Tokyo Underground Killer

一周目通关下来之后，我可以肯定的评价：这就是一部花里胡哨外壳，充满小缺陷的低成本小作品，宣发说的毫无缺点，其实到处是极其影响游玩体验的问题，如果你是想玩爽游的那建议考虑绕道， 在这里你能遇到： 超绝SB超远存档点，死一次直接重头打，血压整的比游戏里吸了血还高， 用完枪之后无法挥刀的恶性BUG，触发概率高达40％， 好不容易打通战点，结果突然不刷怪，想继续只能读档重打， 判定诡异的小怪，受击反馈为0，有没有打中你根本没法通过画面判断，只能靠猜， 跳跃手感漂移，经常落地还给你滑行几十米，在跑酷任务中尤其高血压， 等等等等，影响游戏体验的地方实在太多，不信？你猜为什么后五章的通关成就解锁率全都不到10％？ 公平来说，游戏总体算得上好玩，但实在有太多影响游戏体验的不足和缺陷，在高难度尤其如此，遇到一两个，高血压很容易压过前面的爽快感，更别说这闪瞎眼，开柔和模式照样能玩得眼睛要爆炸的炫彩赛博朋克画风，极其影响游戏游玩动力，让人忍不住骂娘， 顺便一提，难度没法修改，推荐全程最低难度，除非你想赤石

《东京地下杀手》是一款赛博霓虹风格的砍杀动作游戏，但带有一些模拟玩法。 关卡设计虽然没什么可圈可点之处，不过敢在砍杀动作游戏里加入枪械射击称得上是一个大胆的尝试。他并不像其他砍杀游戏一样有平台跳跃或者说跑酷的玩法，基本只集中于冲到敌人脸上砍死他这一个动作。但是有些敌人有盾，需要用枪械或者“血技”破盾。这个设计虽然是增强了关卡的策略性，但鉴于远近程对鼠标灵敏度的要求区别，枪械的子弹很容易打空。在这时如果没有血技的话破盾就非常麻烦了。砍杀游戏的根本目的应该是营造爽感，那我想还不如给枪械做一个自瞄，这样应该能让玩法更加自洽。另一点就是角色的攻击方式实在有点太少了，而boss战除了做出一些有板有眼的boss招式之外其实并不能给战斗过程带来多少波澜。虽然防反的收益很高，但镜头摇晃幅度太大，甚至都不太能捕捉到boss动作，这个晃动还关不掉，也就导致防反对于某些敌人招式来说就很难打出来了。可以说boss战特殊机制的缺乏是本作最大的一个缺点。 动作游戏一般都会在关卡之间插入一些可以调节游玩节奏的小玩法，像《猎天使魔女》关卡之间会用一个射击小游戏来达成这个目的。本作倒是在这一块上做出了很多创新，甚至可以说是有一个模拟游戏的雏形了。它直接把角色的住处所在的街区作为开放区域，玩家可以在其中买收集品，升级，打工以及赌博。可以说本作这些玩法甚至是与主线砍杀分庭抗礼的，并非只是过渡或者说“配菜”。甚至玩家如果只做主线的话，主线赚的钱都不够继续推进的，如果想要买点可收集的扭蛋之类的，就需要花更多钱了。可见制作组想要让玩家多尝试这些模拟玩法。可是这样更慢的节奏到底对玩家是好是坏就不确定了，毕竟这些调节的玩法并不是特别的轻松，对于某些希望能获得砍杀动作的爽快体验的玩家来讲，这大概不是件好事。 本作最大的优点，也是投入经费明显最高的部分，就是它的音画表现了。过场剧情的彩色漫画非常精致，角色立绘也是特色明显，且有全对话的日语配音。作曲家Andrew Hulshult制作的电子音乐质量也很高，经费非常的爆炸。而场景美术这一块，虽然建模可谓粗糙，但这种风格反而与这种幻想中的赛博东京的调性很统一，像水族馆这些关卡的场景布置其实也很漂亮。所以说如果能选个低难度慢慢感受这种在东京当地下杀手的生活，也是趣事一件。

More people need to play this game if we’re being honest. I love the neo city and all the level designs are gorgeous, shoutout to the Japanese and English VA in the game as well!

