Lastbane

really wanted to like it but my god this game needs at least another year in the oven...

Really bad game sadly

Lastbane, developed and published by Lionstone Studio, is a cooperative survival horror game built around a striking and immediately memorable idea: sound is not just part of the atmosphere, but a core mechanic that directly influences whether you live or die. Instead of relying solely on visual stealth or scripted encounters, the game transforms noise—including player voice chat—into a tangible threat. This concept gives Lastbane a strong identity, setting it apart from more conventional horror experiences and creating moments where even speaking to teammates feels risky. The gameplay is structured around small groups of players navigating dark environments while completing objectives and searching for an escape. Exploration, item collection, and coordination form the backbone of each session, but everything is shaped by the need to remain quiet. Actions such as moving, interacting with objects, or communicating with others can attract attention, forcing players to constantly weigh the importance of coordination against the danger of making noise. This creates a dynamic where silence becomes a strategy, and even simple decisions carry tension. The integration of sound into gameplay is easily the most compelling aspect of Lastbane. The idea that your own voice can alert enemies introduces a level of immersion that few horror games attempt. In multiplayer sessions, this leads to naturally emergent behavior—players whispering, pausing mid-sentence, or resorting to minimal communication just to survive. These moments can be genuinely intense, as the line between the player and the character begins to blur. When the system works as intended, it creates a unique form of tension that feels both personal and unpredictable. However, the strength of this core idea is not always matched by its execution. Enemy behavior, which should reinforce the importance of sound, can sometimes feel inconsistent or underdeveloped. Creatures may fail to react convincingly or pose less of a threat than expected, which reduces the pressure that the sound-based system is meant to create. Instead of maintaining constant tension, encounters can occasionally feel manageable or even avoidable, which diminishes the overall horror experience. The lack of strong consequences in certain situations further weakens the impact of the game’s central mechanic. Content is another area where the game shows its limitations. With a relatively small amount of environments and gameplay variety, sessions can begin to feel repetitive after the initial novelty wears off. While player interaction adds some unpredictability, the absence of additional maps, enemy types, or evolving mechanics makes it difficult for the experience to sustain long-term engagement. Each session tends to follow a similar pattern, and without significant variation, the sense of discovery fades quickly. As an Early Access title, Lastbane also reflects its unfinished state through technical inconsistencies. Bugs, performance issues, and occasional irregularities in how systems function can disrupt immersion, particularly in a game that relies so heavily on atmosphere and tension. These issues do not completely undermine the experience, but they highlight the gap between the game’s ambition and its current level of polish. Visually, the game adopts a dark and minimalistic style that supports its focus on immersion. The environments are effective in creating a sense of unease, though they lack the diversity needed to remain visually engaging over time. Audio design plays a far more significant role, as it is directly tied to gameplay. The careful use of sound contributes to the tension, even when other elements fall short, reinforcing the importance of listening and reacting to subtle cues. Ultimately, Lastbane is a game defined by a strong and creative foundation that has yet to fully mature. Its use of sound as a gameplay mechanic is genuinely innovative, offering moments of tension that feel fresh and memorable, particularly in cooperative play. However, its limited content, inconsistent enemy design, and technical roughness prevent it from fully realizing its potential. It is an experience that shines brightest in short sessions with friends, where its unique mechanics can create memorable interactions, but it struggles to maintain that impact over time. In its current form, Lastbane feels like a promising concept still in development rather than a fully realized horror experience. For players interested in experimental mechanics and cooperative gameplay, it offers a glimpse of something distinctive. For others, it may be worth waiting for future updates that expand and refine its ideas. Rating: 4/10

Not a bad little game honestly. My buddy and I enjoyed it. It def needs more content.

this game is to easy and only one level not worth the money

VERY FUN GAME, MY PANTS SAID IT WAS TOO MUCH FUN ;)

I got 3 celery per hour of fun out of this game.

drecksspiel

Don’t buy this game needs more work, I posted clips on tik tok and YouTube SummGuyyttv shows some issues with the game

I received this game as a steam gift from a friend who saw the trailer and thought this would be good fun. We were wrong. This game was horrendously inconsistent, you can hear everything, microphones included at full volume from most distances, the monsters do not track sounds well and there are numerous game breaking glitches (such as jumping on a box, the monster cannot track you anymore, and also running and jumping over boxes, you often get stuck inside said box, and the game cannot progress in any way). You can also infinitely outrun monsters with sprint, this is not scary, this is not a horror game for now, but there may be potential with updates. TLDR; Do not recommend.