The Pasture

This is one weird game and not in a good way. You are supposed to find 20 art pieces while only walking backwards, but if you walk for too long without stopping you will die. It is also missing something as basic as sound settings.

да

💋

The Pasture, developed by Mikhail Maksimov and published by Sometimes You, is a deliberately unconventional experience that sits somewhere between an interactive art piece and a loosely structured simulation. It resists almost every expectation typically associated with games—there are no clear goals, no consistent progression system, and very little guidance. Instead, it invites players into a fragmented, surreal space where meaning is not delivered but implied, and where interpretation becomes the primary form of engagement. From the beginning, the game establishes a tone of ambiguity. You are placed into a world that resembles a distorted version of contemporary artistic life, where environments, characters, and interactions feel intentionally disjointed. Rather than presenting a clear path forward, the game allows you to move freely through various scenarios, each one offering its own strange logic and internal rhythm. These moments often feel less like levels and more like installations—self-contained ideas that you experience rather than complete. The absence of structure can be disorienting, but it is also central to what the game is trying to achieve. Gameplay, in the traditional sense, is minimal and often secondary to the overall concept. You explore, interact, and occasionally engage in activities that resemble objectives, such as preparing exhibitions or navigating through abstract environments. However, these elements rarely follow consistent rules, and the game frequently shifts its tone or mechanics without warning. This unpredictability creates a sense of instability, where players are never entirely sure whether they are progressing or simply moving through a series of disconnected experiences. It is a design that encourages curiosity but can also lead to confusion. What gives The Pasture its identity is its commitment to surrealism. The game embraces awkwardness, abrupt transitions, and unconventional interactions as part of its language. Scenes can feel mundane one moment and completely absurd the next, often without explanation. This constant shift in tone creates a unique atmosphere that is difficult to categorize. At times, it can be amusing or thought-provoking; at others, it may feel frustrating or impenetrable. Much of the experience depends on the player’s willingness to engage with its abstract nature. Visually, the game adopts a rough and unrefined 3D style that aligns with its experimental approach. Environments are varied but often lack cohesion, reinforcing the fragmented structure of the experience. Rather than aiming for realism or technical polish, the visuals function as a medium for expression. They convey ideas and moods rather than detail or immersion, which can be effective in context but may also come across as underdeveloped to some players. The presentation feels intentionally raw, as if the lack of polish is itself part of the statement. Thematically, The Pasture explores ideas related to art, creativity, and interpretation. It reflects on the nature of artistic expression, the challenges of being understood, and the often ambiguous relationship between creator and audience. However, these themes are not presented directly. Instead, they emerge through the game’s structure and interactions, requiring players to piece together their own understanding. This indirect approach can be rewarding for those who enjoy analyzing and interpreting abstract works, but it may feel inaccessible for players who prefer clearer storytelling. The game’s biggest strength—its commitment to being different—is also its greatest limitation. The lack of direction and consistent mechanics can make it difficult to stay engaged, especially for players who are accustomed to more structured experiences. Without clear goals or feedback, it can feel as though the game is not responding to the player in a meaningful way. This can lead to a sense of detachment, where the experience feels more observational than interactive. Despite these challenges, The Pasture succeeds in creating something memorable. It may not be enjoyable in a conventional sense, but it leaves an impression through its willingness to experiment and its refusal to conform. It is a game that asks players to meet it halfway, to approach it with curiosity rather than expectation. For those who are open to its approach, it can be an intriguing and occasionally insightful experience. In the end, The Pasture is best understood as a piece of interactive art rather than a traditional game. It offers a space for interpretation and reflection, even if it sacrifices accessibility and cohesion in the process. It will not appeal to everyone, but for a niche audience, it provides something genuinely different. Rating: 5/10

Another shovelware asset flip. You know, I will give this one pass for being memorably terrible. You would never touch a hot stove twice right? Thats how this game feels when I see it in my library. Not just a regular sort of pain though. it's more like the feeling you get when you burn the roof of your mouth before eating a perfect pizza.

WTF XD

This is a game that simulates an art gallery docent, in which you can only watch the visitor move backwards and forwards, and moving too fast beyond the tolerance degree will end the game. The game has 20 tour points to collect, and more than 30 pieces of real contemporary art in the exhibition (although I only recognize Jeff Koons' balloon dog). The full achievement is not difficult, the game time is about 1 hour. 1 magnesium as a ticket is also good. I know many people play this game's first feeling is WTF. but I want to say that the game itself is a performance art performance, in derision of independent games and flat +1 consumer society, some of the content is extremely crude and shallow, not to mention some mediocre and vulgar big show, bring us perhaps now is the success of vulgar taste games reflection.

I don't know how this ended up in my library. This "game" is a pit of diarrhea. The "game" wears it pridefully, you literally sit on a throne of ♥♥♥♥ at the end. AND YET. What I find most interesting is that it play the opening of Sword Art Online at the end.

(Эмо стих) не очень стих конечно,но всё же о.о Суицид Сколько смысла в этом слове Не то что в жизни моей. Беру я лезвие в руки И делаю надрез За ним ещё и ещё и ещё Всё. Душа тело покидает А тело ноет и дух мой страдает. Я ненавидел себя и хотел умереть И я умер,просто умер Нет меня больше здесь. Навсегда улетаю к звёздам И что вижу я? Это было всё ради каких-то звёзд. Тут только звёзды и ничего более Мне не вернуться назад.

I am 32 years old. My ex-wife and I have a daughter together, and we adopted our son together. Both are now 4 years old. When we were going through our separation, I felt lost and unhappy. I was self-destructive. One day, I was so angry with everything spiraling out of control that I punched a concrete wall in a moment of overwhelming emotion. This resulted in breaking my fifth metacarpal in my right hand—the hand I worked with, played games with, and used to carry my children to bed—the hand I desperately needed to ensure I could continue providing. Upon learning the severity of the self-inflicted damage, I became almost suicidal. Keep in mind that just a few months before this, I was the happiest man, with no history of depression or anxiety. I had never experienced anger outbursts, nor was I the type to break down and cry, but I was in a tough situation that truly prevented me from seeing the light on the other side. With nothing better to do, I looked for a game I could play WITH ONE HAND while recovering. Somehow, I stumbled upon this game and read some of the comments. I decided it was worth a try... I must admit I didn't beat the game, nor did I play as much as some of you. In fact, I may have played this game for only a day or two. That being said, after doing so, I had a new joy and hope for life. I managed to leave behind the pain and suffering that had been thrust upon me. I could experience the joy and happiness of other people. I relaxed for 5 ♥♥♥♥ minutes listening to this music, long enough to realize that I would be okay. After realizing this, I turned off the game and went back to work. My hand hurt a lot, but I was motivated. I stopped feeling so sorry for myself and became the father I needed to be at that moment, not the weak boy I was behaving like. Today, I am close friends with the mother of my children. We don't fight, argue, or say hurtful things to each other. We are parents and friends. Now I have 3 children. My third child is, wait, ALSO 4 YEARS OLD. The woman I am with was going through a very similar situation at the time of my separation, and we just unexpectedly stumbled into each other's lives. We have been dating for a year and are very happy together. Moral of the story: you never know what life has in store for you, and if I had given up when all odds were against me, I wouldn't be where I am today. This silly little game helped me realize that. Thank you.