CyberTaxi

Bugs out, From what i read, some have problems, others do not. was not able to click any button with mouse..= Known problem, So i connected controller.. could only click buttons with controller. Started up new game. And Was not able to Drive. Love the look tho. Huge Flashback to Quarantine i was playing back in the 90s

Look, it's not AAA, AA or even A quality, but if you're looking for something to replace Quarantine on modern systems, this is a good option.

Ok, so I am going to re-write the review since the developer found my previous one a bit harsh. Cybertaxi is an attempt to re-imagine a game called Quarantine, where you drive a taxi with mounted weapons and transport fares to different locations. It is not a 100% copy, but many core features are almost identical which should give the developers enough time to focus on other things such as optimizing the game and fixing bugs. The story takes place in a futuristic and chaotic version of a European city. Your goal is to destroy Gambricorp which is supposed to be the company who injected everyone with drugs, that's why everyone is insane. To do that you gotta drop off fares to different locations until you meet the customers who will give you a main story job, same as in Quarantine. There are funny moments and some dark humour, but 10€ is in my opinion too much due to lack of originality and optimization. Some things don't work, such as ejecting passengers you don't want to. Sometimes you'll enter a repair shop and half of the controls stop working ( kinda ironic, since it's a repair shop ). I looks like a game from the early 2000's and runs horrible. Things often clip into each other and there are invisible walls. Adding 3D assets is not necessarily a bad thing, but that further proves that more effort was put into copying than making a game which works properly.

For me its great remake for Quarantine,there are bugs but nothing important,the game is getting better.

araba sürerken sağa sola ateş etme simülasyonu çizimler sesler kötü çok boş oyun

No tutorial, no explanation of what to do other than get the customers where they want to go, no explanation of how to get more ammo, no nothing. And the game puts you in the centre of the battlefield right from the start. Definitely not worth anyone's time and money.

CyberTaxi, developed by Projects from Basement and published by Ultimate Games S.A., is an ambitious genre-blending indie title that fuses taxi simulation, open-world exploration, vehicular combat, and light first-person shooting into a gritty cyberpunk package. Set in the dystopian city of Hindenburg, the game casts you as a taxi driver navigating a chaotic, crime-ridden metropolis where survival is just as important as customer service. Rather than delivering a straightforward driving simulator, CyberTaxi leans heavily into its dark-noir futuristic identity, combining neon-soaked streets, synth-heavy music, and violent street encounters into a strange but memorable hybrid experience. The core gameplay loop revolves around accepting fares and missions across four distinct districts, each with its own tone and dangers. On the surface, you are a cab driver transporting passengers through the city, but these rides often come with complications. Some customers are eccentric, others are tied to factions, and many jobs escalate into combat-heavy scenarios. Missions are procedurally varied, with hundreds of contracts ranging from simple drop-offs to faction-related tasks that reward money and reputation. The scale of mission content is surprisingly broad for an indie project, and the game encourages exploration rather than funneling players through a rigid narrative path. What truly sets CyberTaxi apart is its vehicular combat system. Your taxi is not just a mode of transport—it is your primary weapon. The vehicle can be outfitted with guns, shields, offensive gadgets, and defensive upgrades, transforming it into a rolling combat machine. Battles erupt on city streets as rival gangs, hostile factions, or mission-specific enemies attempt to destroy you. Shooting mechanics are integrated into the driving system, allowing you to engage enemies while navigating traffic and tight corners. While the concept is creative and chaotic, the execution can feel uneven. Vehicle handling is serviceable but lacks the refinement of dedicated racing titles, and the combat mechanics sometimes struggle to feel fluid or precise. Customization plays a significant role in progression. As you complete missions and earn currency, you can repair and upgrade your taxi, adjust its appearance, and experiment with different weapon loadouts. This system adds a layer of strategic planning, as certain districts or mission types may favor specific configurations. The ability to tailor your vehicle reinforces the sense of ownership over your survival in Hindenburg’s dangerous streets. However, balancing between driving performance and combat efficiency is not always seamless, occasionally highlighting the game’s attempt to juggle multiple genres at once. The open-world design provides a degree of freedom uncommon in traditional taxi simulators. Players are not confined to rigid routes or scripted sequences; instead, they can roam the city, discover hidden collectibles, and interact with various non-player characters. Passenger dialogue and voice interactions inject personality into the experience, even if these conversations are relatively shallow. The writing leans toward dark humor and irony, complementing the exaggerated cyberpunk aesthetic. While not deeply narrative-driven, the game’s world-building suggests a larger dystopian backdrop where corruption and survival define everyday life. Visually, CyberTaxi embraces a stylized cyberpunk presentation. Neon reflections shimmer across rain-slick streets, and the cityscape combines industrial decay with futuristic elements. The art direction aims for atmosphere rather than technical polish. At times, the visuals successfully evoke a moody, synth-wave ambiance reminiscent of classic cyberpunk fiction. At other times, graphical inconsistencies and rough textures remind players of the game’s indie scope. The soundtrack, however, reinforces the tone effectively, using electronic beats and synth-driven tracks to heighten immersion during high-speed chases and chaotic firefights. One of the game’s most defining characteristics is its willingness to experiment. It does not commit fully to being a driving simulator, a shooter, or a sandbox RPG, but instead attempts to blend aspects of all three. This ambition gives CyberTaxi a distinctive identity, yet it also creates friction. Driving mechanics lack the tightness of established racing games, combat lacks the precision of dedicated shooters, and mission design sometimes leans repetitive despite the quantity of available contracts. Players who value polish above experimentation may find these inconsistencies frustrating. Nevertheless, there is undeniable charm in CyberTaxi’s chaotic energy. The idea of being a weaponized taxi driver navigating faction politics and firefights in a neon-drenched dystopia is inherently creative. When the systems align—when a high-speed pursuit transitions seamlessly into an explosive street battle while synth music pulses in the background—the game captures a unique thrill. These moments highlight the vision behind the project, even if the execution does not always reach its full potential. Ultimately, CyberTaxi is best appreciated as a bold indie experiment rather than a finely tuned simulation. Its ambition to merge taxi driving, vehicular combat, and open-world exploration results in a distinctive but uneven experience. Players willing to embrace rough edges and unconventional design choices may find enjoyment in its unpredictable missions and stylized setting. Those seeking refined mechanics and genre-leading depth may find it lacking. As a niche cyberpunk sandbox filled with chaotic charm, CyberTaxi offers a ride that is messy, experimental, and occasionally exhilarating, embodying both the strengths and limitations of its indie origins. Rating: 6/10

mega game love

water trash

gra z kosza z crap