Experience a visceral Campaign or assemble your team in the ultimate online playground with multiple Special Ops challenges and a mix of Multiplayer maps and modes.
Modeled estimate, not a reported figure. How we estimate →
About
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French*, Italian*, German*, Spanish - Spain*, Arabic, Japanese*, Korean*, Polish*, Portuguese - Brazil*, Russian*, Spanish - Latin America* +1 more
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 755 reviews with recorded playtime.
Reviews
Themes across 752 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
good
TEK KELİME İLE müko
бомба
Just 4 hours game, disgraceful
好玩，剧情很有意思
"But we are all killers here, no?" You know what you’re getting yourself into. A cinematic experience with great visuals and a generous dose of propaganda, which seems even more over the top in this instalment. The multiplayer is dreadful at the moment, so only pick it up if it’s heavily discounted if you’re after a campaign of mindless, blockbuster-style action fun.
캠페인 빨아먹으려고 샀습니다. 야르하네용
..........
Campaign has no redeeming values other than to be a trauma simulator. I can't imagine the gunplay gets any better online
Infinity Ward, Beenox, High Moon Studios, Raven Software 를 위해소리질러 그냥 대엑티비젼
Related
Related
Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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