
A thrilling love story unfolds in a majestic Parisian opera house.
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The United States storefront in every case, so this compares stores and not countries.
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All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English, Russian, Japanese, Simplified Chinese, Traditional Chinese, Korean, Spanish - Latin America
Sums Steam only; Nintendo publishes no volume signal, so the true total is higher by an unknown amount.
| Store | Price | Audience | Score | Chart | Est. revenue |
|---|---|---|---|---|---|
SteamYou are here | $14.99 | 94reviews | 73% | — | $31.8K |
| $14.99 | — | — | — | not modelled |
Matched by title — a reused name can pair the wrong games. * is a critic aggregate. Prices and positions are each store's United States storefront; Epic charts worldwide. Audience and Score too, except Steam's, which is worldwide.
Engagement
Reviews
Themes across 43 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
I am a shameless Phangirl and Erik!Simp, and I've noticed several other Phans have given this game negative reviews, but I will actually defend this game as a worthy addition to different interpretationsf of Gaston Leroux's classic novel. I have read the original novel in two different translations, and have a third on my shelf I've been meaning to read. I have seen the Musical!Movie and have a DVD of the Royal Theater adaption. I have read many Phantom retellings and many are unique takes. Including Susan Kay's. And I feel that this interpretation is just as valid as others. First, of all I feel just how human this game is. Yes, Erik is extra level evil in this, while in the original novel he does make the right decision in the end, and redeems himself, this version takes any sympathy you could possibly have for him and chunks it out the window. And I can understand why many Phans hate this. But in the end, I actually say...isn't this in many ways more realistic? I have sadly meet several 'Eriks' in my life, and most of them had this ending instead of a last second redemption. So, to see such a sad, and pitiful version evoked a lot of emotion out of me. It actually really fits a gothic tragedy in a way that Erik's fate was handled here. While, I can't phangirl over this one, I can appreciate the sheer humanity of the character here because in many ways this is what would happen in reality from my own understanding and experience with human nature. I actually liked this Christine, and her growing a backbone and becoming a stronger and layered character instead of what most adaptions do. Her growth is amazing, and I loved it. I also enjoyed Raoul's redemption as well. I liked the dept that was given to the side characters especially the Persian who is left out of more adaptions. I just feel a lot of phans are being too hard on this game. It isn't as romantic as most modern versions are by any means, but at the same time the original novel wasn't meant to be a romance. Leroux never intended a gothic romantic classic. He just wanted a detective story that Hollywood and Broadway decided was actually an epic love story and changed it. So, as a diehard Phan/Eric!Simp, I approve!
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Hours played at review time, across 43 reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
On one hand, it is very gorgeous. The character portraits are beautiful, the scenes are well designed, and the interface is pretty. The Phantom himself is frankly the best Leroux designed Phantom I'd ever seen outside of Lon Chaney's. The face is 11/10. Even the incidental characters (little Jammes for instance) are nice to look at. On the other hand, the mobile phone interface that the game originally ran with is a big hindrance on the computer. I really do not want to click and wait on the characters to move slowly to their spots. I wish there was some sort of keyboard interface where it wasn't constant clicking to get the characters where you need to go to. The collectibles are in places you have no reason to go into, so you're walking around slow as molasses to pick up a tidbit of information like "The Opera Ganier opened in 1875." And then although the little chibi versions of the character do have their cuteness, you start to get annoyed looking at them move their way slowly to where they need to go, or to do a limited animation loop before you get the next dialogue option. It also doesn't help to accommodate its free to play mobile phone version, that the game is sectioned into a bunch of episodes which run even slower than a soap opera (I'm in the middle of rewatching one, so the comparison is fresh). Lastly, the story they take odd liberties with the source material. I haven't seen the extent of the liberties since I haven't completed it (sentiment from the community from what I've heard is not good), but I am aware that they made the Phantom pretty despicable in this. This isn't necessarily a deal breaker for me (if you recognize the icon, you can see potentially why), but all they really had to do was tell the Leroux story accurately and this game would've been praised to high heaven and back by Phans. It just seems so weird to take a perfectly acceptable narrative and then alter it to make it less good for no inherent reason. Its one thing to dial the romance up or the violence up, but I'm not sure who was asking for this change in the narrative. Nobody particularly wants Christine to girlboss into the sun, or Raoul to be a jerk, or the Phantom to be irredeemable. We just want the original narrative, if possible, or at least an acceptable alternative (give us a good romance, a good slasher, heck, anything). Overall, I think the game would be better if they had released this as a purely menu based visual novel. The portraits are good, they'd only need to make a few for non-essential NPCs, cut out a lot of the random plot elements (like the strike), tidy up the narrative, and return it more closely to Leroux and you'd have the perfect game. You could even have two plots, one that sticks as closely to the novel as it can, and a 'redux' version that is for, I dunno, modern sensibilities? I really don't know what they were going for. As it is however, even as a big Phan and a person who plays visual novels, I can't recommend it. I just can't. I'm trying to complete it purely for completion's sake, but it might be just easier to watch Dario Argento's Phantom of the Opera film 5x in a row than finish this.