[h1]血染东京 [/h1] 《东京地下杀手》是一款赛博朋克风格的第一人称高速战斗游戏，玩法有些类似幽灵行者，但是有血条和吸血技，普通难度下不用太担心生存问题，又可以感受到高速战斗的爽快。玩起来有一种我是谁，我在哪的感觉，但是看到自己十步杀一人的暴力出招又感觉自己打出来的很帅。 [h2]游戏简介 [/h2] 玩家扮演的是一名吸血鬼，会在东京这个城市遇到形形色色的人，NPC的风格很酷炫，有一种“天堂岛杀手的感觉”，穿着也各有特色。执行任务的话基本都是与帮派打交道，经历各种常规的杂兵战最终到达BOSS的房间。 [h2]玩法介绍 [/h2] 主角在游戏里既可以使用近战武器武士刀又可以使用各种枪械，不过枪械算是道具一类的物品，需要在关卡内获取，子弹用光就会自动扔掉，主要方便用来打带有蓝色护盾的敌人，普通近战则不能破盾，或者利用血技也能击破，血技可以自定义搭配，每一局最多可带两个，杀死敌人也可以累计血技能量，发动的时候让技能线和UI重合就可以进行快速充能，直接让对应的血技满能量。战斗过程中要灵活的切换两把武器以及血技，同时再进行各种闪避动作，其中鼠标右键在适当的时候格挡可以进入子弹时间，所有敌人变成慢动作，也是方便我们及时调整或者乘胜追击的好时机，而且这个反应时间非常宽裕，高手的话甚至可以利用这个机制做到无伤通关。 当然越往后关卡的设计也就越复杂，敌人的难度也会更高一些，甚至还会有会分身的敌人。不过本作的敌人种类不多，所以玩到后面也会有一些重复感。再加上游戏的关卡制设计，打完一关会回到都市做休整，会把好不容易积累起来的节奏给打断。 [h2]总结 [/h2] 《东京地下杀手》虽然和幽灵行者玩法比较贴近，但二者的核心体验完全不同，本作因为血条和吸血技的存在，导致主角续航能力更强，所以游戏整体难度要低一些。不过最高难度还是很有挑战的，因为敌人机制的原因，玩家需要在武器切换、血技释放以及弹反之间不断做出判断，操作量也会要大一些，推荐喜欢第一人称高速战斗游戏的玩家！ [quote] 雅中有俗真意趣，俗里藏雅见真游 [url=https://steamcommunity.com/groups/yasugongshang][i]欢迎前来关注 [/i]「雅俗共赏鉴赏组」[/url] [b][u] 以雅会友，以俗近人，共赏之间，品味游戏人生。[/u][/b]

实名评价不刷好评的说，不好玩

I like gameplay of this game with general enemies. But I hate boss-fights. I beat first 3 bosses and it was painful especially third one. And this is on normal difficulty. So if you want shadow-warrior-like gameplay with katana but with much harder bosses - try it, may be this is for you. But I don't like it, it's simply not for me

DAMN fine gameage!

