Cairn

cara que jogo bom, a história principalmente, você começa achando que vai ser somente um jogo sobre escalada, mas a montanha em si tem sua própria história e das demais pessoas que subiram e falharam, ou as que moravam na montanha, tudo é muito feito para puxar a atenção, com exceção da protagonista que me passou raiva do começo ao fim. Com essa única exceção todo o resto é ótimo, principalmente a trilha sonora.

今年的最佳独立游戏，完美诠释第九艺术的魅力

好玩 结尾哲学感拉满 然后DS5适配特别好

I literally just finished the game and here's my thoughts. Never has a game moved me like this one has. It can be so frustrating yet so wonderful. I had to quit a few times through out my play through because it would get frustrating to complete a climb but wow, is it worth it. Exploring the mountain and the story on it was such a lovely experience. The ending is *chefs kiss*. Had me misty eyed... I did it, I freaking did it. Embrace the story and play for the ending. Hands down, one of the greatest games that I have ever played. It's worth every penny and then some. Wow, just wow. Man, wow.

This is hands down the best indie game I have ever played, and it easily takes my top spot for games made in 2026. You ever start playing a game or watching a movie/TV show and get that immediate feeling that it is going to be a special experience? This is what I personally felt with this game. You don't even need to be into rock climbing to enjoy this game (although it certainly helps). With how stale gaming has grown in recent years, this is certainly a breath of fresh air. The presentation is simplistic at first but once you get past the tutorial, it throws you completely off with the beautiful art design and almost otherworldly OST that just hooks and reels you in. I have completed this game twice (once on normal, the other on 'free solo' difficulty) and even loading it up to explore everything the world has to offer on normal, i still find myself floored and getting goose-bumps from the intro. It has one goal: Start at the bottom, climb to the top. Uninterrupted. No sudden time skips or cutscenes that bring you higher up onto the mountain. While there is a story here to be told (and a surprisingly emotionally packed one at that), it does not get in the way of your overall gameplay experience. It enhances it. The climbing mechanic of this game feels natural 9/10, choosing which limb has the least support and prioritising your character to move that limb. And even when the automated limb selection feels janky, you can always opt to manually select which limbs you move thanks to just how accessible this game is. There is no greater satisfaction than almost losing your grip, and managing to put your foot/hand into a hold to keep yourself on that rock. I almost forgot to mention just how much replayability this game has. You do not have to take the same route every time, and there are even people playing this game who are still discovering new routes they can take up the mountain. I seriously cannot recommend this game enough. It may be a little pricey, but with the amount of replayability this game has, and the surprisingly deep themes that this game has to share. There is only so much that I can share without dropping spoilers on this game. So stop reading other peoples opinions, and go give this game a try for yourself! The Mountain is Calling. Will you answer?

