His Chuunibyou Cannot Be Cured!

An utterly absurd premise, hiding a surprisingly deep story. Don't judge a book by its cover, I guess?

Hmm... This is a good first effort on the part of the developers. Decent characterization, backgrounds, and graphics. There is room for improvement, but again, for a first effort, pretty good. Perhaps the most glaring omission is a gallery. Decent enough, though waiting for a discount is not discouraged.

该作是一款校园恋爱题材视觉小说类冒险游戏，游戏主要讲述了一个自命不凡的中二少年和部员烧酒们一起做游戏的故事。游戏整体画风有些廉洁，其立绘倾向于劣质喜加一美GAL的既视感稍强（AI脸惨不忍睹），个人感觉该作全部经费都在寥寥几张的CG和开头动画上了，配音（因人而异）、云存档也都统统腰斩，好在游戏性价比还可以，史底12还要自行车就有点说不过去了吧，喜欢励志、搞笑、日常系题材GAL的小伙伴可以试试本作。 [h1]男主：女朋友真的不如游戏和纸片人重要[/h1] 老实说，一开始看到男主说自己有超能力这个设定的时候我还以为游戏会是齐木楠雄那种反套路的展开，然后事实证明我错了，我错的一塌糊涂，真的应该好好查查游戏标题里“ Chuunibyou（中二病）”这个日文罗马改的单词再开始游戏的（老师说我审题不明确,下次注意审题）。那么回到正题，虽然男主是个老中二病了，但至少人家不骄不躁不做作，要是这边一下王之力觉醒了，那边一下邪王之眼一开，然后放句狠话：“一袋米要扛几楼”，这就属于比较严重的晚期中二病了，再说像六花那种那种（纸片人老婆）萌妹精神妄想是为了戳你的萌点，死宅男的话真就“気持ちわ容るい”好了吧，现实中就算老二刺螈穿痛服出门都基本称得上是“社会性死亡”了，所以这里提到男主Jun的一大优点就是他并不烦人，骚话不多，毋庸置疑的是作为部长他的领导和管理能力也都很强，中二整活是一面，出谋划策也是一面，即便不擅长撩妹也能凭本事收割萌妹，简直强无敌，不过静下心一想这种人现实生活中真的存在吗，我印象中怎么只记得诠释现实中发生在那些标配宅男身上的只有“女人你挡到我玩游戏了.gif”和“女人你挡到我看番了.gif”这两张dio图的画面呢。。。梳理了一下思路然后得出一个结论就是：迪化是不可能迪化的，只有看看番打打游戏才能维持得了生活酱紫。 [code]欢迎参观我的： [url=https://store.steampowered.com/curator/33217084]真实评测[/url] 喜欢这篇评论，也麻烦点个赞，让更多人能够看到。[/code]

His Chuunibyou Cannot Be Cured! is a story-focused visual novel that blends romantic comedy, coming-of-age drama, and light psychological introspection into a narrative that is both playful and quietly reflective. Developed by Tamaya Kagiya and published by MangaGamer, the game embraces the familiar trappings of anime-inspired slice-of-life storytelling while using its central theme—chuunibyou, or adolescent delusions of grandeur—as a lens through which to examine identity, ambition, and emotional vulnerability. Rather than treating its premise as a simple gag, the game steadily builds it into something more personal and grounded. The story follows Jun Mizushima, a high school student who outwardly appears well-adjusted but privately harbors an intense inner world shaped by imagination, self-importance, and the belief that his desires can shape reality. Jun is not portrayed as a caricature; instead, his chuunibyou tendencies are framed as a coping mechanism and a source of motivation, particularly as he juggles academic pressures, creative aspirations, and the expectations placed on him by his wealthy family background. This duality—confidence bordering on delusion paired with genuine insecurity—forms the emotional backbone of the narrative and gives Jun a surprising amount of depth for a genre protagonist. Progression is driven almost entirely by reading and choice-making, adhering closely to traditional visual novel design. Player decisions influence how Jun interacts with the people around him, shaping relationship routes and emotional outcomes rather than radically altering the overarching plot. Choices often feel subtle rather than dramatic, focusing on tone, honesty, and emotional openness instead of binary “right or wrong” options. This design reinforces the game’s emphasis on interpersonal nuance, encouraging players to think about how small decisions affect trust, affection, and self-understanding over time. Character writing is one of the game’s strongest elements. The supporting cast is made up of classmates, rivals, and potential romantic interests who initially appear to fit recognizable archetypes but gradually reveal more layered personalities. Conversations unfold naturally, balancing humor with moments of quiet sincerity, and the game takes time to explore how each character reacts to Jun’s worldview. Rather than existing solely to affirm or challenge the protagonist, these characters feel like individuals with their own motivations, insecurities, and emotional boundaries. Visually, the game adopts a clean, expressive anime art style that prioritizes character emotion. Sprite work is detailed and varied enough to convey shifts in mood, embarrassment, confidence, and vulnerability without relying on excessive text. Backgrounds provide a consistent sense of place—classrooms, streets, and everyday settings that reinforce the slice-of-life tone—while CG illustrations are used sparingly to punctuate important emotional or romantic moments. The presentation doesn’t aim for spectacle, but it effectively supports the story’s intimate focus. Audio design complements this approach with a restrained soundtrack that underscores scenes without overwhelming them. Music choices are generally light and reflective, shifting subtly during moments of tension or emotional realization. Sound effects are minimal, keeping attention firmly on dialogue and character interaction. This understated audio direction helps maintain immersion and keeps the pacing smooth, especially during longer reading sessions. The game’s handling of mature themes is measured rather than gratuitous. While it does include adult content, these elements are integrated into relationship development rather than serving as the sole focus. Romantic and intimate moments are framed as extensions of emotional closeness, reinforcing the game’s broader themes of connection and self-acceptance. This approach helps the narrative maintain coherence and emotional credibility, even when venturing into more explicit territory. Pacing may feel slow to players accustomed to heavily branching visual novels or constant dramatic escalation. His Chuunibyou Cannot Be Cured! is content to linger in everyday moments, allowing relationships and internal conflicts to evolve gradually. For some, this deliberate rhythm enhances immersion and realism; for others, it may feel overly restrained. The experience is clearly designed for readers who value character introspection and emotional buildup over shock or spectacle. Overall, His Chuunibyou Cannot Be Cured! stands as a thoughtful, character-driven visual novel that treats its humorous premise with sincerity and care. It succeeds by focusing on emotional authenticity, relatable insecurity, and the quiet process of growing up rather than by chasing complex mechanics or extreme narrative twists. For players who enjoy anime-style storytelling rooted in personal growth, romance, and self-reflection, it offers a warm and introspective experience that lingers not because of grand events, but because of the human emotions at its core. Rating: 7/10

