Home Sweet Homecoming

白舟的翻译还是一如既往的难蚌啊，错翻、漏翻、意义不明的词语、语序不同的句子，不知道到底有没有人检查过文本问题..... 回归到作品本身，本作是一部短篇的废萌校园恋爱故事，日常挺有趣的，就是故事太短，进展太快了，也有可能是角色太多导致的，但人设方面，白毛瑛美是真无敌了，是妹妹、是学妹、是青梅竹马、是初恋，天降系青梅妹妹，太伟大了，我喜欢你Emi。

[後半に日本語レビューあり] [h1] Classic School-Life Romance VN [/h1] A gentle school-life romance ADV centered on a protagonist who returns to a Japanese academy after years abroad to reclaim his youth. Rather than complex conflicts or heavy emotional burdens, the story focuses on everyday encounters and conversations woven with care. Even choosing the protagonist’s morning arrival time changes the flow of dialogue, and walking around the campus after school to look for heroines—paired with the action-selection–based “STAND TALK+” system—creates a light mix of time management and roaming that fosters a genuine sense of “attending school.” The charm of the work is supported by multiple heroines with distinct atmospheres: a clingy childhood friend, a serious class representative, a quiet track-and-field girl, a cheerful senior, and even a mature teacher route. Instead of aiming for specific attributes, the experience feels closer to casually peeking into different flavors of romance within short, approachable play cycles. On the other hand, the one-year calendar progresses lightly, with some events jumping forward by a month or more, which may feel lacking for players seeking a densely depicted school life or pronounced seasonal changes. Sub-heroine routes are brief (the official site states that the proportion of main-heroine content was intentionally increased), so it is better to view them as “sweet bonus episodes for each attribute.” Visually, the soft and cute aesthetic characteristic of HOOK stands out, enhancing the overall relaxed and comfortable atmosphere. For players who enjoy works built on gentle, heartwarming daily moments—neither too heavy nor too light—this is a highly compatible choice. Ext."full content". [h1] 王道スクールライフ系ロマンスVN [/h1] 海外暮らしが長かった主人公が、日本の学園に戻って青春を取り戻す――そのテーマを軸にした、非常に穏やかな学園恋愛ADV。複雑な対立や重い葛藤は置かれず、日常の延長にある出会いや会話を丁寧につなぎ合わせていく構成が特徴。朝の登校時間を選ぶだけで会話の流れが変化したり、放課後に校内を歩いてヒロインを探したりと、行動選択がメインの「STAND TALK＋」システムも相まって、軽めのタイムマネジメント＆ローミング要素が「学園に通っている感覚」を生んでいる。 本作の魅力を支えるのは、雰囲気の異なる複数のヒロインたちだ。甘えん坊の幼なじみ、真面目な委員長、口数が少ない陸上少女、明るい先輩、さらには大人びた教師ルートまで用意されており、「違う味の恋愛」を短めのプレイサイクルで楽しめる。特定の属性を狙うというより、気軽に色々な雰囲気の恋人関係を覗いていく感覚に近い。 一方で、1年制カレンダーの時間経過は軽めで、イベントが月単位で大きく進む場面もあり、密度の高い学園生活や四季の変化を求める人にはやや物足りなく映るかもしれない。また、準ヒロインのルートは短く（公式サイトに「メインヒロイン群の割合を上げた」との表記あり）、あくまで「属性ごとの甘い番外編」として楽しむものだと割り切っておくほうが良い。 ビジュアル面は、HOOKらしい柔らかさと可愛らしさが前面に出ており、全体の緩さと居心地の良さを強めている。重すぎず、軽すぎず、ほのぼのと甘い日常を連ねていくタイプの作品が好きな人には、確実に適性のある一作だろう。 外部「フルコンテンツ」あり。日本語テキスト無音声有藻有。 [quote][b]Check out our Steam curator ([url=store.steampowered.com/curator/36364102-Horny-Hentai-Festival/]link[/url]) , YouTube channel ([url=www.youtube.com/curatorhhf/]link[/url]), and X(Twitter) ([url=x.com/hhfcurator]link[/url])![/b][/quote]

孩子们，翻译问题有点大，补票可以，切勿一念之差成为正版受害者。 ---------------------- 我没要求你上架完整R18版本。我不是色鬼。 可是，补丁下载要12个小时是什么意思？你的售后观念怎么了？目前才只算了一部作品吧？再这样下去，两部作品就要一天，四部作品就要两天 ，最后就要没有ハッピーウィークエンド（Happy Weekend）了。 作为周末回家的学生党，我可能要肘你了。真的。

