JUSTICE SUCKS: Tactical Vacuum Action

Let me start off by saying, Roombo: First Blood was a fantastic game and it was such a blessing to find out that three years later they had made a full fledged sequel. It's ridiculous, it's goofy, it's cartoonishly gory, and the gameplay is still exactly the same but with more levels, abilities, mechanics, enemy types, objectives, cutscenes, JoJo references and more. It is all I could ask for in a game. 10/10, I legitimately love this game to death. If I had to complain, I have two nitpicks. While not a huge deal, in the first game, when activating a sprinkler, burglars could trip on it after stepping onto the water which is not the case here. You either have to use it while they are standing directly underneath it, freeze it, or electrify it for them to get hurt. But with most water sources being near electric traps or ice traps, this isn't really that big of a deal. Just tripped me up the first time and I was confused why they weren't slipping on the water! My other complaint isn't even gameplay related, but I always called him Roombo, so I was surprised when they called him Dusty. I called him Roombo so long that calling him Dusty felt wrong. So in my heart, he is still Roombo. My only complaint I could call a legit complaint is that there isn't more. Everything is SOOOO GOOD. Different enemy types and new maps means new strategies to try and avoid more than just a burglar kicking you this time. They'll try to ram you with scooters, explode you with bombs, or smash you by jumping into the air. But with the new trap types, it's no problem. And using traps together like lighting oil on fire or electrifying the water makes for some hilarious hijinks as you lure tons of enemies into your trap with a honk. One of my favorite parts was finding secrets within the levels that reward for exploring such as finding a chainsaw in the back of the airport or the fuse box in the nightclub. The new level types are equally amazing. Elimination where you get to focus solely on killing the enemies feels so satisfying without having to worry about anything else. Break The Targets along with the music was an awesome reference to Melee. And Cleaning Frenzy was oddly satisfying with the launching of soaps to try and clean up quicker to get a higher score. Oh and the song there is an absolute bop as well. Speaking of which, the entire soundtrack of this game is amazing and I was incredibly happy to see it was available on Spotify. However it wasn't on YouTube, so for you people who don't use Spotify, don't worry! I uploaded them all there so you can enjoy these amazing pieces of music. Samurai Punk, while 100%ing this game was some of the most fun I've ever had with a game, it was also sad because with the shutdown of the company in 2023, I knew that finishing the game meant Roombo was over. Truly, I wish all the developers well and thank them for the continued support of their games and for making these wonderful indie titles in the first place. This game gets a 10/10 and a Goatman seal of approval.

I need to play this more, but it had sort of a chibi-roboish vibe to it which is why I nabbed it. Then I accidentally dropped a ceiling fan on the family's son during the tutorial hide and seek game but uh, moving on, looks like dad's cut himself in the kitchen, better go clean-- "Cleaning up blood and bodies fuels your blood power, which you need to run blood abilities!" Well this took a turn. It's a fun little game about being a valiant not-roomba, protecting your household from the forces of sexy corporate evil. You utilize household items as traps, as well as your own devlish printer-like cunning to defeat enemies with cute little beeps and boops. Until they die. It's funny, it's cute. It's not at all what I expected, probably.

Hitman meets The Werecleaner meets Jo Jo's Bizarre Adventure. It's comedic, it's goofy, it's stealthy and it sucks. Definitely give this a go, especially if you can grab it on sale, there's a lot of love, care and depth to the gameplay, much more than meets the eye initially. 10/10, sucks.

[h2] 엔딩 봤어요~ [/h2] 그 감성임. Say No more!! 인가. 그 게임 감성. 뇌 빼고 하기에 좋음 ㅋㅋㅋ 스토리는 의미 없는 그냥 죽이는 맛으로 하는 뤄버청서기크리드. 플탐은 스토리만 본다면 내 플탐보다 빨리 깨기 가능. 생각보다 다양한 상호작용, 그리고 그를 통한 전략 아닌 전략 짜는 맛이 있으니 뇌 빼고 할 게임 찾는다면 세일할 때 고. 2만원 값은 안 할 정도로 짧음.

Honestly, I love this game with its cheesy comedy, good gameplay and cutscenes.

