Earth is dying and humanity is running out of time. 12 light years from home, Tau Ceti f offers a small sliver of hope. When the colony ship Cassiopeia crash lands on the planet, its crew soon realize they are far from being alone. In space, death takes many forms.
Modeled estimate, not a reported figure. How we estimate →
Each in the currency that store quoted — not converted: the gap between two rows is the publisher's pricing, not an exchange rate.
Every market we collect.
Discounts
Every price cut of more than 20% we have observed, in each market that quoted one, with this game's chart position on either side of it. These are episodes, not a model: a sale is one event, and one event cannot tell you what the next one will do.
Reviews, worldwide (the counter carries no country): 1.86/day in the week to Aug 11 → 2.29/day in the week after.
For scale, across Steam · Top Sellers · Brazil over the last 30 days: the 26 chart moves that followed a price cut of more than 20% went a median of 7 places towards #1, and the 2,400 moves with no price cut behind them went 2 away. One store, one chart, one country — it is the only place we have enough observations to say even that.
Prices outside the United States have been collected since 6 August 2026 and chart positions since 19 July 2026, so a cut older than that has no market to compare and a market that joined later has no history yet. Nothing here is converted between currencies.
About
From the creators of UNTIL DAWN and THE QUARRY, an all-new cinematic sci-fi horror adventure that blends intense survival gameplay with meaningful choices and a branching storyline.
Earth is dying and humanity is running out of time. 12 light years from home, Tau Ceti f offers a small sliver of hope. When the colony ship Cassiopeia crash lands on the planet, its crew soon realize they are far from being alone.
Hunted by an alien organism capable of mimicking its prey, the crew of the Cassiopeia must outwit their pursuers to make it home alive. As they battle to survive, they are confronted with the hardest choice of all: to save themselves, they must risk the lives of everyone on Earth.
Featuring Hollywood actor, Lashana Lynch (Bob Marley: One Love, The Woman King) as the ground-breaking astronaut, ‘Young’, experience immersive cinematic storytelling and edge-of-your-seat horror on a deep space mission to save humanity.
Evade a deadly alien threat that roams the dark corridors of the ship, intent on eradicating human life. Overcome your enemies using improvised weapons, lightning reflexes, and stealth. 
Encounter an alien lifeform that perfectly imitates its prey. Years of training and trust are lost among the crew when their enemy hides in plain sight. Who is human and who is not? Your choices are now more important than ever!
Rewrite your destiny and change the course of your story with our new Turning Points story tree. Uncover multiple endings, unlock hidden paths, and save your crew from their fateful deaths. 
Recruit up to five players to join you on your mission in couch-co-op movie night mode. Choose which crew members to control and work together with your friends to survive alien infiltrators, deadly dilemmas, and catastrophic system failures.
Sums Steam only; PlayStation, Xbox publish no volume signal, so the true total is higher by an unknown amount.
| Store | Price | Audience | Score | Chart | Est. revenue |
|---|---|---|---|---|---|
SteamYou are here | $49.99 | 2.3Kreviews | 62% | — | $2M |
| $59.99 | 4Kratings | 74% | — | not modelled | |
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Reviews
Themes across 209 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
Complete waste of time. Non-game, full of literally the exact "sneak past the lifeform" objective. Almost NO consequences and 0 QTEs. This ♥♥♥♥ is straight ass.
I don't get all the hate for the stealth. Was it maybe a lil too much? Yes, but some of the best horror games focus on stealth and yet people love them. I feel like if another studio did a reveal for a stealth horror game like outlast, but it had choices matter aspects, people would lose their minds. But since it's a DPA game people only wanted a carbon copy of the previous games playstyle. Though i don't think it's perfect by any means. Just like usual for DPA characters say really stupid things at stupid times, but i can look past it. Overall i loved the game for what it is, which might've been carried by the space/futuristic theme. I also was very caught off guard by the big twist at the end.
Media
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Price dynamics, follower growth, revenue and sales trajectories with interactive tooltips
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Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French*, Italian*, German*, Spanish - Spain*, Korean, Portuguese - Brazil, Simplified Chinese, Spanish - Latin America, Traditional Chinese, Polish, Russian*languages with full audio support
| $49.99 |
| 470ratings |
| 76% |
| — |
| not modelled |
Matched by title — a reused name can pair the wrong games. * is a critic aggregate. Prices and positions are each store's United States storefront; Epic charts worldwide. Audience and Score too, except Steam's, which is worldwide.
Hours played at review time, across 209 reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
The game is fantstic I personally dont understand why people are saying that the charaters are stupid when they see someone die then see them again when they do ask questions about how they are still alive, its a mental survial horror game.
La verdad que este juego me gustó mucho, me lo jugué tres veces en una semana porque quería ver todas las ramificaciones (que todavía no exploré al 100%) y me lo platiné. ¿El juego tiene sus fallos? Sí, la verdad no es perfecto y los diferentes finales no parecen tener TANTA diferencia, pero sigue siendo un juego entretenido con un cast muy bueno, tiene muchos personajes a los que les agarrás cariño rápido y por los que te preocupas de verdad (sí, hasta por los NPCs. te amo Zoe Anders). Se que a algunos no les gustaron las misiones de sigilo y les parecieron muy pesadas o repetitivas, pero a mí la verdad me terminaron gustando; puede que se te hagan aburridas mirando un gameplay, pero jugarlas vos misma ya es otra cosa.
