Deadlight

¿Quieres enojarte? ¿Perder tiempo tratando de pasar un tonto nivel? ¿Golpear la mesa porque no puede avanzar por los controles horribles y bugs? ¿te gustan los zombies? Es perfecto para vos El personaje le pide permiso un pie y al otro para avanzar Se voltea cuando se le da la gana ¿Queres cruzar al otro lado de la pared y saltar? Lo lamento no tengo ganas ¿porque no mejor me voy de un lado a otro para que sea gracioso - Wayne -Ven acompañame en mi aventura de problemas automotris rodeados de zombies y "trampas" mortales- Wayne Hay mejores juegos que este, este no es uno de ellos

Deadlight is a game that prioritizes atmosphere and pacing over complexity. It presents a post-apocalyptic world that feels grounded and oppressive, without relying on excess or spectacle. The tone is consistent from beginning to end, and that coherence is one of its strongest points. The gameplay is built around simple platforming, environmental puzzles, and avoidance rather than direct combat. This design choice works well within the context of the game. You’re not meant to feel powerful — movement is deliberate, sometimes even a bit heavy, reinforcing the sense of vulnerability. There are moments where the controls feel slightly rigid, especially in sequences that demand precision. However, this rarely breaks the experience; it just requires a bit more patience from the player. Narratively, the game is straightforward. It doesn’t aim for deep character development or complex twists, but it maintains enough tension to keep you engaged. The story unfolds in a controlled manner, with just enough ambiguity to support the overall tone without becoming confusing. Visually, the silhouette-based art style is effective. It’s minimal, but highly intentional — the environments communicate mood and danger without needing excessive detail. Combined with the sound design, it creates a consistent and immersive setting. Deadlight is not trying to redefine the genre. It delivers a focused experience, with clear design decisions and a strong sense of identity. For players looking for a short, atmospheric journey with light mechanics and steady pacing, it works well.

This game is ♥♥♥♥♥♥♥ trash. Deadlight is the epitome of an unfun game. It sucks to play. The controls are obtuse and unintuitive, and the gameplay somehow manages to be both brain-dead and confusing at the same time. For example, there are ladders you can’t reach with a running sprint jump. Instead, you have to stop holding all inputs, stand directly underneath the ladder, and press jump. When zombies are chasing you, you’ll naturally try to sprint and jump—only to repeatedly fail, die, and wonder why the ladder wasn’t the intended path. The game gives you no feedback and no grace—just punishment. Another example of terrible design is the power swing with the axe. It can kill zombies, but it requires you to hold the attack button while standing completely still. You cannot be moving or pressing any directional input. Again, when you’re running from zombies or trying to adjust your swing direction, this makes no sense. I can’t charge an attack and reposition myself without completely wasting the already-limited stamina required to perform the move. You’ll also have tools removed from your toolbox and not returned, purely for story reasons that make no sense. On PC, things get even worse. Rolling requires hitting four keybindings at the same time, which is borderline unusable without rebinding—and even then, the game uses the dumb “Accept button at the bottom or your bindings won’t save” system. You will die constantly. Not only does this completely remove any tension from what’s supposed to be a “horror” game, but the death animations are so long that dying becomes annoying on top of being entirely unearned. To be frank, I’m not even sure what genre this game was aiming for, but whatever it was trying to be, it misses the mark entirely. The game is frustrating to play. I cannot overstate how little fun I’m having. The only thing I genuinely liked was the visual presentation. The aesthetics—music, art direction, sound design, and voice acting—range from fine to genuinely good. And that’s what makes this so frustrating: the presentation is solid, but the actual game underneath it is a complete mess. I cannot recommend this game enough not to play it. Please don’t play it. It is not a good time.

Atmosphäre und Art-Style sind sehr schön gemacht. Die Story ist so generisch wie sie nur sein kann, da kam wirklich gar kein Gefühl auf. Generell ist das Spiel recht kurz. Vom Gameplay her ist es nicht überragend und das Rad wird nicht neu erfunden. Man hätte einiges besser machen können und das Potenzial wurde nicht voll ausgeschöpft. Semi-Spoiler: Man bekommt die Shotgun relativ spät, das war schon nahezu unnötig sie dann überhaupt noch zu etablieren. Dann so ein paar Kleinigkeiten, die die Immersion etwas zerstören, wie z.B. dass in einer Cutscene man einen Revolver hat, obwohl man im Game zu dem Zeitpunkt gerade keinen haben kann. Auch nervig war, dass man Schusswaffen gefallener Soldaten nicht aufnehmen kann. Gameplay-technisch hat mich noch genervt, dass einige Passagen quasi auf Zeit durchgespielt werden mussten, was das Spiel aber nicht richtig deutlich gemacht hat (erst nachdem man da mehrfach krepiert ist). Teilweise war die Steuerung auch etwas hakelig, aber das würd ich auf meine Unfähigkeit schieben. Nur im Sale zu empfehlen für (wie aktuell) maximal 4 Euro.

если играть 1 раз то очень даже хорошо, но если играть на все ачивки, мы можете страдать, прямо как я в кошмарном режиме кошмарный режим полон багов которые мешают геймплею, например какие то предметы резко увеличиваются, что немного выводит из геймплея, некоторые зомби появляются из ниоткуда, а альтернативная концовка после прохождения этого режима вообще ввела в ступор. вообще не о чем. но на один раз и ради основной концовки можно поиграть, но я бы посоветовал поиграть в игру от тех же разработчиков gylt. Может менее пустая, может менее драматичная и немного детская по сюжету, но все же, как мне кажется более проработанная и за все мое время прохождения не было багов.