"⁠Assim como a língua, a cultura oferece ao indivíduo um horizonte de possibilidades latentes – uma jaula flexível e invisível dentro da qual se exercita a liberdade condicionada de cada um." Com a recente morte do Ginzburg acho que Cairn é um jogo que finalizei na hora certa e que conversa muito com a obra dele. Ao queijo e os vermes aos Trogloditas verticais, a subalternidade e a história de culturas e formas de pensar deixadas no passado são alvo central de um pensamento que pressupõe o indiciário como cerne da questão tanto das obras de Ginzburg quanto de Cairn, superficialmente Cairn fala de escalada, profundamente fala de solidão, nuclearmente e centralmente trata das residualidades e permanências deixadas por aqueles que não dialogam diretamente mais conosco e sobre as residualidades que nos mesmos deixaremos ao partir, essencialmente sobre a memória e sobre lampejos de vida que não respiram mais. Assim como Holmes analisava meticulosamente cada mínima pista das cenas de crime, como Morelli analisava detalhes imperceptíveis nos quadros, Aava reconstrói um plano geral extenso sobre uma população, um povo inteiro que não existe mais, que ou se tornou um com a montanha, ou cedeu, assim como parte majoritária do mundo globalizado, à vida desenvolvida nas horizontalidades e deixou para trás a vida vertical, a partir de pequenas notas, símbolos, estátuas, poucas pessoas deixadas à mercê, vidas e histórias se desenrolam e se fazem mais uma vez presentes, além das histórias dos Trogloditas, as de cada alpinista que ousou desbravar o Kami e morreu tentando ou viveu sofrendo por nunca conseguir, e enfim essa história se reinventa a partir de Aava, a montanha cria, a montanha toma. “A história é a reconstrução sempre problemática e incompleta do que não existe mais.” Assim como não sabemos por completo sobre os Incas ou os Romanos, Aava nunca vai entender como eram os Trogloditas, a forma que agiam, o que pensavam, o que sentiam, o que sobrou foram restos de poeira e estátuas velhas jogadas ao vento que se agarram a mísera possibilidade de contar algo, de se reerguerem a partir dos olhos de Aava e de quem a controla no decorrer do jogo, é simplesmente um jogo sobre a historiografia e o memorialismo, a Aava vive intensamente e sente intensamente, ela existe dentro daquela realidade mas no fim das contas ela futuramente não vai ser nada além de resíduos daquilo que um dia viveu, assim como Menocchio foi morto pela inquisição por se ater demais aquilo que considerava o certo, como os Trogloditas abandonaram tudo aquilo que consideravam vida que inevitavelmente teve de mudar, como a Aava se ateve demais à montanha, à aquele cume que significava tudo e à ideia de alcança-lo que não saía de sua cabeça, nós nos ateremos demais a seja um pensamento, um sonho, um trabalho, uma ideia, que inevitavelmente trará o nosso fim, até que sejamos somente poeira ao vento e antigas estátuas que anseiam por sentir, mas existiremos eternamente a partir de ecos do que um dia fomos e memórias criadas, por mais problemática ou errônea que essa existência possa ser. E depois tem aquele final, foi como um soco no estômago, o fim de uma história que acaba como qualquer outra, o precipício infinito e as estrelas brilhantes, enfim, a vida, a montanha. o cume.

Причина тряски?! Да ты че....б*яяяяяяяяяяя

很有趣很还原的攀登游戏，我刚掌握先锋攀登，孤山独影帮助我克服了对冲坠的恐惧（雾 写给开发者：游戏优化很不错，美中不足的是有一些小的显示按键bug，尽管这不影响游戏操作，切换到手柄背键ltlbrtrb选择肢体的时候有时显示出来肢体选择是xyab（我使用的xbox手柄）

Great Climbing game but has a few issues. The climbing is solid and fun. The visual and sounds are great but could use optimization in some areas. An option for more background music would be nice. The story and characters are simple but not bad. Good voice acting. The Inventory system is interesting and different but kind of annoying sometimes. Not being able to use the Pitons as hands and foot holds is dumb. There will be times when your climbing and you will have solid footing and hand holds but Aava will still shake and want to fall. Skill issue or bug idk. There is a point in the game that force you to drink most your liquids. The reason for this is dumb story wise when only a few sips would be enough, but it also spits in the players face telling you wasted your time and effort collecting it and saving it for a harder part of the game. [spoiler]Climbing against an active avalanche is one of the dumbest things I've seen in a game.[/spoiler] A Mount Everest Expedition expansion with an oxygen mechanic could be cool for this game. The Climbot can melt snow into oxygen at camp and fill your bottles.

This has to be one of the most frustrating and infuriating games I have EVER played. Any progress takes SO long, save points are so far apart, the game tells you you should allow it to auto select your limbs for you (when choosing which limb to move next) but that's a terrible idea, you really have to select the limbs yourself and that process is infuriating too. You'd think pointing the stick to the bottom left when you're selecting your limb would select your left foot, but you'd be wrong. There are times when it feels like you're playing Baby Steps - the smallest little ledge becomes a challenge as Aava puts both feet behind her head and one hand into her ass while you're trying to pull yourself up onto something slightly above chest height. That being said I'm still into it, the story, art, atmosphere is exceptional, but the point I'm at now forces me to quit after an hour or so because it just makes me too angry. Every single mistake is punished BRUTALLY and even when not actually dying I just end up eating like 3 full meals on the side of a rock face and still starving within a day. Not the relaxing, zen experience I was hoping for. So I guess "constantly enraged but unable to stop playing" sums it up for me. *edit: I hate this game, still constantly enraged but I am gonna stop playing, the physics make no sense, you find a perfect place to hang? nope you're falling, you find a place where you're spread eagled across the underside of two rocks? yea that's a totally stable resting spot. Its a constant ragebait cycle of trying to learn what the games wants you to do, which seems to be different every rockface and every time you need to relearn it the game will waste HOURS of your time.