Very fun, fast-paced first-person combat game. Once I got into it I honestly had a hard time to stop playing. I had played the demo a couple months back, and had found it very difficult but I'm happy to say that the full game seems well balanced. It's not perfect optimization-wise though. Watch out for heavy framedrops when you're surrounded with too many enemies and killing them left and right. And there's a part of a mission near the end of the game that had my system going full-throttle on cooling for some reason. As a hired assassin, you take on missions where you run through some vivid neon lit depictions of famous Tokyo districts at night while killing hundreds of enemies, in order to kill a designated boss target. The story is told through very cool interactive comic strip sequences, with fully voiced dialogue lines. After completing a mission, you start again from your apartment, and must pay a bribe to the subway ladies to be able to do the next one. Money can be earned either in missions, or by playing mini-games in town after exiting your apartment (part-time bouncer, pachinko, arcade VR missions, ...). The fact that you can relax a bit right after a mission helped with immersion and kept me playing. What I liked: - Very fun, dynamic and juicy combat. Once you get the hang of it, you can chain enemies and it is very satisfying. On that aspect, the game having you incarnate a blood-trance-driven assassin works perfectly. - I recommend taking on the VR missions at the arcade, going from the very easy ones to the harder ones in order to nicely ramp up the difficulty while you get comfortable with the gameplay mechanics. That way you'll be ready when the game gets difficult, and difficult it does become! - There are many ways to approach a situation. Melee sword combat is central to the gameplay, but you can play either defensively by relying on parry/counters or very aggressively by tanking a bit of damage and refilling your health with the blood enemies drop when they die. You have powerful supernatural blood abilities to unleash whenever they are charged, and you can also pick up range weapons, but they have little ammo so they're more like another tool to help you out of a tough spot or make short work of a very annoying kind of enemy (like those flying pests). - Tokyo by night is beautiful in this game. Over-the-top colors everywhere, reflective materials, and good environmental story-telling with lots of details to look at. It feels lived in, a lot of care has been put into the design of the different locations. I loved looking at all the hand-drawn pieces of art used as ads everywhere. - All characters have very quirky designs, and the way the story was written felt reminiscent of reading a manga or watching an anime that does not take itself seriously and just wants to show you cool stuff. What I disliked: - I wish side-characters would have been modeled in 3D instead of showing up as billboards when encountered in locations - most of the time you only realize you've found somebody because a dialogue UI shows up. Then again I assume it's more a budget/time issue than an artistic choice. - Although it did not bother me that much personally as I enjoyed doing arcade VR missions, I feel like the game should not force you to play intermission minigames if you're not into it. If you want to collect figurines and stuff, fine. But here, transportation is more expensive the more progress you make and you'll eventually have to grind, especially if you want to upgrade your blood abilities. If you're looking for an intense fast-paced FPS game with cool visuals, you'll likely enjoy this one. It's also damn cheap, so you don't have to wait for a sale to grab it!

[h1]做完任务给的钱甚至不够下一个任务的路费，不愧是赛博朋克啊[/h1] 这出戏的开场很简单：一把太刀，一个爱发狠的外号“新宿吸血鬼”，一条把人架在霓虹和噪点上的街。 你从地铁口钻出来，抖掉雨水，接下来的几个小时就是砍、突刺、招架与喘息的循环。 游戏的流程结构是[b]直给的章节制[/b]，但也不是那种一口气冲到底的走廊，游戏内会有任务委托和城市中枢来回切换的调剂：[b]一段高强度三段式清版砍杀，一段回到新宿公寓的降温，然后再上路。[/b] 采用“[b]任务—中枢—任务[/b]”这种有折返节奏的关卡推进在某些层面上来讲确实能让玩家整体流程体验张弛有度。 任务段里是高密度的清场与节点式的小场景转换，偶尔穿插特殊目标或场地限制。这些派遣委托讨伐的据点大多发生在东京地标的迷离重构里，色块和灯牌把视线拽到该去的地方，关底安排一场登场很有派头的Boss，形式感拿捏得挺狠。 中枢段则让你回到新宿的公寓，任务完成，电车回到据点，房门一关，屋里摆设能越摆越像样；出门下楼，碟片行、女仆咖啡店、街机和柏青哥亮着招牌，小游戏既是放松，也是钱包回血的选项。因为前往下一关的地铁和技能树的升级都要花钱，我是没想到一个职业杀手的工资居然这么低，做完一单后发现“路费不太宽裕”，只好先去夜里最亮的那条街“打两把”把腰包补齐，再去见下一位雇主。 但不得不说，游戏的节奏被这座霓虹城市切得很生活化，玩得时间不长，但路边的高达扭蛋、街机厅的娃娃机，确实成为了我每一关之后都会去看看的打卡点，[b]我好似真的活在了这座城市里面一样[/b]。 [b]就是为什么夜总会我只能当保镖打工不能享受服务啊？[/b]这个我是真难绷，那个NPC小哥一直和我说什么成人玩具店什么夜总会消费，结果这世界只有红色的血腥暴力、没有一丝黄色…… [h1]刀主血辅、枪械兜底[/h1] 近战动作把冲刺、招架与输出连成短促的连招，更偏向把距离和时机压到对方脸上的贴身处理。 血能是一套资源循环：你可以使用 10 种可升级的“血技能”对付强敌。在战斗中以它们破局、叠增益或快速清理，再通过吸取倒地敌人的血，回补生命与技能能量，这使[b]“出手成功→资源回流→继续压制”[/b]成为明显的正反馈。而且这个机制还有一个QTE反哺，用完之后玩个小音游，按到了直接[b]【再来一瓶】[/b]。 枪械与投掷更像补刀与拆危局的工具，用来“补刀”或者对付布局恶心的小怪，手感还行但整体存在感让位于武士刀与血技的组合拳。 把这些拼起来，你大致能感受到它“爽”的机制由内而外严丝合缝。画面、判定、回馈连成一股气，砍爽的瞬间确实会上头。[b]砍的节拍让你愿意冒险站得更近，血的循环奖励你在正确时间点出手，城中散步把激素退下去，再让你整装回去当夜里的刽子手。[/b] 它不追求复杂到密不透风的系统互啮，只是把“能落地的混搭”磨得顺手。十来种血技够你折腾，街机厅的挑战任务不算夸张却挺带感，城市里也总有个理由让你多逛两圈。 如果非要挑骨头，那也主要是取向问题而不是方向错误。它明确站在“第一人称刀感”这一边，枪械更像辅修；它愿意让小游戏和货币成为推进的配角，换来的是一种“夜生活式”的节拍感；它的风格很浓，霓虹和分镜几乎时时刻刻在你面前晃。 如果你追求的是纯射击的指尖洁癖，或是从头到尾不想被节奏切开的长冲刺，这杯鸡尾酒可能会觉得“味儿太重”。反过来说，[b]只要你对近战的直接回馈有爱，对赛博夜色不反感，也乐意在两次出刀之间去街机厅坐一会儿[/b]，那么这部作品的手劲儿和诚意，足够让你在凌晨的地铁里反复上车再下车。

