Kane and Lynch: Dead Men™

Как можно было сделать клевый почти во всех исполнениях шутер, кроме самого главного момента - стрельбы ? В общем, для своего времени наверное было супер клево, но сейчас - meh

I strongly believe that this game was misunderstood when it came out. The grittiness of it all is peak before Trevor and Michael from GTA V existed. On the technical side, worked flawlessly with Proton 9 and xliveless, it was a joy going through it for both endings.

Did not start: fixed (~15mins) Did not load once started: fixed (~10 mins) Stutters every 2 minutes: irritating (seems there is a third part fix) Inputs unreliable: unplayable (seems there is a third party fix) I'm not surprised this has been pulled from the store, given the state it's in. I'm not interested in third party patches, and have no intention of testing those out.

Es un juego simple, de disparar a todo lo que se mueva. Es una versión simplificada y peor del Freedom Fighters, aunque con mejores gráficos. Si juegas a algo tan antiguo, entonces no te importan mucho los gráficos, juega al Freedom Fighters. Los tiroteos a veces fallan, las balas a veces atraviesan a los enémigos sin hacerles daño. Esto se nota sobre todo con el rifle francotirador o cuando estás muy cerca de los enemigos. Hay que hacer un pequeño ajuste para correrlo en sistemas modernos, pero es sencillísimo y no hay que bajarse nada de Internet. Es un juego entretenido, sin pretensiones, para pasar el rato.

Thirty-eight hours in *Kane & Lynch*, and at this point I’m convinced the real achievement isn’t finishing the game , it’s surviving long enough to understand why I kept coming back. This isn’t the kind of crime game where you walk in feeling like a legend. It’s the kind where you walk in feeling like a bad idea. From the first few minutes, *Kane & Lynch* makes one thing very clear: this will not be smooth, heroic, or remotely professional. Plans collapse instantly. Gunfights turn into panic. Cover feels optional. And somehow every situation manages to get worse in ways that feel almost artistically disrespectful. And honestly? That’s exactly why it works. Most games want you to feel like a master criminal. *Kane & Lynch* makes you feel like two men who should absolutely not be trusted with a car, a weapon, or a five-minute strategy meeting. After 38 hours, I’ve spent enough time with Kane and Lynch to realize their greatest superpower isn’t violence , it’s turning every “this can’t possibly get worse” moment into a challenge to fate. What kept me hooked wasn’t perfection. It was the raw chaos of it all. The grimy atmosphere. The constant tension. The sense that every mission is one bad decision away from becoming a historical event for local law enforcement. And somehow, against all logic, it becomes weirdly compelling. By hour 38, I wasn’t playing to win anymore. I was playing because I needed to know what fresh disaster these two would create next. Would I recommend *Kane & Lynch*? If you want polished crime fantasy, probably not. If you want the digital equivalent of being trapped in the world’s worst criminal partnership — and enjoying every glorious trainwreck of it , absolutely. It’s messy. It’s rough. It’s chaotic. And somehow, that chaos has character.

ЛЮБИМАЯ ИГРА ДЕТСТВА. Негативный отзыв лишь за то,что нужны танцы с бубном при запуске в виде рожденного мертвым GFLW и удалением из игры русского языка.