Quiet as a Stone

Bardzo ciekawa, ale polecam tylko ludziom zainteresowanym abstrakcyjnymi i naprawdę casualowymi "grami" Indie. Zyskała by dużo gdyby mogła służyć jako interaktywny pulpit albo miała choćby limitowaną synchronizacje z wallpaper engine, czy podobnym programem.

[h1]Played it enough to say a few things[/h1] [i]"Relaxing ambient soundscapes with satisfying interactions" [/i] I totally agree with the devs on this, the feedback you get from destroying items in the game is just so satisfying So, you should: [list] [*][u]BUY[/u] if you just wanna mess around and be creative(Like getting gems to place trees, stones etc, and just make a beautiful looking map) [*][u]DONT BUY[/u] if you think that this is a game that has some kind of story og goal. (I mean its only 2,39 after all, so it's not that of a big deal) [/list]

沒有設計細胞，玩成了割草和砸石頭遊戲，畫風很喜歡，冷調沉靜

Quiet as a Stone is a quietly distinctive creative sandbox that resists nearly every conventional expectation of what a game should demand from its player. Developed by Richard Whitelock and published by Distant Lantern Studios Ltd, it presents itself less as a goal-oriented experience and more as a contemplative digital space, inviting curiosity, patience, and personal expression. From the moment you step into its gentle environments, it becomes clear that the game is not interested in winning conditions, optimization, or challenge; instead, it offers a calm framework where exploration and creation are ends in themselves. The core experience revolves around wandering through serene landscapes and collecting natural materials such as stones, grass, crystals, and small artifacts. These elements are not treated as resources in a traditional sense, but as creative tools meant to be arranged, stacked, and composed into miniature scenes or larger environmental statements. Players can shape quiet gardens, symbolic structures, or abstract arrangements, guided entirely by their own aesthetic instincts. There is no imposed structure or progression system dictating what should be built or how long any task should take, which allows the act of creation to feel personal and unpressured. Interaction with the environment is deliberately tactile. Cutting grass, breaking rocks, and placing objects are all accompanied by soft sounds and subtle animations that reinforce the game’s meditative rhythm. Objects respond to gravity and physics in a loose, organic way, meaning that arrangements can feel imperfect or slightly unpredictable. While this can occasionally lead to frustration when items roll away or refuse to settle exactly where intended, it also contributes to the sense that you are working with a living space rather than a rigid editor. Creation feels closer to arranging objects in the real world than snapping pieces into a grid. Exploration plays an equally important role alongside building. The world is made up of varied environments that feel handcrafted yet natural, encouraging slow wandering and observation rather than efficient traversal. Weather changes, shifting light, and subtle environmental effects give each area a sense of quiet dynamism, reinforcing the feeling that time passes whether or not you are actively doing anything. This ambient movement adds depth to even static scenes, making it rewarding to pause and simply observe your surroundings. One of the most expressive tools in Quiet as a Stone is its in-game photography system. Players are encouraged to frame and capture their creations or discovered vistas using a camera that strips away interface clutter and emphasizes composition. This feature aligns perfectly with the game’s ethos, turning moments of stillness into something worth preserving. Photography becomes a form of completion in its own right, offering closure to a creative session without the need for scores, achievements, or explicit rewards. The audio design further reinforces the game’s tranquil identity. Ambient sounds and gentle music sit quietly in the background, never demanding attention but subtly shaping mood. The soundscape encourages longer sessions of relaxed play, where focus drifts naturally between collecting, arranging, and simply listening. It is a soundtrack designed to coexist with thought, making the game feel more like a creative retreat than a traditional interactive product. That said, Quiet as a Stone is intentionally minimal to a fault for some players. The lack of guidance, tutorials, or clear systems can make the experience feel opaque at first, and those seeking direction or progression may struggle to find motivation after the initial novelty fades. Object management and placement can occasionally feel clumsy, and the absence of organizational tools may frustrate players who want precision or long-term project planning. These rough edges are not accidental, but they do narrow the game’s appeal to a specific audience. Ultimately, Quiet as a Stone succeeds by fully committing to its vision of quiet creativity and unstructured play. It offers a digital space where the act of making something beautiful or meaningful is its own reward, free from pressure or evaluation. For players who appreciate meditative experiences, environmental storytelling, and creative freedom without constraints, it provides a rare and thoughtful alternative to traditional game design. It may not resonate with everyone, but for those willing to embrace stillness and imperfection, it becomes a uniquely personal and reflective experience. Rating: 7/10

放空攝影人專用

Pretty relaxing way to unwind with a glass of wine after a hard day at work. Interesting puzzle that are gentle on the mind.

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If you are into relaxation and amazing mystic views and storm and rain sounds to accompany that, this is a must have. I love it ♥

Love the concept and the calm vibes, its very beautiful and relaxing! I do wish there were more variation in landscapes though, I imagine it gets same'y quite fast. Different climates and plants would have been fun! It is also much too dark, with no way to adjust the lighting up (as far as I can tell). Sometimes I cant see whats going on at all, its literally just pitch black, lol. There are also some minor issues, like street lamps cant be picked up again once you place them.