[h1]Domestic Terrorism Has Never Been This Productive[/h1] [i]JUSTICE SUCKS: Tactical Vacuum Action[/i] is a masterclass in what I like to call "High-Octane Chores." In an industry currently suffocated by gritty reboots and photorealistic depictions of sadness, Samurai Punk has delivered a title that embraces the inherent absurdity of a sentient vacuum cleaner embarking on a blood-soaked quest for vengeance. It’s [b]Hitman[/b] meets [b]Home Alone[/b], filtered through a fever dream of 90s Saturday morning cartoons. [h2]Technical Execution & Gameplay[/h2] From a mechanical standpoint, the game utilizes an [b]iterative stealth-action loop[/b] that is surprisingly deep. As Dusty, you navigate a 90s TV universe with a level of agility that defies your circular chassis. The technical polish is evident in the [b]frame pacing[/b]; even when the screen is cluttered with exploding ceiling fans and arterial spray, the performance remains buttery smooth. The [b]spatial audio[/b] implementation deserves a special mention. It’s not just for immersion; it’s a critical tactical tool. You can hear the distinct thud of guard patrols through walls, allowing for precise [b]hit-box registration[/b] when you inevitably launch yourself at their jugulars. My only minor gripe with the technical suite is the occasional [b]camera occlusion[/b] during high-chaos sequences in tighter corridors, but it’s a small price to pay for such glorious carnage. [h2]The Good & The Bad[/h2] [list] [*] [b]The Good:[/b] The emergent gameplay is top-tier. Hacking smart devices to create chain reactions feels immensely rewarding. There is a bizarrely satisfying [b]ludonarrative harmony[/b] in a game where you murder a squad of mercenaries and then immediately vacuum up their remains to charge your "Sexy McClean" powers. [*] [b]The Bad:[/b] The difficulty spikes can be as jarring as a power surge. Some of the late-game objectives feel slightly padded, and the isometric perspective occasionally makes platforming-lite sections more frustrating than they need to be. [/list] [hr][/hr] [h2]💰 Value for Money[/h2] [b]Verdict:[/b] [list] [*] [b]Full Price:[/b] Absolutely Worth It. [*] [b]50% Sale:[/b] A Mandatory Purchase. [*] [b]Deep Discount:[/b] If you don't buy it now, you clearly hate joy. [/list] [hr][/hr] [b]Final Score: 8/10[/b] [i]It’s smart, it’s sleek, and yes, it sucks—in the best way possible.[/i]

This is a wild ride full of cartoony violence fun, lots of humor, heartwarming story, pop culture puns, and a banging soundtrack. Thanks for a fun time!

HUGE improvement from the first game and very fun. w game

Really fun short game. The dev improved it from their concept game and put a ridiculous story amd funny characters. Can't believe they manage to put the feels at the end.