Directive 8020 clearly shows that Supermassive Games can very rarely make a really good story. House of Ashes was a very big exception. And every new project of The Dark Pictures is getting worse and worse. But this time Supermassive Games for the first time tried to make not interactive movies, but a game. And everything fell apart right away. If they have almost no competition in the movie genre and even the average project is interesting to go through simply because it is such a specific genre. But when you add gameplay to it, the movie becomes a game. And you have completely different expectations for him. And now Directive 8020 can't give the game. There's a stupid 2-button gameplay, a meaningless stealth (it's almost a suicide for a project in The Dark Pictures series) and the saddest thing is the story. She's not just stupid in her idea, she's trying to prove to the player that it's not so. And it turns out that Directive 8020 is the beginning of a new season of The Dark Pictures, and if it took the studio 2 years, then I don't know what to expect from the episode next. There's nothing to praise her for, except for the graphics. 5/10
Had a fun time playing movie night with friends, and I think this entry moved the "series" forward in a good way that I'm excited to see newer games build off of this. The characters were interesting as far as Supermassive characters go (shoutout to my Philosopher Cernan), the choices were pretty fun, and I could see the vision in terms of the "updated" gameplay. After replaying the DPA just before, this game feels like a massive upgrade in terms of quality of life. The turning points is a great way of allowing us to see the different branches for multiple playthrough's. On the other hand, I will agree that the stealth sections felt way overdone, especially by the end of the game. And also no shared story or online multiplayer (at the time of writing) at all feels like a real loss. I'll still recommend it as I love these style of games and still enjoyed my time here. I want to see Supermassive succeed and I just hope they manage to maintain or even exceed the quality of their future games compared to Directive 8020.
Очень ждала выход игры, расскажу о плюсах и минусах Плюсы: - Классные персонажи (этого очень не хватало в Devil in me, где персонажи ощущались просто как расходники, без эмоциональной привязанности к ним). - Интересная задумка. Потенциал у истории был большой (только не вывезли). - Красивая картинка. Поиграла на всех уровнях графики - в любом случае выглядит неплохо. Минусы: - Оптимизация. В последних главах кадры жестко проседают, даже если ты вырубишь вообще все что только можно. Судя по отзывам даже на 5090 кадры падают. - Искусственное растягивание геймплея, из-за которого мы имеем миллиард часов стелса и всратые временные скачки, которые должны были разбавлять спокойное начало игры, но не справились с этой задачей. - Скучный геймплей. Вся игра это батарейки и подкрадули. Они по сути сделали из интерактивного кино обычную игру, но обычные игры по геймплею гораздо более приятные, да и в них стелс лучше чем здесь, когда персонажа просто спавнят у тебя перед лицом. - Не ощущается как интерактивное кино. В игре почти нет QTE, зато в одной только финальной сцене будто решили за всю игру отыграться QTEшками. Даже когда дают какую-то экшен сцену ты просто ползаешь по локации и все. Не дают побороться за жизнь, уворачиваться, "дышать" за персонажа и т.д. Только в финальной сцене, и все. - Отвратительный левел дизайн. Да, сама картинка красивая, но если играешь без маркеров и без отображения задания, то не поймешь куда тебе надо идти - локации абсолютно не интуитивные, даже тупа лампочками не подсветили в игре. - Плохое освещение. В катсценах все отлично, но в геймплее - нет. Часто сталкивалась с тем, что вообще не видно ничего перед собой. А в паре мест даже принудительно отобрали фонарик. Это не страшно - это тупо. Не получается напугаться того, чего не видишь. Это вызвало только раздражение, но не напряжение. - То, что я называю "эффектом Скуби-Ду" - всю игру не понятно что происходит, а потом в какой-то момент появляется персонаж который вываливает на игрока все злодейские планы. - Отсутствие русской озвучки. Это очень серьезный недостаток, потому что в игре в которой ты должен быстро успевать на что-то реагировать ты НЕ будешь успевать смотреть на ситуацию и читать субтитры одновременно. Речь героев очень быстрая, иногда даже в спокойной ситуации не успеваешь дочитать до конца. У меня в нескольких местах это не получилось, из-за этого я не знала куда нужно идти и что сделать, и персонажи умерли. - То, что можно собрать - ищи 5 занюханных монет на полном корабле монстров, что бы посмотреть 15 секунд непонятной фигни которая типа как трейлер к следующей части. Жесть. Раньше такое показывали просто так, после титров. - Состав DLC. Покупала ради артбука, и жестко обломалась - он даже не в pdf формате, а чисто пара скриншотов моделек и локаций крупным планом, доступные только через меню игры. Даже поленились оформить это все в документ. Я очень разочарована. Честно, если их следующие игры будут такими же, то я не буду играть в них, даже бесплатно. При том что до этого играла вообще во все. Под конец игры хотелось уже просто слить персонажей, тупа из-за того что ужасно надоело ползать пузом по полу. Если даете экшен, то пусть он будет экшеном, а не очередным "прокрадитесь мимо существа". Смотреть на ютубе наверное было бы приятней чем играть самой - там хотя бы можно промотать душные куски, и постопать там где не успел прочесть реплику.
Im loving this game, creepy, interesting, a lot of things to explore
I like these games, with Until Dawn being the best in the series, but this is lame compared to that. There’s no atmosphere thanks to the corny music between episodes, and the acting, directing and story is bad. It’s a cool concept as I love The Thing but executed poorly. I actually liked the stealth mechanics, as it added a new layer of gameplay, but the QTEs have been massively reduced, and I actually felt like I interacted with the game way more less that it’s predecessors.
hra celkově nuda, ale asi bych se měl dokopat k tomu, to dohrát někdy
Active players
Estimated daily and monthly active players (DAU/MAU) modeled from peak concurrency.
Players by region
Where this game's players are, estimated from review languages.
Players also reviewed
The games this title's players most often review too — audience affinity.
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