This game is criminally under-discussed AND underpriced. Even at $20, it would easily be worth a full-price purchase. At $10? Just buy it already. The visuals are incredibly unique and stylish BECAUSE OF the clearly limited budget. This is the definition of making the most of what you've got, and there's far more to enjoy here than certain AAA or even "AAAA" titles I could name. That goes for everything to the 3D-modeled environments and enemies to the 2D sprites that make up the main cast. I'll admit, it was a little jarring at first to see the speaking characters in 2D while the enemies and background NPCs were all 3D, but it ultimately adds to the psychedelic unreality of the setting. Not to mention, those 2D designs are all gorgeous and full of character. Not to mention, the cutscenes are all done in this lightly animated manga style which OOZES style from every single panel. There's one particularly creative shot towards the end of the game that had me literally cheering at my desk -- both because it was so narratively satisfying and because it made such brilliant use of the format. Speaking of cutscenes, I've seen a few other reviewers recommend switching to the Japanese VA instead of the English. Your own mileage may vary, but I personally LOVED the English VA and wouldn't dare switch it. The English voice actors clearly know what they're doing, but there's also this very specific stilted-ness to their delivery that feels in keeping with 90s/early 2000s anime dubs. For me, that only added to the overall vibe. Gameplay-wise, it's a deceptively simple first person SLASHER that has a much higher skill ceiling than it initially lets on. While I found the first level a bit basic and plodding, those concerns quickly melted away as my arsenal expanded and the enemy composition (at first) kept pace. It's no DOOM Eternal, but you will need to use your tools wisely to get to the end of the campaign. Is the game perfect? No. For one thing, the difficult curve can't quite keep up with the player progression by the time you reach new game plus. I actually found the greatest (and most satisfying) challenge in the DLC arcade missions which push your abilities much farther than the main campaign. If the devs end up reading this, here is my request: add something akin to the highest difficulty on Metal Gear Rising: Revengeance. Something that assumes you've already maxed out the skill tree, and thus throws everything it can at you from word jump. This game is a PERFECT candidate for something like that, and it would boost the replay value immensely. On top of that, my biggest disappointment is with game's performance in the final mission. Despite the game running buttery-smooth for the rest of the campaign (and all the arcade missions) the final mission gave me some serious lag spikes and multiple hard crashes. I can only assume that's an optimization issue, and I hope the devs can fix that soon. This game deserves to end on a higher note than that. Those issues aside, I absolutely adore this game. I would KILL to get a sequel, because it would be the perfect chance for the devs to take everything that's already working and polish it to a mirror shine. For now? If you're a fan of first-person melee-focused games -- or if the general vibe of the game appeals to you -- BUY IT NOW. It'll be the best $10 you spend on a game in quite some time.