校园恋爱AVG，主线围绕游戏部制作参赛作品推进，节奏比较平稳，本作的岛俊的中二设定挺有特点，没有刻意尬演，而是把这种特质融入游戏开发中，比如用特别的思路设计游戏玩法，帮团队突破困境，身为部长，他统筹规划的能力比较突出，和几位女部员的互动自然，游戏的选择分支做得比较扎实，不同选项能呈现不一样的合作细节和情感发展，CG内容丰富，表情差分也比较精准，配合轻松的BGM能直观感受到角色的情绪变化。

+1 没中文 没成就 《他的中二病无法治愈！》（His Chuunibyou Cannot Be Cured!） 故事剧情 水岛纯是东高中的一名高中生，他各方面都十分普通。唯一的特别之处在于，他是一位富商的独子，且会在业余时间涉足游戏开发。 但除了这两点，他还有一个远不普通的特质：他拥有将所有愿望变为现实的能力。至少，他是这么认为的。然而，生活接连抛出难题 —— 来自竞争对手团体的挑战，以及国际游戏大赛海选日益临近的截止日期。水岛纯意识到，自己必须适应这个全新且充满挑战的阶段。 他最终会依靠这份 “能力” 解决所有问题，还是被迫接受自己一直以来的信仰或许只是一场谎言？ 关于开发者 键谷珠谷屋（Tamaya Kagiya）是一家新兴独立游戏工作室，专注于视觉小说开发。我们致力于创作能给观众留下深刻印象的趣味故事。这部小说的创作愿景，是重现并捕捉那些受动漫启发的情感氛围与难忘瞬间。 欢迎支持我们的首款完整作品 —— 这款众筹成功的佳作！我们能走到今天，离不开每一位的支持！

[h1]中二病也要谈恋爱，吗？[/h1] “Chuunibyou”：中二病，是日语网络流行词，直译为"初中二年级病症"，指青春期少年常见的自我意识过剩、幻想自己拥有特殊能力或使命的心理现象。 虽然说我也有过中二的时候，但是最后还是被现实打成了熊样，可是这部游戏的男主他不一样啊卧槽，《His Chuunibyou Cannot Be Cured!（他的中二病就无法被治愈）》 [h2]一部有着封面宣传诈骗嫌疑的作品[/h2] 现在是2026年2月28日，距离该游戏EA已逾6年之久，关于游戏的美少女立绘和男主的动作对话等透露着一种2000年前的味道，假如说把封面的美少女和游戏内角色的实际形象联系起来，可能会有些费解，目前我们一般管这个叫：作画崩坏。 抛开大头小身子的奇怪比例和神奇长相，游戏其实本质上是一部校园系青春废萌作品，非常爆笑的游戏部众人为参加一场游戏制作大赛，而引发的一系列诸多啼笑皆非的事情，要知道男主的中二病带给他的能力是：能完成一切的事情（游戏里结果上是基本做到了） 于是在这种蜜汁自信和财力过人的情况下，在这场比赛中遇上了来自竞争对手团体的挑战，与国际游戏大赛海选日益临近的DDL（deadline，截止日期）。男主意识到，自己必须适应这个全新且充满挑战的阶段，在众人拾柴火焰高的情况下，将一切本不可能的情况化作了可能~ 总结一下，本作属于入口即化的巧克力甜品作，长达9小时的游戏流程和诸多充满乐趣的内容，适合想体验青春难忘瞬间的玩家们！ [quote] 奏游戏之乐章，品人生之绚烂 [url=https://store.steampowered.com/curator/45672460/]欢迎加入 『 丰川集团 』[/url] [u][b]以丰川集团之名，行评测鉴赏之事[/b][/u][/quote]

El parche? Al menos la galería? Ni idea de la ruta que tome =/ No lo encontré particularmente interesante