Deadlight es un juego indie de plataformas realmente bueno, que bien merece la pena jugar. En él nos pondremos en la piel de un superviviente en un mundo lleno de zombies. La humanidad se ha ido al garete y deberemos sobrevivir a las hordas de no muertos y. lo que es casi peor, a otros humanos supervivientes que luchan por hacerse con el poder. Todo ello, mientras intentamos recordar qué pasó con nuestra esposa y nuestra hija. No es un argumento muy original pero sí veremos que está narrado muy bien a medida que avancemos. Sus gráficos son excelentes, con escenarios realmente detallados, juegos de luces muy trabajados y la continua sensación de estar en un mundo post-apocalíptico. Su banda sonora es excelente también, y los efectos de sonido no se quedan atrás. Ambos casan perfectamente con la acción y la atmósfera del momento. La jugabilidad es muy buena, con bastantes escenarios que van aportando cosas nuevas, por lo que no sentiremos que se hace muy repetitivo en ningún momento. Los movimientos, que en cierto modo me recuerdan a juegos del estilo Prince of Persia, están bien calibrados aunque a veces es cierto que no responden de manera absolutamente precisa. La dificultad es ajustada y, salvo el logro de pasarse el juego en modo Pesadilla, nos lo pasaremos sin demasiado sufrimiento en unas 10 horas. Sin embargo, pasarse el juego en modo Pesadilla bien puede llevarte unas 20 o 30 horas más, si eres un jugador experimentado. Precisamente por lo comentado de ausencia de precisión en los movimientos en algunas circunstancias concretas, este último logro puede hacerte desesperar. En resumen, un juego indie de los que merece la pena darle una oportunidad. NOTA: 8,5/10

Joguei por pura nostalgia pois me lembro claramente de ter jogado esse jogo quando tinha meu 360 e na época achei o jogo muito legal mas não fui até o fim e em 2024 tive a oportunidade de comprar e jogar esse jogo na steam e todos os pontos que me fizeram gostar do jogo antigamente ainda permanecem os mesmos para como eu vejo um jogo hoje em dia que são a sua ambientação e atmosfera bem feitas com uma história ok(não li o diário) tem um audio design e trilha sonoras boas mas nada demais, porém sua gameplay é bem travada e confusa em alguns momentos do jogo, onde por muitas vezes morri pq o jogo não atualizava a direção do personagem ou até mesmo algumas fases que não achei tão intuitivas(joguei sem dicas). Num geral é um jogo mediano que vai te divertir e deixar interessado nas 4 horas que ele tem, porém não espere nada demais e tente extrair os pontos bons dele. ps: Compre em alguma promo da steam!

포기. 초반엔 꽤 재밌었는데, 게임 구성이 점점 사람 불쾌하게 만드네요. 세상이 망하고 좀비가 넘쳐나는 세상에서 동료와 가족을 찾아 뛰고 구르는 플랫폼게임입니다. 살아남기 위해 좀비와 함정을 피해 계속 달려나가는 게, 동작도 역동적이고 상당히 좋은 느낌이었습니다. 무기를 얻은 뒤엔 좀비랑 싸울 수도 있지만, 기본플레이는 좀비를 피해 달아나는 걸 골자로 두고 있구요. 좀비아포칼립스에서 많이 나오는 적대적인 생존자집단도 등장합니다. 이런 플레이가 초반엔 상당히 재밌게 느껴졌는데, 점점 게임이 하기 싫은 플랫폼게임의 모습이 되어갑니다. 이건 초반부터 그랬는데, 게임화면이 어둡다 보니 플랫폼이, 특히 점프가 필요한 발판이 잘 보이질 않는 경우가 많습니다. 화면은 어두운데 발판도 어두운 색에 얇기까지 하니까요. 게다가 쫒기는 경우가 많기 때문에 찬찬히 살필 여유가 없어서 잘못 보고 낙사하는 경우가 심심찮게 나옵니다. 점프 거리에 여유를 주지 않는 것도 별로였구요. 정말 아슬아슬한 거리를 주네요. 낙사 직전 지점에서 점프하지 않으면 닿지 않는 경우가 너무 많습니다. 동작이 일관적이지 않다고 느껴지는 점도 이상했습니다. 도끼를 얻은 뒤 근접공격을 할 수 있지만 잡을 시간 없어서 좀비를 넘어뜨리고 지나가야 하는 구역이 많은데, 운에 맡긴다 싶을 정도로 공격동작이 일관성이 없습니다. 점프로 좀비를 지나칠 수 있는 것도 어떨 땐 되고 어떨 땐 좀비에 막히구요. 왜 이게 실패했는지를 모를 경우가 너무 자주 보입니다. 제일 짜증났던 건, 일단 한 번 죽고 나서 보라는 구성이 계속 반복된다는 점입니다. 뭘 어쩌라는 건지 모를 상황에 던져놓고, 일단 죽고 나서 뭐에 죽었는지 보고 대응하라는 식인데, 한 두 번은 그러려니 하지만 계속 이게 반복되니 재미는 없고 화만 납니다. 맵을 보고 한눈에 어떻게 해야겠다 생각하고 시도하다 실패하는 게 아닌, 일단 죽고 나서 어떡할지 생각하라는 게 반복됩니다. 아예 처음부터 재미가 없었다면 모르겠는데, 초반 한 시간 가량은 재밌게 하다가 게임 구성이 점점 이상해져서 흥이 식어버려 더 화가 납니다.