
"My mother, my daughter, and me—three sixteen-year-olds on an extraordinary adventure."After traveling through time to meet their sixteen-year-old counterparts, three generations of women set off on an adventure through the Land of the Gods. What could await them at the end of their journey?
Modeled estimate, not a reported figure. How we estimate →
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Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Simplified Chinese, Japanese**languages with full audio support
Engagement
Hours played at review time, across 42 reviews with recorded playtime.
Reviews
Themes across 42 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
いい物語でした ちょっと重いだけど……。
生命真是脆弱又美丽啊
个人感觉结局有些不尽人意,但是不影响整体是一部好作品,2026.7.12.14:56通关撒花
absolute cinema, been bored by action packed and romance VN, this thing really bring fresh air to me 9/10, would cry
A moving tale.
很温柔的故事,很久之前打完的,忘记评价了,很喜欢美玲的性格,温柔但又有点强势
[h3]7.5/10[/h3] 比较新颖地用了常见的动画风格去画人物立绘,使用了远超一般gal量的CG和高水平音乐去演出,对于危机描写和抒情部分完全没有局限于文字,使得情绪带动非常非常足;[hr][/hr]本作在春夏秋三国篇章中以类公路片的描写比较完满地塑造了几个主要角色,并在剧本中以致死量的文字从非常奇特的视点探讨了“亲情”:蛭子以未体验过亲情的身份将孩子称作会将人变为父母的、拥有如此力量的“怪物”,借由本作时间穿越的设定,美鈴见到因紬改变了的自己和紬对自己将成为母亲的期待,将自我的改变反过来投射到自己的父母身上,在秋之国的雾中与阳子相拥补完了自己缺失的母爱,至此美鈴才终于可以在冒险的结束接受母亲离去的困境,达成与自我的和解、和这份困境相伴终生去迎接自己的孩子紬;[hr][/hr]本作世界观只是作为舞台也不算严谨,至于剧终前的反转那一段我的评价是直接删了会好得多,行动的理由到最后也没说只对主角打了个谜语,那一段的人物弧光完全可以换个方式展现,虽然瑕不掩瑜但就主线的公路部分来说有些虎头蛇尾。
魯迅曾經説過這個劇情很好看
最质朴的情感最能打动人心
この価格のゲームに求めすぎてはいけないとは思いますが、物語にまとまりがなかった印象。 まあ、こんなものではないでしょうか。
Related
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Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
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