有没有不吃建模的打法，有没有没有青梅竹马的打法，有没有没有命定相遇的打法，有没有不用跟女生说话就能攻略的打法，有没有不吃经济，不吃基友的打法இдஇ

这部作品线路众多、画面精美、甜度也足，算得上HOOKSOFT中等水准作品。 [strike] 虽然我全线推完之后啥也没记住。 [/strike]

Home Sweet Homecoming (or E School Life, the original Japanese name), developed by HOOKSOFT who also made I x She Tell, Houkago Cinderella, and Yubisaki Connection, has some things that stick out about it, but ultimately it’s just another light-hearted slice-of-life romance moege with little to no drama. That does make me hit-or-miss on whether I ultimately recommend this title, especially when I think there are better moege out there, but overall I’d say it’s kinda good—with caveats. [h1]Quantity Kinda Over Quality Options[/h1] The main thing that sticks out at first is the number of options Homecoming has compared to most moege. There are 7 love interests—a bit more than the usual 4–5—and thankfully just about all of them are generally pleasant to be around and not too trope-y. There’s also a decent amount of choices in the common route. Not a ton, but more than the usual “modern” moege. Since the title doesn’t have a club gimmick and the heroines mostly don’t hang out with each other, they feel extremely separated. This means you have to deliberately choose to spend time with one, and most of their pre-route screentime comes from the straightforward after-school “who do you hang out with” decisions. There’s also a choice right before bed: how early or late you want to go to sleep. This mainly affects how early/late you wake up the next morning and which heroine you run into. Since it’s hard to predict who you’ll meet and there are only 6 common-route days, you get roughly 15 different morning conversations. They’re short, but they add nice unpredictability if you’re reading blind. Speaking of reading blind, there’s another optional system called “Campus Buzz”: after school you can click on faceless NPC groups and sometimes overhear gossip about a heroine. This alters a handful of lines in the next scene with that heroine. It’s completely optional and never required to enter any route. Ultimately, while there are more heroines and slightly more meaningful choices than average, it’s still very easy to get onto routes for a moege. You just gain noticeably more common-route variety—at the cost of almost zero heroine interaction with each other outside their own paths. [h1]Likable But Inconsistent Heroines and Routes[/h1] Every heroine is relatively pleasant, but that doesn’t translate into consistent quality across routes or even likability. In fact. the VN is shockingly uneven in route length, romance development, and character depth. My personal favorite heroine is Emi Hanzono, the childhood friend and clearly advertised implied “true” heroine. Her route is one I genuinely quite liked. Their banter is goofy with mutual teasing, especially refreshing for childhood friends who were apart for a decade before reuniting. They act like actual friends instead of the usual one-sided simping. I also enjoyed the light conflict around Emi’s lingering self-doubt that formed when Ryoutarou moved away as kids. Misato Suzuyama is the assertive genki girl. She can be selfish, but she’s the most consistently layered heroine while still staying likable, wholesome, and fun. I was worried she would be too much but I enjoyed how surprisingly dynamic she was. Her route feels like a proper arc with callbacks and real growth; her final route event is easily the strongest in the VN to me. Mia Tougane is the one main heroine I just didn’t get at all. Beyond her first-day impression of really wanting to make the MC feel comfortable, her personality is the most forgettable in the cast and her route just feels kinda aimless. Her traits keep shifting—overly accommodating → book nerd → pushover → suddenly assertive in romance—with no clear core. Rikako Jinnai is the definition of “perfectly okay.” Shy track girl in a revealing uniform—that’s about all I got from the route. There are some sweet moments of Ryoutarou helping her open up, but her route stays surface-level and predictable despite being a full length main one. Yuka Karasuma has the most disappointing route—not because it’s bad, but because it has by far the best premise, yet is stuck as a side route. An oujo-sama/rich girl heroine who hates being coddled, complete with an overprotective dad and a bodyguard who initially speaks for her, is fresh and fun. The bodyguard Mutou is even an unexpected bro. The writing and plot is very solid and wholesome, but the short length means the conflicts resolve too quickly. Rin Yoshimura, another side heroine, is perfectly pleasant and had serious potential to be one of my favorites if her route weren’t so short. There are great ideas—like her backstory for why she hides behind her hair, the unique choice of how much hair she pulls back when you go out, and her personality where you'd expect her to just be shy and mysterious but she's actually just mild-mannered and surprisingly assertive at times. The route even experiments with the couple taking things unusually slow at first for an eroge (almost half a year), but the VN’s typical multi-month time skips rob it of impact. Erina Sayama is the teacher route… and that’s the entire gimmick. Short, reliant on the teacher constantly low-key hitting on her student, justified only because he thinks she’s hot. It clashes hard with the game’s otherwise grounded wholesome tone and just feels wrong. [h1]Other Pros and Cons[/h1] Ryoutarou, the protagonist, is… fine. He has occasional perverted thoughts but never descends into sexual-harassment. Most of the heroines are actually more sexually assertive than he is. His supposed flaws (transfer student, bad with girls) feel like informed attributes that barely matter. He can feel a little inconsistent across routes—overprotective with Emi, competitive with Misato, extra outgoing with Rikako, etc. Tooru deserves a small shout-out as one of the better bro characters in the moege genre, which admittedly isn't a high bar. He’s competent at everything (cooking, cleaning, reading the room, extracurriculars) and stays single because he’s too busy, not because he’s a loser. It’s a nice twist that keeps him likable and funny without making him a joke. Most other side characters exist only to resolve minor drama and lack sprites (though they do have VA). The game brags about variety, yet almost every date is at the same outlet mall, petting zoo, or family restaurant. In a big city setting, that’s disappointing. I also wasn’t super into how every heroine route had at least a month time skip, usually multiple between chapters but almost never did much with said time skips to actually develop the romantic relationships in an interesting way. Choosing when to go to sleep every night is a fun enough minor ginmick, and picking who to hang out with after school at least makes getting on routes easy, as expected of modern moege. The “Campus Buzz” eavesdropping choice system, however, is easily the worst gimmick of this VN. The gimmick was tedious, had no real hints on which NPCs to click, and was completely optional. I beat every route without touching it, except for one. [h1]Conclusion[/h1] As it stands, Home Sweet Homecoming/E School Life is a perfectly fine, decent-ish moege. It has nice wholesome down to earth writing, decent enough comedy, and a small handful of memorable emotional moments. However I feel like the more routes you read, you slowly start to see how the repetition, recycled date spots, and wildly uneven treatment of heroines drag things down. And the Campus Buzz gimmick is dumb and optional aka pointless. My personal advice is to just use the common route to find the few girls at most you like best and just read those routes. That’s the best way to get maximum enjoyment with minimal disappointment from this VN. Emi > Misato > Rin > Yuka > Rikako > Erina > Mia