(Я написала это в порыве ж0пн0г0 полыхания после прохождения 3 эпизодов, вылизывая каждый диалог и выдр4чивая все предметы) Поиграв мимолетом и не так плотно можно подумать, что игра прикольная. НО как человек, вылизывающий ее уже 40 часов и пишущий по ней виртуальное эссе, мне есть что сказать: Постоянное растягивание и размусоливание одного и того же, это повсеместно происходит: сходи в эту локацию, поговори с ним, иди обратно и так по кругу. Я понимаю, что ее делали изначально для мобилки и была условная валюта для покупки эпизодов или глав, поэтому налили столько воды (если не п1зд3ть, то половина игры - вода, какой-то жирный отход от канона в виде [spoiler]Малек[/spoiler] и прочее). Играть в это сейчас - насиловать себя, тратить свое драгоценное время на потоки воды, идите уж лучше роман почитайте. 1,5 локаций на всю игру, посередине повествования откуда-то у нас появляется крыша театра, на которую никто и никогда не забирался, не удивлюсь, если в оставшихся двух чаптерах про нее и вовсе забудут! Столько п1зд3жа было отгроханное подземелье [spoiler]Эрика[/spoiler], а в итоге мы увидели 4 комнаты и ничего больше! Очень интересно. спасибо. Персонажи вроде и прописаны, но все они такие туп0рылые и раздражающие, что не хочется ни к кому проникаться, даже если по условному роману персонажи запали вам в душу: тут они просто другие, интерпретация алкогольного синдрома. Музыки, кстати говоря, тут примерно столько же сколько и локаций: две-три песенки, от которых уже начинает капать кровь из ушей, два разных смеха для изображения эмоций персонажей и все! уже на 3 часу игры я выключила все отстойные звуки и слушала свое, потому что еще бы немного и я рехнулась н4x7й. Анимации персонажей однотипные, часто слишком гиперболизированные, неподходящие в контекст диалога или события, людям было явно влом делать хорошо, хотелось на рэкламку и донатик байтить телефонных джеймеров, я понимаю... Честно, я бы никому не советовала играть в нее, несмотря на то, что я любитель данного жанра, я хотела уснуть и вспороть свое брюхо от скуки. [b]Вердикт от профессионального безработного: absolute hu3ta.[/b]
As a very long-time Phantom fan: I will say the art is magnificent, but it cannot save the horrible narrative design. Completely misses the point of the story it seeks to adapt; if this was a creative choice, it falls utterly flat as there is no character arc or development given to its titular character, no redemption or dimension. This is made even more aggravating given the seemingly random idiotic decisions/accusations regularly made by nearly every character and total lack of chemistry. Very disappointing, particularly as the art is so wonderful and gives an idea to how much more effective it would have been as a visual novel at the hands of decent writing that understood pacing, tension, and character motivation.
54.7 часов играл и прошёл, и у меня есть вопрос, где Хайд?
начну с того, что начинала проходить игру на телефоне, но сдалась рекламе так на 5-ой. поэтому, увидев эту игру в стиме, я очень обрадовалась. насчет сюжета могу сказать то, что он ну уж слишком затянутый. из исходника можно было сделать прекрасную игру, но сценаристы решили её испортить и добавить совершенно ненужные доп. эпизоды разжевывания ситуаций от лиц разных её участников. не отрицаю, что кто-то наоборот искал довольно продолжительную игру, поэтому, могу с уверенностью сказать этим людям, что они её нашли. насчет персонажей тоже чутка перестарались. если сравнивать с книгой, хоть я и не досканально с ней знакома, они сделали их слишком карикатурными что-ли? из Эрика вообще решили сделать психа-попугая, котрый всё время твердил одно и тоже. по поводу локаций, их не так уж и много. разработчики придумали кучу детских головоломок, которые можно было и убрать, но видимо, это была очередная попытка растянуть время прохождения. 3 уборщицы из 10.
Прекрасная игра, которую я сквозь боль, слёзы и нервы прошла. Первый раз я решила пройти игру с телефона, но достаточно быстро сдалась. И вот, когда обнаружила Призрака в стиме, я решилась купить и пройти игру полностью. Да, были моменты, когда приходилось отойти и собраться духом, но оно того стоило. Хоть игра и достаточно сильно отличается от книги, но думаю в ином бы случае получилось менее эмоционально (хотя есть моменты, которые явно должны были быть другими). Рекомендую к прохождению, да же если вы устанете ходить по всему театру
Oh! Ange si beau et perfide comment oses-tu jouer avec mon cœur faible comme ça? -K Es hermoso, ¿que decir? salvo por un par de fallas en las traducciones y gliches con los personajes, lo demás me parece genial. Oh... Erik.
Since it is the second game that I have played from this franchise (the first one was the Dr Jekyll and Mr Hyde), I like this game as well, the characters, the overall story, once again the art style and the soundtrack is as awesome as ever. I have only two things that I wish there were on this game. A)I wish I could play as the Phantom of the Opera, sure you can play as the evil managers but it isnt the same. If we look on the previous game Dr Jekyll and Mr Hyde you had the opportunity to play as Mr. Hyde, sadly in the Phantom of the Opera you cannot play as him. B)Some parts of the story was a little big cringy (Im referring to the scenes with Jammes, I know that she tries to be kawaii but lets be real, I it is kinda annoying.) So I dont really think that these sort of scenes were necessary. Yet again Im not the creator of the game (I must say however that the developers did a magnificent job with the game) and also I still like this game nonetheless. If you love gothic novels and If you love Mazm games then I highly recommend this game. P.S. Although the Phantom of the Opera/Erik/Angel of music is my favourite character and Villain, my favourite game will always be Dr. Jekyll and Mr Hyde. So in my opinion The phantom of the opera is my second favourite game. Hopefully in the future there will be more novel adaptations such as Dracula or the Invisible man or even Dorian Gray. Another P.S. Although I feel a bit disgusted when it comes to cliche endings in general, I prefer the first ending which is that the couple (Raoul and Christine are together)
What a wonderful game! The soundtrack, the characters, the good developed history by the original book, the care with details magnifies so much it and I 100% recommend it! I'm still currently playing (in the middle of it) but going to finish it very soon, it's worth each penny!
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