и могу не сейвскамить игру и не душиться. [i]Слава забаланшеной физ/маг броне![/i] Короче, каждый аспект боёвки продуман, блещет разнообразием, позволяет креативить и это дико доставляет. [h3]3. Билдостроение.[/h3] Здесь нет чёткого разделения на классы и можно отыгрывать кого-угодно: некроманта-воина, танка-отражателя, лучника через магические стрелы, мага-милишника, мага-сапортера и т.д. В игре можно собрать пачку в фул физический или магический урон, а можно собрать 50/50, чтобы сносить магией "врагов-ассасинов", а физой "врагов-магов". В игре много перков, много заклинаний и они отличаются качественно, а не просто меняется циферка урона с огненного на ледяной. Кроме того, ты обязан ребилдиться и менять статы отряда под реалии игры, ибо в первый трай без грамотно собранного отряда игру еb4тb как тяжело пройти (естественно на тактике). И мне очень симпатичен такой подход: ты должен строить сильный билд и при этом не сломаешь игру, а напротив - встретишь ожесточённое сопротивление врага. [h3]4. Мир и его наполнение.[/h3] По субъективным ощущениям, несмотря на масштабность мира BG3, я всё равно не могу сказать, что он наполненней, чем мир DOS2. Три шага влево - либо игровое событие, либо лорная книга, либо диалоги; три шага вправо - либо валит сюжет, либо ребилд, либо драка и т.д. Игра прям очень бодрая и видно, что разраб делал игру, чтобы ПОИГРАТЬ, а не кинцо посмотреть. Персонажи могут удивить, говорят они по делу и не разыгрывают из себя жертв ПТСР. Правда торговцы в Дрифтвуде могут поиздеваться("Keeping it together, Bree?"). Тут так же много забавных, оригинальных квестов, но в них нет такой вычурности и они не сбивают тебя с толку, как например, лабзания с иллитидом, медведем и т.д. Кроме того, в BG3 вроде больше 1000 записок/книг, но они - бесполезный мусор, если сравнивать с Дивинити, в которой наоборот, каждая запись - важная часть пазла, которую ты должен разгадать. Вот он уровень: я сам собрал все 35 энкциклопедий Хуберта, а оказалось, что это лишь [spoiler]фейковый лор, уловка, чтобы обмануть игрока[/spoiler]. А догадаться до этого можно, если ты немного думаешь, следишь за тем, что тебе говорят и подмечаешь некоторые детали([spoiler]Фейн выкидывает за борт книгу Хуберта в конце игры и говорит, что это какая-то чушь[/spoiler]). В целом мир ощущается целостно и ты в него веришь, словно читаешь хорошую книгу. [h3]5. Персонажи.[/h3] Ну вот хоть кто-нибудь сопереживал этой мpaзи-Астариону? Или друиду-медведю? Или Императору? Или какому-нибудь Орфею? На мой взгляд, каждый первый персонаж в BG3 либо - отбитый эгоист с шизой, либо - наивный шиз с нудной историей. А нормальные герои где? А они в Дивинити. Одна история Люциана чего стоит, [spoiler]который убивал своих друзей, сыновей, подданных и вынужден был пойти на массовый геноцид колдунов истока[/spoiler] и всё ради благой цели - вот пример оправданной жестокости. И ты это видишь здесь и сейчас, прямо в игре, а не где-то там за кадром. Персонажам из DOS2 я хочу сопереживать и изучать их историю, в BG3 - нет. Через призму моего человеческого опыта, я просто не могу понять тёмного соблазна, иллитидов, гитьянок и прочих неадекватов, но при этом могу понять главного антоганиста DOS2 - [spoiler]Семерых богов. [/spoiler] [h3]6. Сюжет.[/h3] Absolute Cinema и подача и сам сюжет. Спойлерить не буду, но такого наворотить и логично уместить - надо уметь. Игра умудряется держать тайну до последнего и когда сюжетный твист раскрывается, то получается то же ощущение, что при просмотре Острова Проклятых. Можно стопроцентно перепроходить заново и игра заиграет другими красками. [h3]7. Итоговые ощущения.[/h3] Несмотря на мои внушительные 20 лет опыта в разных игрульках, возможно я предвзят и не объективен, да и в принципе клал я на это ***, так что настою на своём - Divinity: Original Sin 2 унижает и BG3 и все игры в жанре. "После Дивинити не хочется играть ни в BG3, ни во что-либо ещё." - думаю дороже всех похвал, ибо это axyиteльHaя игра. [b]Что ж, пробужденные, смело дерзайте и обретайте Divinity! [/b] [i]PS: обязательно на тактике![/i]
Одна из лучших игр в моей жизни. Здесь абсолютно всё на высоте — приятный глазу визуальный ряд, отличнейшие композиции и самое сочное это боевка которая в свою очередь ограничена только фантазией игрока. Браво Larian. ／＞ フ | _ _ l ／` ミ＿xノ / | / ヽ ﾉ │ | | | ／￣| | | | | (￣ヽ＿_ヽ_)__) ＼二つ
Хорошая игра, но периодически приходится консультироваться с интернетом касательно выборов в игре: многие из них неочевидные и имеют далеко идущие последствия. А вот финальная битва и концовка - ужасные. То что говорят после битвы - расходится с тем что произошло в самой битве, а более несвязного эпилога я в жизни не видел. Но игру в целом это не сильно портит, Ларианы молодцы.
Active players
Estimated daily and monthly active players (DAU/MAU) modeled from peak concurrency.
Players by region
Where this game's players are, estimated from review languages.
Players also reviewed
The games this title's players most often review too — audience affinity.
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