Real Life: Taxes, depression, and chronic back pain. This Game: Peak comedy, rizzing up your teacher, and pure unadulterated serotonin. Hooksoft doesn't make games; they make digital antidepressants. 10/10 wouldn't mind getting diabetes again

我们Hooksoft本社终于有作品上了，所以灰姑娘什么时候来，秋梨膏

[quote] 《美好的回乡生活》是一款由Hooksoft制作，Shiravune发行的校园恋爱题材后宫向galgame。 游戏讲述主角筱崎辽太郎因为父母经常调职的原因，使得他在海外的各个学校中转学，面临青春以及各种语言问题，在他的不断请求之下以及向好基友花园亨抱怨，终于成功说服了父母，而条件是必须和花园亨一起合租。让人意外的是一起合租的还有小时候一起游玩的青梅竹马花园亨的妹妹花园瑛美？！ 成功转学到羽生学院的辽太郎也终于开始了他梦寐以求的青春校园生活，而凭借他独特的海归魅力也是在校园中邂逅了各种美少女，一场有趣的青春恋爱喜剧故事就此展开...... 游戏中共有七位不同性格的女主可供攻略，美术精致，人设在线。 花园瑛美，一起长大的青梅竹马，小时候贪玩活泼，长大后温柔听话，相当可爱。 东金望爱，辽太郎同班的班长，热心认真，初次邂逅辽太郎就与老师开始争相吃醋，相当有趣。 阵内莉佳子，合班授课认识的美少女，喜欢运动却又不习惯和其他人说话，看似冷漠实际想交各种好朋友。 铃山美里，三年级学姐，非常活泼精神的美少女，相当有活力。 乌丸裕香，一年级大小姐，看似端庄不让人靠近，深入后是个可爱亲近的小学妹。 吉村凛，外表阴郁，实际上温柔体贴，因为过去的原因害怕与男生交友。 狭山惠梨奈，辽太郎的班主任，非常年轻亲近，帮助学生解决各种问题的好老师。 整体游玩下来，本作主打青春校园恋爱喜剧故事，整体以日常为主，男主也是纯纯的魅魔体质，与各种美少女邂逅发展各种日常故事，故事纯爱无雷，发糖不断，音画设计在线。 总的来说，整体是一款很有意思的后宫校园恋爱题材galgame，虽然剧情偏向日常，但完全不会感到无聊，人设、美术都很在线，喜欢的兄弟们不要错过。 [quote] 游玩百态，将游玩心得用汉语化作玩家的指明灯，(๑•̀ㅂ•́)و✧ [url=https://store.steampowered.com/curator/35402408/]点击这里关注汉化语录~[/url] 如果喜欢这个评测，请点个赞让更多人看见 [/quote] [/quote]