Empty Space: The Creator

Just completed the game, super trippy and action packed realistic horror fps game, travel to invisible witch zombie infested japanese shrine villages, fancy marble underground houses, abandoned sunny building towns and more. The game is magical, filled with excitement and beautiful colors and levels. Immersive, fun to kick a** in and just a hell of a fun magnificent experience and game, loved it 10/10

I love games with destructible environments (Battlefield, Red faction, Teardown) Although this title is short I did very much enjoy ripping through the scenery while it lasted. The game has a unique and mysterious story, the music is pretty nice too. It's nice to see an indie developer try to put out something unique and you should check out the youtube channel for insight into the development.

Empty Space: The Creator is a first-person action game developed and published by Morteza Ahmadi that blends science fiction, psychological storytelling, and cinematic combat into a focused single-player adventure. The story follows Sara, a woman whose life is abruptly altered after a devastating car accident. Upon regaining consciousness, she discovers that she is trapped inside a bizarre dimension tied to her own mind and forced to confront the consequences of creations she can barely understand. Rather than immediately revealing its secrets, the game encourages players to piece together the truth through exploration, environmental storytelling, and increasingly dangerous encounters, giving the narrative a mysterious tone that remains engaging throughout the journey. Instead of relying solely on conventional shooting mechanics, the game introduces a highly interactive world where destruction is a core part of both combat and exploration. Walls, buildings, and other structures can be demolished, allowing players to reshape battlefields in real time. This mechanic is more than a visual spectacle, as collapsing environments can be used to eliminate enemies, expose hidden paths, or create tactical advantages. However, destruction is never completely safe, since unstable debris can just as easily become a threat to the player. This balance between offense and caution makes firefights feel dynamic, rewarding creativity instead of repetitive run-and-gun tactics. The campaign also distinguishes itself through its emphasis on cinematic presentation. Detailed environments, dramatic lighting, polished visual effects, and an atmospheric soundtrack work together to create an immersive science fiction setting. Each level is designed to reinforce the feeling of isolation while gradually expanding the mystery surrounding Sara's imprisonment. Rather than padding the experience with endless side objectives, the game maintains a deliberate pace that keeps the focus on progression and discovery. This design philosophy allows the story and gameplay to complement one another, making each new location feel purposeful instead of simply acting as another combat arena. Boss encounters further strengthen the overall experience by serving as memorable milestones rather than oversized enemies with inflated health pools. Every major battle introduces distinct mechanics and environmental interactions that require players to adapt their approach instead of relying on the same weapons and strategies. Combined with the destructible environments, these encounters create moments that feel more cinematic and unpredictable, adding variety to the campaign and preventing the action from becoming repetitive. Players who enjoy boss fights that blend spectacle with tactical gameplay will likely appreciate the effort invested in these sequences. One aspect worth noting is the developer's transparency regarding the game's production. The Steam page openly states that AI-assisted tools were used for selected voice performances, portions of the soundtrack, and some visual assets. While opinions on AI-generated content will naturally differ among players, clearly identifying these elements demonstrates openness about the development process. At the same time, the game remains an ambitious independent project that attempts to deliver a polished narrative experience through its combination of storytelling, environmental destruction, and cinematic action. Overall, Empty Space: The Creator presents an intriguing blend of psychological science fiction and action-oriented gameplay that stands apart through its emphasis on environmental destruction and narrative immersion. Its strongest qualities lie in its focused campaign, atmospheric presentation, memorable boss battles, and satisfying destruction system that constantly changes how encounters unfold. Although it is firmly rooted in the indie space, its ambition is evident in nearly every aspect of its design, offering players a distinctive experience that values storytelling as much as explosive combat. Fans of story-driven first-person shooters looking for a fresh concept with interactive environments and cinematic flair should find plenty to enjoy. Rating: 7/10

Well... I leave a positive feedback because, as indi developer, my intention its not to damage another indie game and increase its review count. Personally I didn't like the beginning, its too slow: walking in the middle of the darkness, followed by a second dark room and returning back to that dark void again, at this point was enough for me. My expectations were to play more colorful and illuminated maps.

不到一个半小时，通关了这款游戏。初期被游戏宣传片吸引了过来，一把看似不怎么样的枪，全程突突突，竟能让主角变成无敌破坏王？这种爽游在我面前让我根本抵挡不住诱惑，不加丝毫犹豫，直接上手体验。 然而，这游戏爽确实是爽，优化却是致命级别的。 先说一下故事背景，这个故事大概就是讲的是主角Sara是一位老师，自己的丈夫开发了一个人工智能程序，打造了一个异次元空间，被主角不知道怎么的给触发了，主角觉得丈夫没有最大限度地利用好这个空间，自己打算加以利用，便从丈夫手中夺走了这个程序，不知道主角当时的内心有多罪恶，也不太清楚主角有什么超能力，反正似乎是把现实中自己教过的学生的灵魂抽离带到这个空间并且锁住，并让AI程序替她看管这些灵魂。但貌似这种行为做多了之后，自己开始良心发现，又试图让AI程序设法弄了一场车祸，让自己的灵魂也进入异次元空间，展开一场救赎，设法把这些人的灵魂带出现实世界。 剧情是无厘头的，反正也就一个半小时，也还好，游戏中确实是可以突突突，一把神枪能把大楼打爆，不过要小心别站的距离大楼太近，不然容易被误伤，游戏中生成了大量的日本现代建筑与和风建筑，虽然游戏主创是欧美人，不过可以看出挺喜欢日本建筑的。只是日式片假名一看就是AI生成的罢了。流程不长，大概游戏只有四个大关，最后有一个比较肉的boss，全打通就通关了。 接下来说说缺点，首先游戏的引导做得很差，约等于没有，导致我在新手关卡的时候卡住了十几分钟，在第二关的时候，让我击碎骷髅，但一个偌大的地图，没有指南针，没有显著标记，实在是让我费劲一顿好找，此外这游戏的敌人生成模式，智能倒是智能，但总在我背后生成，总是被偷，实在是不友好。然后就是这太烂的优化，之前有一款《第二中学》的找异常游戏，我敢说这个游戏和找异常游戏的优化实在是半斤八两，走起路来一卡一卡的，对于FPS来说，实在是致命级别的优化。要不是游戏时长很短，可能玩到一半我就不想玩了。剧情到了最后一章，还有一部分剧情没有汉化，不过刺激的战斗也没啥时间听主角独白，无所谓了。 总之，体验下来，一个半小时已经是极限，甚至抛开卡关时间，一个小时通关绰绰有余，但是价格不便宜，还是最好等骨折再入手吧。不过游戏音乐确实挺唯美，比较耐听，但是八成也许大概，是AI做的。 [code] No Responsibility Review，只根据个人喜好进行评测：[url=https://store.steampowered.com/curator/36266776-NRR233] 无责任评测[/url][/code]