
Sent to find a missing billionaire on a remote island, you find yourself in a cannibal-infested hellscape. Craft, build, and struggle to survive, alone or with friends, in this terrifying new open-world survival horror simulator.
Modeled estimate, not a reported figure. How we estimate →
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About
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French, Italian, German, Spanish - Spain, Czech, Finnish, Japanese, Korean, Polish, Portuguese - Brazil, Russian +4 more
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 859 reviews with recorded playtime.
Reviews
Themes across 857 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
그래서 얘네 숲에 뭐하러 온거임?
jogo muito bom e interessante, porém acho que por ser da franquia de the forest poderia ter sido mais bem trabalhado, eles tinham dinheiro pra isso, mas enfim não deixa de ser um jogaço
Очень охуеная игра. Ток у меня ноут не потянул но даже так играть с кайфом можна
гра неймовірно класна всім раджу спробувати, багато крутих нових механік будівництва, шкода що полювання вже не настільки круте як було в першій частині проте нові мутанти, босси мене повністю влаштовують, гра в коопі просто неймовірна та весела. Загалом по наведених плюсах та 1 мінуса гра на 9 а то й 11/10
我有个朋友玩这个游戏天天看野人咪咪
棒
eğlenceli sarıyo
地图很大,可以体验探索的乐趣
хорошая игра
tabueno
Related
Related
Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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