Justice Sucks, developed by Samurai Punk and published by tinyBuild, is a deliriously inventive and unapologetically chaotic action game that turns a seemingly mundane household object into a symbol of revenge and mayhem. At first glance, its premise sounds like a gag—a sentient robot vacuum cleaner on a mission to avenge his family after a home invasion—but beneath the absurd humor lies a cleverly designed stealth-action experience filled with personality, polish, and playfulness. It’s a perfect example of how creativity can transform a ridiculous idea into something surprisingly sophisticated and deeply entertaining. Justice Sucks doesn’t just rely on its novelty; it builds a genuinely satisfying gameplay loop around it, balancing comedy, carnage, and tactical ingenuity in equal measure. The player takes control of Dusty, an autonomous vacuum cleaner who discovers that his cleaning skills can double as deadly weapons. Each mission is a sandbox-style level where Dusty must eliminate intruders, complete objectives, and, true to his name, clean up the aftermath. The design encourages experimentation rather than direct confrontation. Instead of simply attacking enemies, you manipulate the environment to your advantage—triggering traps, hacking appliances, and luring targets into inventive deaths. A microwave might become an improvised bomb, a ceiling fan a spinning blade, and a refrigerator a deadly weapon when used correctly. Every environment feels like a playground of possibilities, and success comes from chaining these interactions together into smooth, creative sequences. The game rewards imagination and timing, turning every room into an arena of slapstick destruction where blood and debris are just another mess for Dusty to vacuum away. The gameplay loop blends elements of stealth, strategy, and improvisation. Dusty moves quickly and quietly, able to zip through vents, dash under furniture, or launch himself across the map in bursts of speed. When detected, combat can get frantic, but it rarely feels overwhelming thanks to the smart pacing and responsive controls. As you progress, you unlock new abilities and upgrades that expand your tactical options, including offensive gadgets and defensive maneuvers. These systems create depth without overcomplicating the experience—every upgrade has an immediate, tangible effect on how you approach levels. There’s a particular satisfaction in mastering the balance between chaos and control, setting off chain reactions that wipe out an entire squad of enemies in seconds and then quietly cleaning up their remains before anyone notices. The result is an intoxicating mix of comedy and competence, where you feel both ridiculous and brilliant at the same time. Justice Sucks also stands out for its vibrant and self-aware presentation. Visually, it adopts a saturated, cartoonish art style that perfectly matches its over-the-top premise. Environments are colorful, highly readable, and filled with small visual jokes that reinforce the game’s irreverent tone. The exaggerated animations and comic book-style effects lend every kill a sense of slapstick absurdity rather than gore, keeping the violence humorous instead of grim. Sound design plays a major role in maintaining that comedic rhythm—the vacuum’s mechanical whirrs, the exaggerated “splats” of fallen enemies, and the pumping funk-infused soundtrack all contribute to the game’s lively atmosphere. The music, in particular, is an inspired touch: a mix of upbeat retro grooves and action beats that give the gameplay a rhythmic flow, as though Dusty’s acts of vengeance are choreographed to the beat of a disco massacre. What makes the game work so well is its commitment to tone. Justice Sucks knows exactly what it is—an action comedy where the ridiculous premise is treated with absolute sincerity—and it never tries to be anything else. The writing leans heavily into parody and absurdity, peppered with visual humor and tongue-in-cheek references to pop culture. There’s even a narrative throughline that gives Dusty unexpected depth, exploring themes of family, loyalty, and artificial intelligence in surprisingly earnest ways, though always filtered through the lens of humor. These narrative touches, though light, add just enough emotional context to keep the player invested beyond the laughs. Samurai Punk’s writing and direction showcase a sense of confidence in tone that few indie studios manage to achieve—balancing absurd comedy with enough cohesion to keep it from collapsing under its own madness. The campaign structure is relatively straightforward, but each mission introduces new environments and hazards that keep things fresh. Levels take place in a variety of domestic and commercial spaces, from suburban homes to office buildings, each designed with interactive props and multiple paths to victory. The developers clearly understand how to create satisfying escalation: early levels teach the basics of stealth and sabotage, while later ones layer in more complex enemy types, tighter spaces, and more unpredictable traps. The challenge curve feels well-judged, allowing players to gradually refine their mastery of Dusty’s toolkit. While the campaign can be completed in around ten hours, it encourages replayability through scoring systems and optional objectives that reward creativity and efficiency. Perfect runs require a blend of precision, speed, and imagination, making it easy to lose track of time as you attempt to execute the perfect series of kills. If the game has a weakness, it lies in its repetition. The core loop—sneak, kill, clean, upgrade—remains largely consistent throughout, and while the environments and enemy types change, the objectives themselves can begin to feel familiar after several hours. Some of the late-game upgrades, though powerful, don’t drastically alter your approach, leading to a sense of mechanical comfort rather than continued discovery. That said, the moment-to-moment gameplay remains satisfying enough that these issues rarely undermine the experience. The humor and energy carry it forward, and even when you recognize the patterns, the act of executing them with flair continues to be enjoyable. Justice Sucks is at its best when you treat it like a toy box of chaos, experimenting for the sake of amusement rather than efficiency. What makes Justice Sucks truly memorable, however, is its personality. So many indie games attempt to blend genres or parody popular tropes, but few manage to do so with this level of polish and charm. It feels handcrafted in every sense—full of small details, unexpected jokes, and a design philosophy that prioritizes player delight above all else. The game’s identity is unapologetically strange but thoroughly confident, embracing both its humor and its heart. It’s not often that a game can make you laugh out loud one moment and then challenge you to pull off a perfectly timed stealth takedown the next, but Justice Sucks pulls it off effortlessly. In the end, Justice Sucks is a rare gem—a game that transforms absurdity into art through sheer creativity and execution. It combines clever mechanics, energetic design, and infectious humor into a cohesive and endlessly replayable package. It’s both a send-up of the action-stealth genre and a love letter to player freedom, where every object in the room can become a tool of chaos. Samurai Punk and tinyBuild have crafted a world where violence, comedy, and cleanliness coexist in perfect harmony, and where revenge truly sucks—literally and spectacularly. Rating: 9/10